{"id":104659,"date":"2022-05-20T17:11:31","date_gmt":"2022-05-20T15:11:31","guid":{"rendered":"https:\/\/blog.artsupp.com\/expositions-2022-que-ne-pas-manquer-de-mai-a-septembre\/"},"modified":"2022-05-20T17:11:31","modified_gmt":"2022-05-20T15:11:31","slug":"expositions-2022-que-ne-pas-manquer-de-mai-a-septembre","status":"publish","type":"post","link":"https:\/\/blog.artsupp.com\/fr\/expositions-2022-que-ne-pas-manquer-de-mai-a-septembre\/","title":{"rendered":"Expositions 2022 : que ne pas manquer de mai \u00e0 septembre"},"content":{"rendered":"\n

Brescia<\/a><\/strong>, Forl\u00ec<\/a>, Bologne<\/a>, Syracuse<\/a> et Cosenza<\/a><\/strong>. <\/p>\n\n\n\n

Cette semaine, ce sont ces villes<\/strong> qui sont \u00e0 l\u2019honneur avec leurs expositions incontournables<\/strong>. Nous nous chargeons de vous les pr\u00e9senter… il ne vous reste plus qu’\u00e0 choisir laquelle visiter !<\/p>\n\n\n\n

Maddalena Le myst\u00e8re et l\u2019image aux Mus\u00e9es San Domenico de Forl\u00ec jusqu’au 10 juillet 2022<\/strong><\/h2>\n\n\n\n

Les Mus\u00e9es San Domenico<\/a> de Forl\u00ec<\/a><\/strong> pr\u00e9sentent jusqu’au 10 juillet<\/strong> “Maddalena. Le myst\u00e8re et l\u2019image<\/a><\/strong>“. <\/a><\/p>\n\n\n\n

Le fascinant parcours d’exposition<\/strong> raconte la figure de Maddalena<\/strong> \u00e0 travers les diff\u00e9rentes \u00e9poques historiques : de l’\u00e9poque classique pr\u00e9-chr\u00e9tienne<\/strong>, o\u00f9 elle est principalement symbole de douleur<\/strong> et de th\u00e9\u00e2tralit\u00e9<\/strong>, en passant par le Moyen \u00c2ge, la Renaissance et le Baroque<\/strong>, jusqu’aux repr\u00e9sentations du XIXe si\u00e8cle<\/strong> et du XXe si\u00e8cle<\/strong> o\u00f9 Maddalena devient embl\u00e8me de la protestation<\/strong> et du drame d’une \u00e9poque. <\/p>\n\n\n\n

Il est facile de comprendre comment la Maddalena<\/strong> a \u00e9t\u00e9 l’une des images les plus utilis\u00e9es au cours de l’histoire de l’art et ensuite aussi de la litt\u00e9rature et du cin\u00e9ma.<\/p>\n\n\n\n

Le parcours de Maddalena Le myst\u00e8re et l\u2019image<\/strong> se compose de 12 sections qui, gr\u00e2ce \u00e0 la contribution d’artistes<\/strong> tels que Masaccio, Crivelli, Van der Weiden, Bellini<\/a>, P\u00e9rouse<\/a>, Barocci, Savoldo, Mazzoni, Titien<\/a>, V\u00e9ron\u00e8se<\/a>, Tintoret<\/a>, Domenichino, Lanfranco, Mengs, Canova<\/a>, Hayez<\/a>, Delacroix, B\u00f6cklin, Previati<\/a>, Rouault, Chagall<\/a>, De Chirico<\/a>, Guttuso, Melotti, Sutherland, Bill Viola<\/a><\/strong>.<\/p>\n\n\n\n

<\/p>\n\n\n\n

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Maddalena p\u00e9nitente, Antonio Canova <\/strong><\/figcaption><\/figure><\/div>\n\n\n\n
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ALLER \u00c0 L’EXPOSITION COMPL\u00c8TE<\/a><\/div>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

WESTON. Edward, Brett, Cole, Cara. Une dynastie de photographes au Mus\u00e9e de Santa Giulia \u00e0 Brescia jusqu’au 24 juillet 2022<\/strong><\/h2>\n\n\n\n

Le Mus\u00e9e de Santa Giulia<\/a> \u00e0 Brescia<\/a><\/strong> accueille, jusqu’au 24 juillet<\/strong>, l’exposition WESTON. Edward, Brett, Cole, Cara. Une dynastie de photographes.<\/a><\/strong><\/p>\n\n\n\n

40 \u0153uvres de Edward Weston<\/a><\/strong>, l’un des photographes les plus importants de la premi\u00e8re moiti\u00e9 du XXe si\u00e8cle, sont expos\u00e9es. Ses portraits plastiques des nus<\/strong>, les dunes de sable<\/strong> et les objets et v\u00e9g\u00e9taux transform\u00e9s en sculptures<\/strong>. En plus de ses photographies, on peut admirer \u00e9galement 40 \u0153uvres des fils Brett et Cole et de la petite-fille Cara<\/strong>.<\/p>\n\n\n\n

