{"id":104869,"date":"2020-11-25T14:52:09","date_gmt":"2020-11-25T13:52:09","guid":{"rendered":"https:\/\/blog.artsupp.com\/quest-ce-que-la-fondation-ragghianti\/"},"modified":"2020-11-25T14:52:09","modified_gmt":"2020-11-25T13:52:09","slug":"quest-ce-que-la-fondation-ragghianti","status":"publish","type":"post","link":"https:\/\/blog.artsupp.com\/fr\/quest-ce-que-la-fondation-ragghianti\/","title":{"rendered":"Qu&#8217;est-ce que la Fondation Ragghianti"},"content":{"rendered":"\n<p><a href=\"https:\/\/www.artsupp.com\/it\/FondazioneRagghianti\" target=\"_blank\" rel=\"noreferrer noopener\">La Fondazione<\/a> est situ\u00e9e \u00e0 Lucques et est d\u00e9di\u00e9e \u00e0 <a href=\"https:\/\/www.artsupp.com\/it\/FondazioneRagghianti\" target=\"_blank\" rel=\"noreferrer noopener\"> <strong>Carlo Ludovico Ragghianti<\/strong><\/a> (1910-1987), l&#8217;un des plus grands critiques, historiens et th\u00e9oriciens de l&#8217;art du XXe si\u00e8cle, et \u00e0 sa femme <strong>Licia Collobi<\/strong> (1914-1989), \u00e9galement une \u00e9minente chercheuse.<\/p>\n\n\n\n\n\n<h3 class=\"wp-block-heading\" id=\"lorigine-et-les-objectifs\">L\u2019origine et les objectifs<\/h3>\n\n\n\n<p><strong>Le \u201cCentre d&#8217;\u00c9tudes sur l&#8217;Art Licia et Carlo Ludovico Ragghianti\u201d<\/strong> a \u00e9t\u00e9 fond\u00e9 en 1981 gr\u00e2ce \u00e0 la donation des \u00e9poux Ragghianti \u00e0 la Caisse d&#8217;\u00c9pargne de Lucques de leur biblioth\u00e8que, phototh\u00e8que et archive. En octobre 1984, le Centre est devenu <strong>\u201c<a rel=\"noreferrer noopener\" href=\"https:\/\/www.artsupp.com\/it\/FondazioneRagghianti\" target=\"_blank\">Fondation<\/a> Centre d&#8217;\u00c9tudes sur l&#8217;Art Licia et Carlo Ludovico Ragghianti\u201d<\/strong>, soutenue par la Caisse d&#8217;\u00c9pargne de Lucques, la R\u00e9gion Toscane, la Province de Lucques et la Commune de Lucques. Selon les intentions des donateurs, l&#8217;objectif principal a toujours \u00e9t\u00e9 de \u00ab fournir \u00e0 la ville et \u00e0 la r\u00e9gion de la Toscane nord-occidentale, ainsi qu&#8217;\u00e0 tout int\u00e9ress\u00e9 italien ou \u00e9tranger, un outil d&#8217;\u00e9tude de l&#8217;art, dans l&#8217;histoire et dans le pr\u00e9sent \u00bb. En 1992, la Fondation a re\u00e7u en donation la biblioth\u00e8que, la phototh\u00e8que et l&#8217;archive de Pier Carlo Santini, qui en fut le directeur scientifique de 1984 \u00e0 1993.<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/DSC_5344chiara-Copia-copia-1024x683.jpg\" alt=\"\" data-id=\"84393\" data-link=\"https:\/\/blog.artsupp.com\/?attachment_id=84393\" class=\"wp-image-84393\" srcset=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/DSC_5344chiara-Copia-copia-1024x683.jpg 1024w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/DSC_5344chiara-Copia-copia-300x200.jpg 300w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/DSC_5344chiara-Copia-copia-768x513.jpg 768w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/DSC_5344chiara-Copia-copia-1536x1025.jpg 1536w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/DSC_5344chiara-Copia-copia-2048x1367.jpg 2048w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/DSC_5344chiara-Copia-copia-600x400.jpg 600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"blocks-gallery-item__caption\">Archive, Fondazione