{"id":104861,"date":"2020-12-03T16:04:16","date_gmt":"2020-12-03T15:04:16","guid":{"rendered":"https:\/\/blog.artsupp.com\/lannonciation-de-lamour-de-filippo-cifariello\/"},"modified":"2020-12-03T16:04:16","modified_gmt":"2020-12-03T15:04:16","slug":"lannonciation-de-lamour-de-filippo-cifariello","status":"publish","type":"post","link":"https:\/\/blog.artsupp.com\/fr\/lannonciation-de-lamour-de-filippo-cifariello\/","title":{"rendered":"L’annonciation de l’amour de Filippo Cifariello"},"content":{"rendered":"\n

Sponsorer des \u0153uvres d\u2019art : la Coop et la restauration de L\u2019annonciation de l\u2019amour de Filippo Cifariello<\/em><\/h3>\n\n\n\n

L\u2019activit\u00e9 de sponsoring d\u2019\u0153uvres d\u2019art, bien qu\u2019elle constitue un ind\u00e9niable outil de promotion pour l\u2019entreprise qui s\u2019en charge, repr\u00e9sente, en ce qui concerne la vie d\u2019une institution mus\u00e9ale, une ressource pr\u00e9cieuse ainsi qu\u2019une reconnaissance de la valeur et de l\u2019importance de ses collections.<\/p>\n\n\n\n

R\u00e9cemment, gr\u00e2ce \u00e0 l\u2019engagement de la Fondaco srl comunicare con l\u2019arte<\/em> \u2013 la soci\u00e9t\u00e9 de communication qui vise \u00e0 valoriser le patrimoine historique, artistique et culturel en recherchant et en impliquant des investisseurs, entre autres, pr\u00eats \u00e0 financer des op\u00e9rations de restauration \u2013 la Coop Alleanza 3.0 , qui s\u2019\u00e9tait adress\u00e9e \u00e0 cette soci\u00e9t\u00e9 pour retrouver des \u0153uvres \u00e0 restaurer dans neuf r\u00e9gions d\u2019Italie, a offert sa disponibilit\u00e9 \u00e0 financer la restauration de la monumentale sculpture en pl\u00e2tre de Filippo Cifariello (Molfetta 1864 \u2013 Naples 1936) intitul\u00e9e L\u2019annonciation de l\u2019amour<\/em> (1898) appartenant \u00e0 la Pinacoteca Metropolitana \u201cCorrado Giaquinto\u201d de Bari<\/a>.<\/p>\n\n\n\n

\"\"
Filippo Cifariello<\/strong>, L’annonciation de l’amour<\/em>, Pinacoteca Corrado Giaquinto, d\u00e9tail<\/figcaption><\/figure>\n\n\n\n

En d\u00e9tail, il s\u2019agit d\u2019un projet qui en est maintenant \u00e0 sa quatri\u00e8me \u00e9dition, significativement intitul\u00e9 \u201cOpera Tua \u2013 Coop Alleanza 3.0\u201d, qui b\u00e9n\u00e9ficie du coordination scientifique de l\u2019Associazione Beni Italiani Patrimonio Mondiale et du patronage du Touring Club Italiano. L\u2019annonciation de l\u2019amour<\/em> a \u00e9t\u00e9 choisie, par vote en ligne, par 71 % des votants, obtenant pas moins de 22.294 voix.<\/p>\n\n\n\n

La donation de Filippo Cifariello \u00e0 la Pinacoteca barese<\/em><\/h3>\n\n\n\n

L\u2019\u0153uvre fait partie de la g\u00e9n\u00e9reuse donation faite en 1934 \u00e0 la Pinacoteca<\/a>, \u00e0 l\u2019\u00e9poque de r\u00e9cente fondation et sur le point de d\u00e9m\u00e9nager dans son emplacement actuel (1935), par le sculpteur molfettese qui, par cet acte, dans une phase de grand enthousiasme de la vie de la jeune institution, souhaitait affirmer son profond attachement \u00e0 sa terre natale pour laquelle il avait d\u2019ailleurs fourni une contribution significative \u00e0 des entreprises monumentales d\u2019une indiscutable importance.<\/p>\n\n\n\n