L\u2019exposition<\/strong> raconte l’ensemble des exp\u00e9riences artistiques<\/strong> au cours de plus d’un si\u00e8cle de photographie, d’histoire et d’images d’un monde en constante \u00e9volution.<\/p>\n\n\n\n

Le parcours, install\u00e9 au Mus\u00e9e de Santa Giulia<\/strong>, pr\u00e9sente 80 \u0153uvres<\/strong> des quatre photographes, dont les plus grands chefs-d’\u0153uvre.<\/p>\n\n\n\n

La photographie d’Edward Weston<\/strong> consiste, la plupart du temps, en une recherche obstin\u00e9e de puret\u00e9<\/strong>, tant dans les formes compositives que dans la perfection presque maniaque de l’image. L\u2019auteur explore les objets dans leur quintessence, les \u00e9levant \u00e0 des m\u00e9taphores visuelles des \u00e9l\u00e9ments m\u00eames de la nature. <\/p>\n\n\n\n

<\/p>\n\n\n\n

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Lac Mono, Cara Weston, 2012 , Photographie<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n
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ALLER \u00c0 L’EXPOSITION COMPL\u00c8TE<\/a><\/div>\n<\/div>\n\n\n\n

Cross Collection \u00e0 la Raccolta Lercaro \u00e0 Bologne jusqu’au 18 septembre 2022<\/strong><\/h2>\n\n\n\n

Du 5 mai<\/strong> au 18 septembre<\/strong>, la Raccolta Lercaro<\/a>, \u00e0 Bologne<\/a>,<\/strong> pr\u00e9sente Cross collection. Collections en confrontation. <\/a><\/strong><\/p>\n\n\n\n

La exposition<\/strong> dirig\u00e9e par Leonardo Regano<\/strong> et Francesca Passerini<\/strong>, pr\u00e9sente un noyau d’\u0153uvres<\/strong> d’artistes contemporains<\/strong> appartenant \u00e0 une seule collection priv\u00e9e et plac\u00e9e dans un dialogue harmonieux avec celle du mus\u00e9e. <\/p>\n\n\n\n

Cross collection. Collections en confrontation<\/a><\/strong> a pour objectif de pr\u00e9senter des \u0153uvres apparemment \u00e9loign\u00e9es<\/strong> les unes des autres qui, une fois rapproch\u00e9es, peuvent mener \u00e0 de nouvelles pistes et significations. <\/strong><\/p>\n\n\n\n

En r\u00e9alit\u00e9, cette volont\u00e9 de mettre en comparaison des travaux tr\u00e8s \u00e9loign\u00e9s les uns des autres est une tendance d\u00e9j\u00e0 r\u00e9pandue dans le collectionnisme contemporain, et aussi dans celui du Cardinal Giacomo Lercaro<\/strong>. Un tel collectionnisme consiste \u00e0 d’aller au-del\u00e0 des classifications<\/strong>, des parcours conventionnels et des relations de facile \u00e9vidence.<\/p>\n\n\n\n

Naissent ainsi de nouveaux croisements th\u00e9matiques visuels et conceptuels<\/strong> : Cross collection. Collections en confrontation<\/strong> s’articule en cinq sections principales qui abordent des th\u00e9matiques sp\u00e9cifiques : le corps, le portrait, la nature morte, les langages et quelques r\u00e9flexions touchant \u00e0 la sph\u00e8re \u00e9thique et sociale, avec une attention particuli\u00e8re \u00e0 l’aspect d\u00e9licat des migrations.<\/p>\n\n\n\n

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Allong\u00e9e sur des nuages, Kiki Smith, 2016 , Huile et pastel sur papier<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n
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ALLER \u00c0 L’EXPOSITION COMPL\u00c8TE<\/a><\/div>\n<\/div>\n\n\n\n

Idoles couronn\u00e9es au Mus\u00e9e Arch\u00e9ologique R\u00e9gional Paolo Orsi de Syracuse jusqu’au 26 juillet 2022<\/strong><\/h2>\n\n\n\n

Idoles couronn\u00e9es<\/a> <\/strong>est en exposition au Mus\u00e9e Arch\u00e9ologique R\u00e9gional Paolo Orsi<\/a><\/strong>, dans la province de Syracuse<\/a><\/strong>. Au centre de l’exposition se trouve une idole en marbre arriv\u00e9e en Calabre en pr\u00eat du Mus\u00e9e d’Art Cycladique d’Ath\u00e8nes<\/strong>. <\/p>\n\n\n\n

Idoles couronn\u00e9es<\/strong> est un dialogue entre l’idole et le paysage environnant<\/strong> : le Parc arch\u00e9ologique et paysager de Syracuse, ainsi qu’Eloro, la Villa du Tellaro et Akrai.<\/strong><\/p>\n\n\n\n

L’idole en marbre, de la vari\u00e9t\u00e9 Spedos<\/strong>, est entour\u00e9e d’une installation de l’artiste portugaise Joana Vasconcelos<\/strong>, intitul\u00e9e \u201cIdoles couronn\u00e9es<\/strong>\u201d, et d’autres \u0153uvres expos\u00e9es dans le mus\u00e9e de Syracuse.<\/strong><\/p>\n\n\n\n