Ragghianti<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/DSC_5243-copia-1-1024x683.jpg\" alt=\"\" data-id=\"84394\" data-full-url=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/DSC_5243-copia-1-scaled.jpg\" data-link=\"https:\/\/blog.artsupp.com\/?attachment_id=84394\" class=\"wp-image-84394\" srcset=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/DSC_5243-copia-1-1024x683.jpg 1024w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/DSC_5243-copia-1-300x200.jpg 300w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/DSC_5243-copia-1-768x513.jpg 768w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/DSC_5243-copia-1-1536x1025.jpg 1536w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/DSC_5243-copia-1-2048x1367.jpg 2048w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/DSC_5243-copia-1-600x400.jpg 600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"blocks-gallery-item__caption\">Biblioth\u00e8que, Fondazione Ragghianti<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>La vocation de l&#8217;institut est de cr\u00e9er des initiatives de qualit\u00e9, confirmant un ancrage territorial important tout en \u00e9largissant la perspective \u00e0 des collaborations de plus en plus larges et internationales. Comme l&#8217;\u00e9crivait <strong>Carlo Ludovico Ragghianti<\/strong>, \u00ab <em>Lucques peut devenir un laboratoire permanent d&#8217;\u00e9tude, un centre d&#8217;exp\u00e9riences culturelles qui ajoute de nouvelles potentialit\u00e9s \u00e0 ses grandes traditions<\/em> \u00bb.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"qui-etait-carlo-ludovico-ragghianti-entre-art-et-politique\">Qui \u00e9tait Carlo Ludovico Ragghianti : entre art et politique<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/www.artsupp.com\/it\/FondazioneRagghianti\" target=\"_blank\" rel=\"noreferrer noopener\">Carlo Ludovico Ragghianti<\/a><\/strong> est n\u00e9 \u00e0 Lucques le 18 mars 1910. Il a \u00e9tudi\u00e9 \u00e0 l&#8217;Universit\u00e9 de Pise sous la direction de Matteo Marangoni ; il enseignera dans la m\u00eame universit\u00e9 jusqu&#8217;en 1972. Sa formation a \u00e9t\u00e9 influenc\u00e9e par l&#8217;esth\u00e9tique de Benedetto Croce et de la \u201cpure visibilit\u00e9\u201d. Par la suite, il approfondit les th\u00e9ories de Konrad Fiedler, Alois Riegl et Julius von Schlosser.<\/p>\n\n\n\n<p>Ragghianti a particip\u00e9 activement \u00e0 la lutte contre le fascisme : il fut l&#8217;un des fondateurs du Parti d&#8217;Action et, \u00e0 partir du 8 septembre 1943, il a organis\u00e9 la r\u00e9sistance arm\u00e9e en Toscane. Il fut pr\u00e9sident du Comit\u00e9 de Lib\u00e9ration Nationale toscan et chef du gouvernement provisoire qui lib\u00e9ra Florence en 1944. Pendant le cabinet Parri, il fut sous-secr\u00e9taire aux arts et au spectacle ; par la suite, il s&#8217;occupa \u00e9galement de probl\u00e8mes institutionnels tels que la r\u00e9forme universitaire, la formation des enseignants et la protection du patrimoine culturel. Son engagement pour l&#8217;introduction de l&#8217;enseignement de l&#8217;histoire et de la critique du cin\u00e9ma dans les universit\u00e9s italiennes fut d\u00e9terminant.<\/p>\n\n\n\n<p>Il a d\u00e9but\u00e9 en tant que chercheur en 1933 avec une contribution sur les Carracci, publi\u00e9e dans \u00ab La Critica \u00bb, dirig\u00e9e par Benedetto Croce. Parmi ses premiers essais, on note ceux sur le langage cin\u00e9matographique, qui t\u00e9moignent d&#8217;un int\u00e9r\u00eat pr\u00e9coce et pionnier pour le sujet, auquel Ragghianti \u00e9tait li\u00e9 toute sa vie, comme le montrent les trois volumes sur les <em>Arts de la vision<\/em> (1974-1979), synth\u00e8se de ses recherches.