{"id":104898,"date":"2020-05-30T12:43:00","date_gmt":"2020-05-30T10:43:00","guid":{"rendered":"https:\/\/blog.artsupp.com\/rembrandt-revient-a-la-maison\/"},"modified":"2020-05-30T12:43:00","modified_gmt":"2020-05-30T10:43:00","slug":"rembrandt-revient-a-la-maison","status":"publish","type":"post","link":"https:\/\/blog.artsupp.com\/fr\/rembrandt-revient-a-la-maison\/","title":{"rendered":"Rembrandt revient \u00e0 la maison"},"content":{"rendered":"

Le 21 f\u00e9vrier dernier, la Galleria Nazionale di Arte Antica di Roma<\/a> a inaugur\u00e9 l’exposition \u201c<\/span>Rembrandt \u00e0 la Galleria Corsini : L\u2019autoportrait comme Saint Paul<\/span><\/i><\/a>\u201d.\u00a0<\/span><\/p>\n

L\u2019autoportrait de Rembrandt<\/strong>, autour duquel tourne l’exposition, a connu des aventures rocambolesques. Les lettres, les estimations et les actes judiciaires originaux (aujourd’hui conserv\u00e9s \u00e0 l’Archivio Corsini de San Casciano) nous accompagneront dans ce voyage en nous r\u00e9v\u00e9lant le lien intime entre l’\u0153uvre conserv\u00e9e aujourd’hui au Rijksmuseum et la famille Corsini.<\/span><\/p>\n

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Rembrandt, Autoportrait comme Saint Paul, 1661, vue de l’installation<\/em><\/p><\/div>\n

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L\u2019Autoportrait de Rembrandt comme Saint Paul<\/strong><\/h2>\n

Commen\u00e7ons par le d\u00e9but.<\/span><\/p>\n

Rembrandt a r\u00e9alis\u00e9 l\u2019Autoportrait en 1661, le signant et le datant. L’artiste de Leyde s’est repr\u00e9sent\u00e9 dans 80 tableaux diff\u00e9rents au cours de sa vie, mais cette \u0153uvre est la seule o\u00f9 il appara\u00eet v\u00eatu des habits bibliques de Saint Paul. Observons les symboles iconographiques du saint : l’\u00e9p\u00e9e et le livre des \u00e9p\u00eetres.\u00a0<\/span><\/p>\n

Gr\u00e2ce \u00e0 la mention \u201cn.123\u201d au dos de la toile, il a \u00e9t\u00e9 possible de retracer le premier propri\u00e9taire du tableau : le banquier Everhard Jabach<\/strong>, l’un des plus importants collectionneurs allemands. Le tableau a ensuite \u00e9t\u00e9 achet\u00e9 par Nicolas Vieughels<\/strong> en 1725, qui s’est install\u00e9 \u00e0 Rome en tant que Directeur de l\u2019Acad\u00e9mie de France<\/a>, emportant avec lui le tableau.<\/span><\/p>\n

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Rembrandt, Autoportrait comme Saint Paul, 1661, d\u00e9tail n.123 au dos de la toile<\/em><\/p><\/div>\n

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L’autoportrait de Rembrandt et les Corsini<\/strong><\/h2>\n

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Rembrandt, Les trois arbres, eau-forte, 1643 <\/em><\/p><\/div>\n

\u00c0 la mort de Vieughels, sa<\/span>\u00a0femme a mis le tableau en vente. C’est alors que le Cardinal Neri Maria Corsini<\/strong> a d\u00e9cid\u00e9 de l’acheter pour enrichir la collection de Palazzo Corsini \u00e0 Lungara.<\/p>\n

Mais quel est le lien qui unit Rembrandt et les Corsini ?<\/span><\/p>\n

Les Corsini \u00e9taient de grands passionn\u00e9s des \u0153uvres de l’artiste n\u00e9erlandais et lors d’un voyage en Hollande en 1667, le marquis Filippo Corsini a rencontr\u00e9 Rembrandt en personne. Son fils Neri Maria partageait la m\u00eame passion et au fil des ans, il a acquis de nombreuses \u0153uvres et estampes de l’artiste.<\/span><\/p>\n

\u00c0 la fin du 19\u00e8me si\u00e8cle, les Corsini<\/strong> poss\u00e9daient plus de 200 estampes de Rembrandt<\/strong> : douze estampes peuvent \u00eatre admir\u00e9es lors de la visite de l’exposition et d’autres sont conserv\u00e9es \u00e0 l’Istituto Nazionale della Grafica de Rome.<\/span><\/p>\n

