{"id":104542,"date":"2022-06-29T12:00:00","date_gmt":"2022-06-29T10:00:00","guid":{"rendered":"https:\/\/blog.artsupp.com\/danae-le-chef-doeuvre-de-titien-entre-histoire-et-mythe\/"},"modified":"2022-06-29T12:00:00","modified_gmt":"2022-06-29T10:00:00","slug":"danae-le-chef-doeuvre-de-titien-entre-histoire-et-mythe","status":"publish","type":"post","link":"https:\/\/blog.artsupp.com\/fr\/danae-le-chef-doeuvre-de-titien-entre-histoire-et-mythe\/","title":{"rendered":"Dana\u00e9 : le chef-d’\u0153uvre de Titien entre histoire et mythe"},"content":{"rendered":"\n

La Danae<\/a> <\/strong>de Titien<\/a><\/strong> fait partie de la collection permanente du Mus\u00e9e Capodimonte de Naples. <\/a><\/strong><\/p>\n\n\n\n

Danae : le mythe<\/strong><\/h2>\n\n\n\n

Danae <\/strong>\u00e9tait la fille du roi Acrisius <\/strong>et princesse d’Argos. <\/strong><\/p>\n\n\n\n

Selon le mythe qui la voit protagoniste, elle aurait engendr\u00e9 un fils destin\u00e9 \u00e0 tuer son grand-p\u00e8re, Acrisius<\/strong>. Ce dernier, pour \u00e9chapper \u00e0 la mort aux mains de son petit-fils, enferma sa fille dans une tour. <\/p>\n\n\n\n

Cependant, Jupiter, se transformant en pluie d’or, atteignit Danae<\/strong> et de leur union naquit Pers\u00e9e<\/strong>. C’est cette histoire que Titien <\/strong>utilise pour r\u00e9aliser la toile qui, commenc\u00e9e \u00e0 Venise <\/strong>en 1545, sera achev\u00e9e \u00e0 Rome<\/strong> entre 1546 et 1547. <\/strong><\/p>\n\n\n\n

L’histoire <\/strong><\/h2>\n\n\n\n

L’\u0153uvre, dont la commande a longtemps \u00e9t\u00e9 attribu\u00e9e \u00e0 tort \u00e0 Ottavio Farnese<\/strong>, a \u00e9t\u00e9 command\u00e9e par son fr\u00e8re Alessandro. <\/strong><\/p>\n\n\n\n

L’identit\u00e9 du commanditaire a \u00e9t\u00e9 confirm\u00e9e gr\u00e2ce \u00e0 la d\u00e9couverte de la correspondance de Monseigneur Della Casa<\/strong>, nonce papal en 1544. Comme preuve suppl\u00e9mentaire, le visage de la femme a \u00e9t\u00e9 reconnu comme celui d’une certaine Angela<\/strong>, amante de Alessandro Farnese<\/strong> et c\u00e9l\u00e8bre courtisane de l’\u00e9poque. <\/p>\n\n\n\n

Mais ce n’est que le d\u00e9but, la Danae de Titien<\/strong> a en effet une histoire pour le moins tumultueuse : bien que l’\u0153uvre pr\u00e9sente un sujet maintes fois repris dans l’histoire de l’art, au point que le m\u00eame Titien<\/strong> en r\u00e9alisera plusieurs versions, elle a \u00e9t\u00e9 accus\u00e9e d’une charge \u00e9rotique trop forte et frapp\u00e9e par la censure, rel\u00e9gu\u00e9e dans le “Cabinet des choses obsc\u00e8nes” de Capodimonte<\/strong>. <\/p>\n\n\n\n

Puis vol\u00e9e par les nazis, elle a \u00e9t\u00e9 retrouv\u00e9e dans une mine de Salzbourg et ramen\u00e9e \u00e0 Naples <\/strong>seulement en 1947.<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"
Danae, Titien, 1545, Huile sur toile<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

Cliquez ici et d\u00e9couvrez Danae et toutes les autres \u0153uvres du Mus\u00e9e de Capodimonte !<\/strong><\/h2>\n\n\n\n
\n
D\u00c9COUVREZ LA COLLECTION<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Le style <\/strong><\/h2>\n\n\n\n

Titien <\/strong>peint la Danae<\/strong> en s’inspirant de plusieurs \u0153uvres.<\/p>\n\n\n\n

Sans aucun doute, la L\u00e9da<\/strong> de Michel-Ange<\/a> <\/strong>et la Nuit<\/strong>, toujours du Merisi<\/strong>, mais aussi la Danae de Correggio<\/strong>, la V\u00e9nus de Dresde de Giorgione<\/strong> et sa propre V\u00e9nus d’Urbino<\/strong>. <\/p>\n\n\n\n