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/DSC3211-copia-1024x683.jpg\" alt=\"\" class=\"wp-image-84397\" srcset=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/DSC3211-copia-1024x683.jpg 1024w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/DSC3211-copia-300x200.jpg 300w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/DSC3211-copia-768x513.jpg 768w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/DSC3211-copia-1536x1025.jpg 1536w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/DSC3211-copia-2048x1367.jpg 2048w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/DSC3211-copia-600x400.jpg 600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption><em>Vue d&#8217;installation<\/em> (exposition sur Bernardo Bellotto, 2019-2020), Fondazione Ragghianti<\/figcaption><\/figure>\n\n\n\n<p>Avec <strong>Ranuccio Bianchi Bandinelli<\/strong>, il a fond\u00e9 en 1935 la revue \u00ab Critica d\u2019Arte \u00bb, \u00e0 laquelle a \u00e9galement contribu\u00e9 Roberto Longhi.<\/p>\n\n\n\n<p>De 1952 \u00e0 1965, avec sa femme Licia Collobi et gr\u00e2ce au soutien financier d&#8217;Adriano Olivetti, il a dirig\u00e9 \u00ab seleARTE \u00bb, l&#8217;une des publications p\u00e9riodiques culturelles les plus importantes de l&#8217;apr\u00e8s-guerre, qui a atteint des tirages allant jusqu&#8217;\u00e0 55 000 exemplaires. Connue pour cette exp\u00e9rience, la production de la s\u00e9rie <em>seleARTE cin\u00e9matographique<\/em>, dont font partie dix-huit des vingt et un \u201ccritofilms\u201d r\u00e9alis\u00e9s par Ragghianti de 1948, avec <em>La d\u00e9position de Rapha\u00ebl<\/em>, jusqu&#8217;en 1964, avec <em>Michelangelo<\/em>. Gr\u00e2ce \u00e0 ces courts-m\u00e9trages, qui ont eu un grand succ\u00e8s, il a fait du moyen cin\u00e9matographique un outil efficace d&#8217;investigation critique et de vulgarisation, abordant des sujets vari\u00e9s, de la peinture de la Renaissance (Andrea del Castagno, Piero della Francesca, Botticelli) \u00e0 celle du XXe si\u00e8cle (Rosai), de l&#8217;art \u00e9trusque et romain \u00e0 l&#8217;architecture et \u00e0 l&#8217;urbanisme (Lucques, Pise, Pomp\u00e9i, Venise).<\/p>\n\n\n\n<p>Les int\u00e9r\u00eats de Ragghianti sont attest\u00e9s par des livres tels que&nbsp;<em>Commenti di critica d\u2019arte<\/em>&nbsp;(1946) et&nbsp;<em>Profilo della critica d\u2019arte in Italia<\/em>&nbsp;(1948); parmi ses \u00e9tudes de reconstruction historique et philologique, on peut citer&nbsp;<em>Arte in Italia<\/em>&nbsp;(1967) et, parmi celles consacr\u00e9es \u00e0 l\u2019interpr\u00e9tation de la peinture moderne, <em>Impressionismo<\/em>&nbsp;(1946) et&nbsp;<em>Mondrian et l\u2019art du XXe si\u00e8cle<\/em>&nbsp;(1962).<\/p>\n\n\n\n<p>Carlo Ludovico Ragghianti fut le fondateur et le promoteur de nombreuses institutions culturelles, dont l\u2019Institut d\u2019Histoire de l\u2019Art et la Collection nationale de Dessins et Estampes de l\u2019Universit\u00e9 de Pise et l\u2019Universit\u00e9 Internationale de l\u2019Art de Florence. En 1981, avec sa femme, il cr\u00e9a \u00e0 Lucques le Centre d\u2019\u00c9tudes sur l\u2019Art Licia et Carlo Ludovico Ragghianti.