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1799 et les pillages napol\u00e9oniens<\/strong><\/h2>\n

L\u2019autoportrait de Rembrandt est rest\u00e9 pendant 71 longues ann\u00e9es<\/strong> entre les murs des Corsini, jusqu’en 1799. Ce furent des ann\u00e9es terribles durant l’occupation napol\u00e9onienne, des ann\u00e9es de pillage de tout le patrimoine artistique de la ville de Rome.\u00a0<\/span><\/p>\n

De nombreuses familles romaines ont \u00e9t\u00e9 contraintes de brader leurs collections en raison des lourdes taxes impos\u00e9es par les Fran\u00e7ais. La famille Corsini s’est \u00e9galement retrouv\u00e9e impliqu\u00e9e dans cette situation tragique.\u00a0<\/span><\/p>\n

Le prince Tommaso Corsini<\/strong> s’est r\u00e9fugi\u00e9 en Sicile pour \u00e9chapper aux Fran\u00e7ais, laissant le patrimoine entre les mains du ma\u00eetre de maison Ludovico Radice<\/strong>, une sorte d’administrateur et gardien des biens de la famille.<\/span><\/p>\n

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Vue de Castel Sant’Angelo pendant l’occupation napol\u00e9onienne, gravure, 1799<\/em><\/p><\/div>\n

Les Fran\u00e7ais ont menac\u00e9 et emprisonn\u00e9 Radice, qui a propos\u00e9 au Prince de vendre une partie du patrimoine artistique de la famille pour faire face aux taxes. Tommaso Corsini n’a pas accept\u00e9, il \u00e9tait oppos\u00e9 \u00e0 la vente de sa collection et la d\u00e9fendrait \u00e0 tout prix.<\/span><\/p>\n

Cependant, Radice a d\u00e9cid\u00e9 de ne pas respecter les accords pris avec le Prince et a contact\u00e9 un peintre, Stefano Tofanelli<\/strong>, pour faire \u00e9valuer une partie des tableaux.\u00a0<\/span><\/p>\n

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Le<\/span> montant total des tableaux estim\u00e9s s’\u00e9levait \u00e0 6050 \u00e9cus, mais le marchand d’art Luigi Mirri<\/strong> les a tous achet\u00e9s pour seulement 3500 \u00e9cus<\/strong>. Les tableaux qui ont re\u00e7u la plus haute estimation (1000 \u00e9cus) \u00e9taient l\u2019H\u00e9rodias de Guido Reni<\/a> et le portrait de Jules II, alors attribu\u00e9 \u00e0 Rapha\u00ebl, tandis que l\u2019Autoportrait de Rembrandt<\/strong> n’a \u00e9t\u00e9 \u00e9valu\u00e9 qu’\u00e0 100 \u00e9cus<\/strong>.<\/span><\/p>\n

Avec la fin de la R\u00e9publique romaine, le prince Tommaso est rentr\u00e9 \u00e0 Rome et, ayant appris la vente, a cherch\u00e9 par tous les moyens \u00e0 r\u00e9cup\u00e9rer les tableaux.<\/span><\/p>\n

Le prince a m\u00eame intent\u00e9 un proc\u00e8s contre Mirri pour r\u00e9cup\u00e9rer les \u0153uvres et <\/span>tout s’est termin\u00e9 le 22 janvier 1800 par un accord. Tommaso Corsini a rachet\u00e9 \u00e0 Mirri seulement 9 des 25 tableaux, pour un total de 2100 \u00e9cus. La Salom\u00e9 de Guido Reni<\/a>, le Portrait de Jules II et la Madone de Murillo<\/a> sont retourn\u00e9s \u00e0 la Galleria Corsini. Cependant, parmi les 9 tableaux revenus<\/strong> \u00e0 Palazzo, il n’y avait pas l\u2019Autoportrait de Rembrandt.<\/span><\/p>\n

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Vue de l’installation de l’exposition, d\u00e9tail des documents originaux<\/em><\/p><\/div>\n

<\/h2>\n

Le tableau de Londres \u00e0 Amsterdam<\/strong><\/h2>\n

L’\u0153uvre de Rembrandt est rest\u00e9e entre les mains de Luigi Mirri.\u00a0<\/span><\/p>\n