Les \u0153uvres<\/strong> en marbre de la s\u00e9rie Spedos<\/strong> \u00e0 laquelle appartient la statue expos\u00e9e, pr\u00e9sentent des formes f\u00e9minines allong\u00e9es avec des bras pli\u00e9s, caract\u00e9ris\u00e9es par une t\u00eate en forme de U et une fente profond\u00e9ment grav\u00e9e entre les jambes.<\/p>\n\n\n\n

L’exposition r\u00e9ussit \u00e0 conjuguer la classicit\u00e9 de l’idole grecque<\/strong> avec la modernit\u00e9 de l’installation de l’artiste portugaise<\/strong> o\u00f9 la figure f\u00e9minine est la protagoniste.<\/p>\n\n\n\n

\"\"
Idoles couronn\u00e9es<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n
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ALLER \u00c0 L’EXPOSITION COMPL\u00c8TE<\/a><\/div>\n<\/div>\n\n\n\n

Japan \u00e0 la Galerie Nationale de Cosenza jusqu’au 2 Juin 2022 <\/strong><\/h2>\n\n\n\n

La Galerie Nationale<\/a><\/strong> <\/strong><\/a>de Cosenza<\/a><\/strong>, jusqu’au 2 Juin 2022<\/strong>, met en exposition Japan<\/a><\/strong>, dirig\u00e9e par Alessandro Mario Toscano <\/strong>et Marco Toscano.<\/strong><\/p>\n\n\n\n

Japan<\/strong> apporte, pour la premi\u00e8re fois en Calabre, les xilographies des grands ma\u00eetres japonais du XIXe si\u00e8cle<\/strong> : Hokusai, Hiroshige, Kuniyoshi, Kunisada, Hiroshige II, Chikanobu, Ky\u014csai, Kunichika, Shuntei <\/strong>et bien d’autres.<\/p>\n\n\n\n

Un noyau de plus de 100 \u0153uvres<\/strong>, provenant de collections priv\u00e9es : des Manga<\/strong> et Gafu de Hokusai<\/strong> aux Cinquantatr\u00e9 stations du T\u014dkaid\u014d de Hiroshige<\/strong>, des portraits des acteurs Kabuki de Kunisada<\/a><\/strong> aux samoura\u00efs de Shuntei<\/strong>, des Quarantotto c\u00e9l\u00e8bres vues d’Edo de Hiroshige II<\/strong> aux r\u00e9cits visionnaires de Kuniyoshi.<\/strong><\/p>\n\n\n\n

Japan<\/strong> aborde l’art<\/strong>, les traditions<\/strong>, l’histoire<\/strong>, les paysages <\/strong>et en g\u00e9n\u00e9ral le mythe du Japon<\/strong>, pays capable de stimuler l’imagination de tous. La exposition <\/strong>a \u00e9t\u00e9 d\u00e9crite comme \u201cune op\u00e9ration culturelle\u201d<\/strong> qui vise \u00e0 rendre son public plus cultiv\u00e9 et \u00e0 offrir \u00e9galement de nouvelles pistes pour faciliter la compr\u00e9hension de l’autre et de nouvelles cultures.<\/p>\n\n\n\n

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Les acteurs kabuki Nakamura Shikan et Ichikawa, Utagawa Kunisada, 1862, Xilographie en couleur<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n
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ALLEZ \u00c0 L’EXPOSITION COMPL\u00c8TE<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

D\u00e9couvrez toutes les expositions dans vos villes d’art pr\u00e9f\u00e9r\u00e9es ! <\/h2>\n\n\n\n
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ARTSUPP<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Brescia, Forl\u00ec, Bologne, Syracuse et Cosenza. Cette semaine, ce sont ces villes qui sont \u00e0 l\u2019honneur avec leurs expositions incontournables. Nous nous chargeons de vous les pr\u00e9senter… il ne vous reste plus qu’\u00e0 choisir laquelle visiter ! Maddalena Le myst\u00e8re et l\u2019image aux Mus\u00e9es San Domenico de Forl\u00ec jusqu’au 10 juillet 2022 Les Mus\u00e9es San …<\/p>\n<\/div><\/div>","protected":false},"author":12,"featured_media":86072,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1902],"tags":[1307,1325,1710,1308,1707,1324],"class_list":["post-104659","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions-a-ne-pas-manquer-2023-fr","tag-art-contemporain-fr","tag-art-moderne-fr","tag-artsupp-fr","tag-expositions-fr","tag-expositions-incontournables-fr","tag-musees-fr"],"acf":[],"yoast_head":"\nExpositions 2022 : que ne pas manquer de mai \u00e0 septembre - Artsupp<\/title>\n<meta name=\"description\" content=\"D\u00e9couvrez les expositions incontournables de mai \u00e0 septembre 2022.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blog.artsupp.com\/fr\/expositions-2022-que-ne-pas-manquer-de-mai-a-septembre\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Expositions 2022 : que ne pas manquer de mai \u00e0 septembre - 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