<\/p>\n\n\n\n<p>Il est mort \u00e0 Florence le 3 ao\u00fbt 1987.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/PXL_20201002_180442250-1024x768.jpg\" alt=\"\" class=\"wp-image-84396\" srcset=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/PXL_20201002_180442250-1024x768.jpg 1024w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/PXL_20201002_180442250-300x225.jpg 300w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/PXL_20201002_180442250-768x576.jpg 768w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/PXL_20201002_180442250-1536x1152.jpg 1536w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/PXL_20201002_180442250-2048x1536.jpg 2048w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/PXL_20201002_180442250-600x450.jpg 600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption><em>Vue d&#8217;installation<\/em> (exposition sur Cioni Carpi, 2020-2021), Fondation Ragghianti<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"les-jardins-de-la-sculpture-pier-carlo-santini\">Les \u201cJardins de la sculpture Pier Carlo Santini\u201d<\/h3>\n\n\n\n<p>La Fondation Ragghianti poss\u00e8de <strong><a href=\"https:\/\/www.artsupp.com\/it\/FondazioneRagghianti\/Artworks\" target=\"_blank\" rel=\"noreferrer noopener\">une collection de plus de sept cents \u0153uvres<\/a><\/strong> \u2013 parmi peintures, graphiques, sculptures, photographies,&nbsp;<em>collages<\/em>&nbsp;et \u0153uvres polymat\u00e9riaux \u2013 acquises par don, principalement de la part des artistes eux-m\u00eames. La collection repr\u00e9sente un outil incontournable de connaissance et d\u2019\u00e9ducation publique, et&nbsp;r\u00e9v\u00e8le de mani\u00e8re \u00e9vidente cet int\u00e9r\u00eat ouvert envers chaque forme d\u2019expression qui constitua l\u2019une des lignes directrices de la pens\u00e9e et de l\u2019action de Carlo Ludovico Ragghianti ainsi que de Pier Carlo Santini, son \u00e9l\u00e8ve et premier directeur.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/Lorenzo-Guerrini-Scultura-bianca-1968-Scultura-VIII-1968-Scultura-IX-1968-Scultura-XI-1967-Il-trono-1976-Pietra-strana-1976-Figura-femmina-1977-Figura-1982-copia-1024x683.jpg\" alt=\"\" class=\"wp-image-84395\" srcset=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/Lorenzo-Guerrini-Scultura-bianca-1968-Scultura-VIII-1968-Scultura-IX-1968-Scultura-XI-1967-Il-trono-1976-Pietra-strana-1976-Figura-femmina-1977-Figura-1982-copia-1024x683.jpg 1024w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/Lorenzo-Guerrini-Scultura-bianca-1968-Scultura-VIII-1968-Scultura-IX-1968-Scultura-XI-1967-Il-trono-1976-Pietra-strana-1976-Figura-femmina-1977-Figura-1982-copia-300x200.jpg 300w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/Lorenzo-Guerrini-Scultura-bianca-1968-Scultura-VIII-1968-Scultura-IX-1968-Scultura-XI-1967-Il-trono-1976-Pietra-strana-1976-Figura-femmina-1977-Figura-1982-copia-768x513.jpg 768w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/Lorenzo-Guerrini-Scultura-bianca-1968-Scultura-VIII-1968-Scultura-IX-1968-Scultura-XI-1967-Il-trono-1976-Pietra-strana-1976-Figura-femmina-1977-Figura-1982-copia-1536x1025.jpg 1536w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/Lorenzo-Guerrini-Scultura-bianca-1968-Scultura-VIII-1968-Scultura-IX-1968-Scultura-XI-1967-Il-trono-1976-Pietra-strana-1976-Figura-femmina-1977-Figura-1982-copia-2048x1367.jpg 