Dans l’exposition, vous pouvez observer les deux gravures command\u00e9es par le marchand pour promouvoir la vente de l\u2019Autoportrait. La premi\u00e8re impression, dat\u00e9e de 1799, a \u00e9t\u00e9 r\u00e9alis\u00e9e par le c\u00e9l\u00e8bre artiste lombard Giuseppe Longhi<\/strong> \u00e0 des fins \u201cpublicitaires\u201d.<\/span><\/p>\n

C’est alors que l\u2019autoportrait a fini entre les mains des principaux marchands anglais actifs \u00e0 Rome, de William Young Ottley \u00e0 Robert Fagan, de James Irvine \u00e0 William Buchanan. \u00a0Ce dernier l’a emport\u00e9 en Angleterre en 1807, comme l’indique une \u00e9tiquette au dos du tableau.<\/span><\/p>\n

 <\/p>\n

\"\"

Giuseppe Longhi, Autoportrait de Rembrandt comme Saint Paul, gravure, 1799<\/em><\/p><\/div>\n

\"\"

Charles Turner, Autoportrait de Rembrandt comme Saint Paul, gravure, 1809<\/em><\/p><\/div>\n

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Charles Kinnaird<\/strong> l’a achet\u00e9 \u00e0 Londres et a command\u00e9 \u00e0 l’artiste Charles Turner<\/strong> la seconde \u201cgravure publicitaire\u201d du tableau pour pouvoir le revendre. Ce n’est qu’en 1936 que les h\u00e9ritiers Kinnaird ont vendu l\u2019Autoportrait aux \u00e9poux de Bruijin qui, en 1960, l’ont laiss\u00e9 au Rijksmuseum d’Amsterdam<\/strong>, o\u00f9 il est encore conserv\u00e9 aujourd’hui.<\/span><\/p>\n

Notre voyage de 221 ans<\/strong> se termine ainsi comme il a commenc\u00e9, avec l’exposition \u201c<\/span>Rembrandt \u00e0 la Galleria Corsini : L\u2019autoportrait comme Saint Paul<\/span><\/i><\/a>\u201d \u00e0 la Galleria Corsini<\/a>, la maison qui l’a jalousement gard\u00e9 pendant presque un si\u00e8cle.\u00a0<\/span><\/p>\n

Nous vous rappelons qu’elle est visitable jusqu’au 30 septembre 2020<\/strong> et que vous pouvez la d\u00e9couvrir en avant-premi\u00e8re sur Artsupp<\/a>.<\/span><\/p>\n

 <\/p>\n

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<\/div>\n

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 <\/p>\n","protected":false},"excerpt":{"rendered":"

Le 21 f\u00e9vrier dernier, la Galleria Nazionale di Arte Antica di Roma a inaugur\u00e9 l’exposition \u201cRembrandt \u00e0 la Galleria Corsini : L\u2019autoportrait comme Saint Paul\u201d.\u00a0 L\u2019autoportrait de Rembrandt, autour duquel tourne l’exposition, a connu des aventures rocambolesques. Les lettres, les estimations et les actes judiciaires originaux (aujourd’hui conserv\u00e9s \u00e0 l’Archivio Corsini de San Casciano) nous …<\/p>\n<\/div><\/div>","protected":false},"author":2,"featured_media":83540,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1539],"tags":[1359,2950,2154,2189],"class_list":["post-104898","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-guide-bref-de-lexposition-fr","tag-expositions-a-rome-fr","tag-galerie-nationale-barberini-et-corsini-fr","tag-peinture-flamande-fr","tag-rembrandt-fr"],"acf":[],"yoast_head":"\nL'autoportrait de Rembrandt revient \u00e0 la maison \u00e0 la Galerie Corsini<\/title>\n<meta name=\"description\" content=\"L'exposition "L'autoportrait comme Saint Paul de Rembrandt" raconte les aventures rocambolesques du tableau qui revient \u00e0 la Galerie Corsini apr\u00e8s 221 ans.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blog.artsupp.com\/fr\/rembrandt-revient-a-la-maison\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L'autoportrait de Rembrandt revient \u00e0 la maison \u00e0 la Galerie Corsini\" \/>\n<meta property=\"og:description\" content=\"L'exposition "L'autoportrait comme Saint Paul de Rembrandt" raconte les aventures rocambolesques du tableau qui revient \u00e0 la Galerie Corsini apr\u00e8s 221 ans.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/blog.artsupp.com\/fr\/rembrandt-revient-a-la-maison\/\" \/>\n<meta property=\"og:site_name\" content=\"Blog di arte e musei | Artsupp\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Artsupp.official\" \/>\n<meta property=\"article:author\" 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