{"id":104754,"date":"2021-06-11T10:18:55","date_gmt":"2021-06-11T08:18:55","guid":{"rendered":"https:\/\/blog.artsupp.com\/femmes-dans-les-comics\/"},"modified":"2021-06-11T10:18:55","modified_gmt":"2021-06-11T08:18:55","slug":"femmes-dans-les-comics","status":"publish","type":"post","link":"https:\/\/blog.artsupp.com\/fr\/femmes-dans-les-comics\/","title":{"rendered":"Femmes dans les Comics"},"content":{"rendered":"\n

Directement de la galerie de la historique Society of Illustrators<\/em> de New York, arrive \u00e0 Rome \u2013 en exclusivit\u00e9 europ\u00e9enne<\/strong> – jusqu’au 11 juillet \u00e0 Palazzo Merulana<\/a><\/strong>, l’exposition WOMEN IN COMICS<\/strong> curat\u00e9e par Kim Munson <\/strong>et la l\u00e9gendaire Trina Robbins.<\/strong> L’exposition est organis\u00e9e par ARF! Festival del Fumetto a Roma<\/strong>, en collaboration avec le Comicon<\/strong> de Naples, et promue par l’Ambassade des \u00c9tats-Unis d’Am\u00e9rique \u00e0 Rome<\/strong>.<\/p>\n\n\n\n

Et si l’\u00e9mancipation f\u00e9minine passait aussi par Wonder Woman, Scarlet Witch et les autres ?<\/strong><\/h3>\n\n\n\n

L’exposition<\/a> vous invite \u00e0 r\u00e9fl\u00e9chir sur ce th\u00e8me, en vous immergeant dans une anthologie du processus d’autod\u00e9termination f\u00e9minine des comics am\u00e9ricains<\/strong>, gr\u00e2ce au g\u00e9nie et au courage de ses 22 cartoonistes les plus c\u00e9l\u00e8bres et prolifiques<\/strong>, qui ont fait l’Histoire de la bande dessin\u00e9e nord-am\u00e9ricaine. On commence avec la bande dessin\u00e9e \u201cvintage<\/em>\u201d, au go\u00fbt l\u00e9g\u00e8rement r\u00e9tro, inspir\u00e9e par la tranquillit\u00e9 rassurante de la vie quotidienne am\u00e9ricaine des ann\u00e9es 50 qui, qu’elle soit r\u00e9elle ou pr\u00e9sum\u00e9e, contribuait n\u00e9anmoins \u00e0 renforcer l’esprit d’un pays qui, apr\u00e8s la Seconde Guerre mondiale, s’\u00e9tait engag\u00e9 dans une autre guerre, continue et silencieuse, comme le conflit \u201cfroid<\/em>\u201d contre l’Union sovi\u00e9tique. On poursuit ensuite avec le ph\u00e9nom\u00e8ne graphic novel<\/em> plus autoral, explorant des th\u00e8mes tels que l’amour, la sexualit\u00e9, la cr\u00e9ativit\u00e9, la discrimination et l’ind\u00e9pendance, qui traverse la psych\u00e9d\u00e9lie des ann\u00e9es 70 en prenant en charge le r\u00f4le de manifeste politique d’une nouvelle beat generation<\/em> qui, depuis la Bay Area de San Francisco, croyait et sentait pouvoir contribuer \u00e0 \u00e9crire de nouvelles pages pour la soci\u00e9t\u00e9 du futur, pour finalement se retrouver dans la bande dessin\u00e9e underground<\/em> et la sc\u00e8ne contemporaine mainstream<\/em> de Marvel<\/strong> et DC Comics<\/strong>.<\/p>\n\n\n\n

\"\"
Afua Richardson. 2018. Marvel Comics \u2013 Shuri #2. Couverture variante<\/figcaption><\/figure><\/div>\n\n\n\n