2048w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/Lorenzo-Guerrini-Scultura-bianca-1968-Scultura-VIII-1968-Scultura-IX-1968-Scultura-XI-1967-Il-trono-1976-Pietra-strana-1976-Figura-femmina-1977-Figura-1982-copia-600x400.jpg 600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u0152uvres de <strong>Lorenzo Guerrini<\/strong> dans les \u201cJardins de la sculpture Pier Carlo Santini\u201d<\/figcaption><\/figure>\n\n\n\n<p>Il convient de dire que, n\u2019\u00e9tant pas un mus\u00e9e et ne poss\u00e9dant pas de salles pour des expositions permanentes, la Fondation n\u2019a pas la possibilit\u00e9 d\u2019exposer de mani\u00e8re stable la majorit\u00e9 des <a href=\"https:\/\/www.artsupp.com\/it\/FondazioneRagghianti\/Artworks\" target=\"_blank\" rel=\"noreferrer noopener\">pi\u00e8ces de la collection<\/a>, qui est conserv\u00e9e dans des d\u00e9p\u00f4ts, bien s\u00fbr \u00e0 la disposition de la vision pour les chercheurs qui en font la demande. Fait exception un noyau d\u2019une trentaine de sculptures, qui avaient \u00e9t\u00e9 \u00e0 l\u2019\u00e9poque plac\u00e9es dans la biblioth\u00e8que et les clo\u00eetres du complexe monumental de San Micheletto, si\u00e8ge de la <a href=\"https:\/\/www.artsupp.com\/it\/FondazioneRagghianti\/Artworks\" target=\"_blank\" rel=\"noreferrer noopener\">Fondation<\/a>, qui se trouve \u00e0 l\u2019int\u00e9rieur des murs de la ville de Lucques, pr\u00e8s de la Porte Elisa et du Jardin Botanique. Au fil des ans, cependant, des besoins logistiques et des facteurs circonstanciels avaient fait en sorte que l\u2019ordonnancement des \u0153uvres perde la logique avec laquelle il avait \u00e9t\u00e9 con\u00e7u. La mission de concevoir le nouvel am\u00e9nagement, confi\u00e9e \u00e0 l\u2019architecte Mauro Lovi, a conduit \u00e0 la cr\u00e9ation du parcours qui, avec l\u2019inauguration du 17 d\u00e9cembre 2016, a pris le nom de \u201cJardins de la sculpture Pier Carlo Santini\u201d.<\/p>\n\n\n\n<p>Avec cette initiative, on a voulu donner vie \u00e0&nbsp;un itin\u00e9raire capable d\u2019aider ceux qui entrent dans San Micheletto \u00e0 comprendre imm\u00e9diatement o\u00f9 ils se trouvent, c\u2019est-\u00e0-dire dans un lieu de beaut\u00e9, d\u2019art et de culture, le caract\u00e9risant donc dans un sens \u201cmus\u00e9al\u201d, dans la plus vive acception du terme.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"programmes-futurs\">Programmes futurs<\/h3>\n\n\n\n<p>Malgr\u00e9 les cons\u00e9quences de l\u2019\u00e9pid\u00e9mie de Covid-19, m\u00eame au cours de l\u2019ann\u00e9e 2020, la <a rel=\"noreferrer noopener\" href=\"https:\/\/www.artsupp.com\/it\/FondazioneRagghianti\/Artworks\" target=\"_blank\">Fondation Ragghianti<\/a> a r\u00e9ussi \u00e0 confirmer sa programmation et \u00e0 poursuivre une activit\u00e9 \u00e9ditoriale, d\u2019exposition, d\u2019archivage, d\u2019enseignement, etc., de haute qualit\u00e9. L\u2019ann\u00e9e 2021 sera une ann\u00e9e importante, marquant le quaranti\u00e8me anniversaire de l\u2019institution. Pour l\u2019occasion, une grande exposition interdisciplinaire sera r\u00e9alis\u00e9e et d\u00e9butera l\u2019\u00e9dition critique des correspondances de Carlo Ludovico Ragghianti avec les personnalit\u00e9s les plus remarquables avec lesquelles il a \u00e9t\u00e9 en contact \u00e9pistolaire.