Cependant, il y a un \u00e9l\u00e9ment technique qui distingue la Danae de Titien <\/strong>de toutes les autres \u0153uvres, ou plut\u00f4t c’est l’absence de cet \u00e9l\u00e9ment qui la rend presque unique : il manque le dessin. <\/strong><\/p>\n\n\n\n

Titien<\/strong> n’a pr\u00e9par\u00e9 aucun croquis sous la peinture et, pour le confirmer, il n’est rien de moins que Michel-Ange<\/strong>, qui a vu l’\u0153uvre et en a \u00e9t\u00e9 agr\u00e9ablement impressionn\u00e9 – notamment par l’utilisation de la couleur – mais a exprim\u00e9 des r\u00e9serves pr\u00e9cis\u00e9ment \u00e0 cause de l’absence de dessin. Aujourd’hui, les \u00e9tudes aux rayons X lui ont donn\u00e9 raison en confirmant cette absence.<\/p>\n\n\n\n

Pourtant, l’\u0153uvre ne souffre pas de cette absence, au contraire : les coups de pinceau larges et doux rendent cette \u0153uvre de Titien<\/strong> certainement plus libre stylistiquement <\/strong>et moins li\u00e9e aux canons de plasticit\u00e9 <\/strong>de l’\u00e9poque et de ses travaux pr\u00e9c\u00e9dents.<\/p>\n\n\n\n

Danae<\/strong>, \u00e9tendue sur un drap blanc, est repr\u00e9sent\u00e9e avec le regard tourn\u00e9 vers le haut et le corps d\u00e9tendu. L’union avec Jupiter est l\u00e9gitim\u00e9e par un sentiment amoureux, comme l’indique la pr\u00e9sence de Cupidon<\/strong> ail\u00e9, un clair r\u00e9f\u00e9rence \u00e0 la culture classique.<\/p>\n\n\n\n

Les autres versions de Danae<\/strong><\/h2>\n\n\n\n

Comme mentionn\u00e9 pr\u00e9c\u00e9demment, Titien<\/strong> a r\u00e9alis\u00e9 plusieurs versions de Danae. <\/strong><\/p>\n\n\n\n

Celle de Capodimonte<\/strong> est la premi\u00e8re d’un point de vue chronologique et \u00e0 partir de son carton, l’artiste en a r\u00e9alis\u00e9 au moins six autres, chacune avec des variantes pour plaire aux diff\u00e9rents commanditaires : avec Cupidon, avec la gardienne, avec la pluie ou avec des \u00e9clairs, avec le petit chien ou sans, avec le drap ou sans.<\/p>\n\n\n\n

Parmi ces versions, certaines se trouvent aujourd’hui dans d’importants mus\u00e9es internationaux : la Danae <\/strong>de 1553 au Mus\u00e9e du Prado de Madrid<\/strong>, la Danae <\/strong>de 1554 expos\u00e9e au Kunsthistorisches Museum de Vienne<\/strong> et la Danae, <\/strong>\u00e9galement datant de 1554, se trouve \u00e0 l’Ermitage <\/strong>de Saint-P\u00e9tersbourg.<\/strong><\/p>\n\n\n\n

<\/div>\n\n\n\n

D\u00e9couvrez o\u00f9 sont expos\u00e9s d’autres chefs-d’\u0153uvre de Titien et les expositions sur l’artiste !<\/strong><\/h2>\n\n\n\n
\n
TITIEN<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

La Danae de Titien fait partie de la collection permanente du Mus\u00e9e Capodimonte de Naples.  Danae : le mythe Danae \u00e9tait la fille du roi Acrisius et princesse d’Argos.  Selon le mythe qui la voit protagoniste, elle aurait engendr\u00e9 un fils destin\u00e9 \u00e0 tuer son grand-p\u00e8re, Acrisius. Ce dernier, pour \u00e9chapper \u00e0 la mort aux …<\/p>\n<\/div><\/div>","protected":false},"author":12,"featured_media":85819,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1286],"tags":[1998,2425,1502,2426,1762],"class_list":["post-104542","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-oeuvre-speciale-fr","tag-capodimonte-fr","tag-danae-fr","tag-musees-a-naples-fr","tag-seizieme-siecle-fr","tag-titien-fr"],"acf":[],"yoast_head":"\nDana\u00e9 : le chef-d'\u0153uvre de Titien entre histoire et mythe - Artsupp<\/title>\n<meta name=\"description\" content=\"La Dana\u00e9 de Titien est une \u0153uvre de la collection permanente du Real Bosco et Mus\u00e9e Capodimonte \u00e0 Naples.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blog.artsupp.com\/fr\/danae-le-chef-doeuvre-de-titien-entre-histoire-et-mythe\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dana\u00e9 : le chef-d'\u0153uvre de Titien entre histoire et mythe - 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