\u00c0 c\u00f4t\u00e9 des planches de Trina Robbins<\/strong>, v\u00e9ritable ic\u00f4ne \u201cmilitante\u201d de la bande dessin\u00e9e underground et de l’activisme f\u00e9ministe (qui, en 1986, rappelons-le, est devenue la premi\u00e8re dessinatrice de l’histoire \u00e0 illustrer Wonder Woman<\/em>), seront pr\u00e9sentes des \u0153uvres originales d’Afua Richardson <\/strong>et d’Alitha Martinez <\/strong>(toutes deux autrices afro-am\u00e9ricaines et activistes, laur\u00e9ates de l’Eisner Award pour leur travail sur World of Wakanda<\/em> de Marvel, s\u00e9rie spin-off de l’acclam\u00e9 Black Panther<\/em>), de Colleen Doran <\/strong>et d’Emil Ferris, dont le graphic novel La ma chose pr\u00e9f\u00e9r\u00e9e ce sont les monstres<\/em> (publi\u00e9 en Italie par Bao Publishing) est devenu un v\u00e9ritable succ\u00e8s critique et public. On continue ensuite avec Ebony Flowers (autrice de Hot Comb<\/em>, consid\u00e9r\u00e9 par Guardian<\/em>, Washington Post<\/em> et Believer<\/em> comme l’un des meilleurs livres de 2019), Trinidad Escobar <\/strong>(dessinatrice et po\u00e9tesse philippine de San Francisco, o\u00f9 elle enseigne au California College of the Arts), Tillie Walden (Sur un rayon de soleil<\/em>, Bao), Jen Wang <\/strong>(Le Prince et la couturi\u00e8re<\/em>, Bao), Joyce Farmer <\/strong>(Sorties sp\u00e9ciales<\/em>, Eris Edizioni) et bien d’autres, qui abordent ou traversent des th\u00e9matiques de grande pertinence socio-culturelle et d’actualit\u00e9 li\u00e9es aux mouvements f\u00e9ministes et au corps f\u00e9minin, \u00e0 l’antiracisme, au trans-f\u00e9minisme, \u00e0 la violence et \u00e0 la relation entre genres et identit\u00e9s dans la bande dessin\u00e9e. <\/p>\n\n\n\n

Le parcours d’exposition. Les raisons<\/strong><\/h3>\n\n\n\n

L’exposition WOMEN IN COMICS est con\u00e7ue comme un parcours chronologique \u00e0 travers 90 \u0153uvres<\/strong> originales (planches, dessins, impressions), divis\u00e9 en trois sections<\/strong> principales, qui racontent trois moments tr\u00e8s repr\u00e9sentatifs de l’histoire de la bande dessin\u00e9e nord-am\u00e9ricaine. <\/p>\n\n\n\n

La premi\u00e8re section \u201cBack\u201d pr\u00e9sente une s\u00e9lection des soi-disant doyennes<\/em> des comics (commen\u00e7ant par Trina Robbins) qui ont fait leurs premiers pas dans une industrie principalement masculine et machiste, presque pr\u00eat\u00e9es aux romance comics<\/em> pendant la Seconde Guerre mondiale \u00ab jusqu’\u00e0 ce que les hommes rentrent chez eux et revendiquent leur travail \u00bb ; les femmes sont effectivement revenues aux comics dans les ann\u00e9es 70, gr\u00e2ce \u00e0 une libert\u00e9 f\u00e9minine retrouv\u00e9e.<\/p>\n\n\n\n

  • \"\"<\/figure><\/li>
  • \"\"<\/figure><\/li><\/ul><\/figure>\n\n\n\n

    La deuxi\u00e8me section pr\u00e9sente les \u0153uvres de ces autrices qui ont contribu\u00e9 au changement, qui ont op\u00e9r\u00e9 la \u201cr\u00e9volution\u201d des mod\u00e8les \u00e9ditoriaux dominants jusqu’\u00e0 ce moment-l\u00e0, correspondant \u00e0 la diffusion de l’\u00e9dition ind\u00e9pendante des ann\u00e9es 60 et 70, des \u00e9mancipations sociales, sexuelles et culturelles qui se produisaient surtout \u00e0 San Francisco, avec son universit\u00e9 comme \u00e9picentre, qui se r\u00e9percutaient largement sur le r\u00f4le de la \u201cdessinatrice\u201d dans un paysage national de grand bouillonnement et de changement. Les ann\u00e9es 60 et 70 furent la p\u00e9riode o\u00f9 les femmes pouvaient enfin r\u00e9ussir sous leur propre nom.<\/p>\n\n\n\n