Survenue en deux moments diff\u00e9rents mais rapproch\u00e9s, la g\u00e9n\u00e9reuse donation se compose de quarante-trois pl\u00e2tres appartenant \u00e0 un large parcours cr\u00e9atif qui va du Buste de Monsignor Danieli<\/em> (1895) au Buste de Galileo Chini<\/em> (1934) \u2013 et inclut entre autres l\u2019affirmatif, presque d\u00e9concertant dans son r\u00e9alisme int\u00e9gral, Autoportrait<\/em> -, comprenant \u00e9galement une riche correspondance, une collection de photographies et une collection de journaux d\u2019\u00e9poque relatifs \u00e0 sa production et \u00e0 des \u00e9v\u00e9nements personnels qui l\u2019avaient vu protagoniste, dans la premi\u00e8re d\u00e9cennie du XXe si\u00e8cle, d\u2019un \u00e9pisode dramatique de fait divers. Il est connu que le sculpteur, dans un \u00e9lan de jalousie, en ao\u00fbt 1905, peu apr\u00e8s l\u2019inauguration dans la capitale des Pouilles du Monument \u00e9questre \u00e0 Umberto I<\/em>, avait tu\u00e9 sa femme, la chanteuse d\u2019origine fran\u00e7aise Maria de Browne.<\/p>\n\n\n\n

\"\"
Filippo Cifariello<\/strong>, L’annonciation de l’amour<\/em>, Pinacoteca Corrado Giaquinto, d\u00e9tail<\/figcaption><\/figure>\n\n\n\n

Et c\u2019est justement elle qui est repr\u00e9sent\u00e9e, dans toute sa nudit\u00e9 opulente et troublante, dans L\u2019annonciation de l\u2019amour<\/em>. Assise sur le bord d\u2019une baignoire enti\u00e8rement rev\u00eatue d\u2019un frise de roses, explicite concession \u00e0 un go\u00fbt d\u2019origine art nouveau que l\u2019on retrouve entre autres dans le socle du monument \u00e9questre barese, la jeune femme tend l\u2019oreille dans l\u2019acte d\u2019\u00e9couter ce qu\u2019un messager d\u2019amour aux \u00e9normes ailes lui murmure doucement \u00e0 l\u2019oreille. Selon une s\u00e9rie de t\u00e9moignages, la version en marbre de cette composition serait conserv\u00e9e dans un mus\u00e9e de Boston tandis que le bronze avait \u00e9t\u00e9 achet\u00e9 par Felice Spera qui l\u2019avait destin\u00e9 au jardin de sa villa \u00e0 Naples.<\/p>\n\n\n\n

\"\"
Filippo Cifariello<\/strong>, L’annonciation de l’amour<\/em>, Pinacoteca Corrado Giaquinto<\/figcaption><\/figure>\n\n\n\n