<\/p>\n\n\n\n<p>Dans son ensemble, le programme des initiatives de la <a href=\"https:\/\/www.artsupp.com\/it\/FondazioneRagghianti\/Artworks\" target=\"_blank\" rel=\"noreferrer noopener\">Fondation<\/a> pour l\u2019ann\u00e9e 2021 confirme de mani\u00e8re indiscutable les objectifs et la nature d\u2019un centre d\u2019\u00e9tudes, de recherche, de promotion et de production de l\u2019art qui, depuis quelques ann\u00e9es, m\u00e8ne une proposition culturelle dont le s\u00e9rieux et la qualit\u00e9 sont unanimement appr\u00e9ci\u00e9s.<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/DIDATTICA-768x1024.jpg\" alt=\"\" data-id=\"84398\" data-full-url=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/DIDATTICA.jpg\" data-link=\"https:\/\/blog.artsupp.com\/?attachment_id=84398\" class=\"wp-image-84398\" srcset=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/DIDATTICA-768x1024.jpg 768w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/DIDATTICA-225x300.jpg 225w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/DIDATTICA-600x800.jpg 600w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/DIDATTICA.jpg 1140w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><figcaption class=\"blocks-gallery-item__caption\">Ateliers p\u00e9dagogiques<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/IMG_20200916_092740-copia-768x1024.jpg\" alt=\"\" data-id=\"84399\" data-full-url=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/IMG_20200916_092740-copia-scaled.jpg\" data-link=\"https:\/\/blog.artsupp.com\/?attachment_id=84399\" class=\"wp-image-84399\" srcset=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/IMG_20200916_092740-copia-768x1024.jpg 768w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/IMG_20200916_092740-copia-225x300.jpg 225w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/IMG_20200916_092740-copia-1152x1536.jpg 1152w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/IMG_20200916_092740-copia-1536x2048.jpg 1536w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/IMG_20200916_092740-copia-600x800.jpg 600w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2020\/11\/IMG_20200916_092740-copia-scaled.jpg 1920w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><figcaption class=\"blocks-gallery-item__caption\">\u00c9dition<\/figcaption><\/figure><\/li><\/ul><\/figure>\n","protected":false},"excerpt":{"rendered":"<div class=\"tmnf_excerpt\"><div class=\"tmnf_excerpt\"><p>La Fondazione est situ\u00e9e \u00e0 Lucques et est d\u00e9di\u00e9e \u00e0 Carlo Ludovico Ragghianti (1910-1987), l&#8217;un des plus grands critiques, historiens et th\u00e9oriciens de l&#8217;art du XXe si\u00e8cle, et \u00e0 sa femme Licia Collobi (1914-1989), \u00e9galement une \u00e9minente chercheuse. L\u2019origine et les objectifs Le \u201cCentre d&#8217;\u00c9tudes sur l&#8217;Art Licia et Carlo Ludovico Ragghianti\u201d a \u00e9t\u00e9 fond\u00e9 &hellip;<\/p>\n<\/div><\/div>","protected":false},"author":21,"featured_media":84386,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1701],"tags":[1307,2901,1815,1324],"class_list":["post-104869","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-les-musees-sur-artsupp-fr","tag-art-contemporain-fr","tag-fondation-ragghianti-fr","tag-lucques-fr","tag-musees-fr"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Qu&#039;est-ce que la Fondation Ludovico Ragghianti de Lucca?<\/title>\n<meta name=\"description\" content=\"La Fondation Ludovico Ragghianti de Lucca entre art contemporain et projets 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