    \"\"
    Fiona Smyth et Cory Silverberg. 2015. Sex is a Funny Word<\/figcaption><\/figure>\n\n\n\n

    La section finale \u201cForward\u201d est celle o\u00f9 la bande dessin\u00e9e f\u00e9minine contemporaine devient synonyme d’autod\u00e9termination : les nouvelles autrices de cette g\u00e9n\u00e9ration, d\u00e9sormais – gr\u00e2ce \u00e0 la prolif\u00e9ration de genres et de formats ou des comics s\u00e9rialis\u00e9s li\u00e9s aux grandes ic\u00f4nes de la culture pop – ont pleinement conquis la popularit\u00e9 de leur statut de protagonistes actives du march\u00e9 \u00e9ditorial, remportant des prix de plus en plus prestigieux, occupant un r\u00f4le de plus en plus central tant en termes de production que de d\u00e9bat culturel et artistique, au sein de l’industrie de la bande dessin\u00e9e.<\/p>\n","protected":false},"excerpt":{"rendered":"

    Directement de la galerie de la historique Society of Illustrators de New York, arrive \u00e0 Rome \u2013 en exclusivit\u00e9 europ\u00e9enne – jusqu’au 11 juillet \u00e0 Palazzo Merulana, l’exposition WOMEN IN COMICS curat\u00e9e par Kim Munson et la l\u00e9gendaire Trina Robbins. L’exposition est organis\u00e9e par ARF! Festival del Fumetto a Roma, en collaboration avec le Comicon …<\/p>\n<\/div><\/div>","protected":false},"author":31,"featured_media":85024,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1539],"tags":[1307,1359,2704,1360,2703,2705],"class_list":["post-104754","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-guide-bref-de-lexposition-fr","tag-art-contemporain-fr","tag-expositions-a-rome-fr","tag-femmes-dans-les-comics-fr","tag-musees-a-rome-fr","tag-palazzo-merulana-fr","tag-wonder-woman-fr"],"acf":[],"yoast_head":"\nFemmes dans les Comics : Palazzo Merulana rend hommage aux c\u00e9l\u00e8bres h\u00e9ro\u00efnes<\/title>\n<meta name=\"description\" content=\"Femmes dans les Comics est la nouvelle exposition de Palazzo Merulana : un voyage \u00e0 la d\u00e9couverte des h\u00e9ro\u00efnes les plus c\u00e9l\u00e8bres de l'histoire des 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Guida Turistica patentata dal 2013, \u00e8 appassionato di viaggi, nuove tecnologie e storia e costume americano.\",\"url\":\"https:\\\/\\\/blog.artsupp.com\\\/fr\\\/author\\\/gabriele-gnocchi\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Femmes dans les Comics : Palazzo Merulana rend hommage aux c\u00e9l\u00e8bres h\u00e9ro\u00efnes","description":"Femmes dans les Comics est la nouvelle exposition de Palazzo Merulana : un voyage \u00e0 la d\u00e9couverte des h\u00e9ro\u00efnes les plus c\u00e9l\u00e8bres de l'histoire des comics.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/blog.artsupp.com\/fr\/femmes-dans-les-comics\/","og_locale":"fr_FR","og_type":"article","og_title":"Femmes dans les Comics : Palazzo Merulana rend hommage aux c\u00e9l\u00e8bres h\u00e9ro\u00efnes","og_description":"Femmes dans les Comics 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