Rev\u00e9cue r\u00e9trospectivement \u00e0 travers le fil de la m\u00e9moire, aussi \u00e0 la lumi\u00e8re de l\u2019\u00e9pilogue tragique de cette relation tourment\u00e9e, \u00e0 la sculpture l\u2019artiste aurait r\u00e9serv\u00e9, dans l\u2019autobiographie Tre vite en une<\/em> publi\u00e9e dans les ann\u00e9es trente du XXe si\u00e8cle, des mots iconiques et peu enthousiasmants : \u00e9voquant les ann\u00e9es (1895-1900) o\u00f9 il avait r\u00e9sid\u00e9 \u00e0 Passau, en Allemagne, avec le poste de directeur artistique de la manufacture de porcelaine Dressel, Kister & Cie, Cifariello avait en effet not\u00e9 : \u2039\u2039[\u2026] En plus des bustes achev\u00e9s, j\u2019ai termin\u00e9 un grand groupe qui n\u2019a en aucun cas r\u00e9ussi \u00e0 satisfaire mes d\u00e9sirs. Je l\u2019ai model\u00e9 et remodel\u00e9 plusieurs fois, sans atteindre les lignes r\u00eav\u00e9es. Au groupe, j\u2019ai donn\u00e9 le titre : L\u2019annonciation de l\u2019amour<\/em>\u203a\u203a. En r\u00e9alit\u00e9, l\u2019\u0153uvre, similaire, en ce qui concerne le sch\u00e9ma compositionnel, \u00e0 l\u2019esquisse pour le concours du Monument \u00e0 Goffredo Mameli<\/em> (1890) et, donc, \u00e0 Christ et Madeleine<\/em> (1892 ; Rome, Galerie Nationale d\u2019Art Moderne), aurait \u00e9t\u00e9 expos\u00e9e \u00e0 la Biennale de Venise de 1899, o\u00f9 elle attira l\u2019attention de la critique, aux c\u00f4t\u00e9s d\u2019un groupe d\u2019\u0153uvres dans lequel se reproduisait l\u2019habilet\u00e9 portraitiste de l\u2019artiste \u2013 Arnold B\u00f6cklin<\/em> par exemple \u2013 et dans lequel se trouvait \u00e9galement La sphinge<\/em>, \u00e9ni\u00e8me hommage, \u00e0 travers l\u2019image d\u2019une f\u00e9minit\u00e9 \u00e9rotique et omnipr\u00e9sente, \u00e0 la femme aim\u00e9e.<\/p>\n\n\n\n

Des photographies d\u2019\u00e9poque attestent la place de choix qui avait \u00e9t\u00e9 r\u00e9serv\u00e9e \u00e0 L\u2019annonciation de l\u2019amour <\/em> dans une salle de la Pinacoteca barese<\/a> dans un pr\u00e9c\u00e9dent am\u00e9nagement, imm\u00e9diatement apr\u00e8s l\u2019acquisition de la donation \u00e0 laquelle d\u2019ailleurs \u00e9tait r\u00e9serv\u00e9e une large visibilit\u00e9. <\/p>\n\n\n\n

\"\"
Filippo Cifariello<\/strong>, L’annonciation de l’amour<\/em>, Pinacoteca Corrado Giaquinto, d\u00e9tail<\/figcaption><\/figure>\n\n\n\n

Gr\u00e2ce \u00e0 l’op\u00e9ration promue par la Coop et, par cons\u00e9quent, \u00e0 la restauration confi\u00e9e \u00e0 l’entreprise Cilli de Bari, mais surtout, gr\u00e2ce \u00e0 tous ceux qui, par leur vote, ont apport\u00e9 une contribution active \u00e0 la promotion de la restauration de L’annonciation de l’amour<\/em>, cette grande composition retrouvera enfin le r\u00f4le qui lui revient au sein de la Pinacoteca Metropolitana \u201cCorrado Giaquinto\u201d de Bari<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Sponsorer des \u0153uvres d\u2019art : la Coop et la restauration de L\u2019annonciation de l\u2019amour de Filippo Cifariello L\u2019activit\u00e9 de sponsoring d\u2019\u0153uvres d\u2019art, bien qu\u2019elle constitue un ind\u00e9niable outil de promotion pour l\u2019entreprise qui s\u2019en charge, repr\u00e9sente, en ce qui concerne la vie d\u2019une institution mus\u00e9ale, une ressource pr\u00e9cieuse ainsi qu\u2019une reconnaissance de la valeur et …<\/p>\n<\/div><\/div>","protected":false},"author":25,"featured_media":84446,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1286],"tags":[1325,2893,2270,2597,2463],"class_list":["post-104861","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-oeuvre-speciale-fr","tag-art-moderne-fr","tag-bari-fr","tag-oeuvre-speciale-fr","tag-pinacotheque-de-bari-corrado-giaquinto-fr","tag-restauration-fr"],"acf":[],"yoast_head":"\nL'annonciation de l'amour de Cifariello \u00e0 la Pinacoth\u00e8que Corrado Giaquinto<\/title>\n<meta name=\"description\" content=\"La Pinacoth\u00e8que M\u00e9tropolitaine de Bari "Corrado Giaquinto" pr\u00e9sente la restauration de l'\u0153uvre de Cifariello "l'annonciation de l'amour".\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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