{"id":104378,"date":"2022-12-06T16:53:54","date_gmt":"2022-12-06T15:53:54","guid":{"rendered":"https:\/\/blog.artsupp.com\/la-muta-de-raphael-reine-de-la-galerie-nationale-des-marches\/"},"modified":"2022-12-06T16:53:54","modified_gmt":"2022-12-06T15:53:54","slug":"la-muta-de-raphael-reine-de-la-galerie-nationale-des-marches","status":"publish","type":"post","link":"https:\/\/blog.artsupp.com\/fr\/la-muta-de-raphael-reine-de-la-galerie-nationale-des-marches\/","title":{"rendered":"La Muta de Rapha\u00ebl, reine de la Galerie Nationale des Marches"},"content":{"rendered":"\n

La Muta<\/a><\/strong>, dont le titre officiel est Portrait de Gentildonna (La Muta)<\/strong>, est une \u0153uvre de Raffaello Sanzio<\/a><\/strong> r\u00e9alis\u00e9e entre 1505<\/strong> et 1509<\/strong>, \u00e0 la fin de la p\u00e9riode florentine de l’artiste.<\/p>\n\n\n\n

Pour en reconstruire l’histoire, l’\u0153uvre<\/strong> est d\u00e9j\u00e0 mentionn\u00e9e dans l’inventaire – r\u00e9alis\u00e9 entre 1702 et 1710 – des biens de Ferdinando de\u2019 Medici<\/strong>, grand prince de Toscane. <\/p>\n\n\n\n

Transport\u00e9e ensuite aux Uffizi<\/strong>, elle ne fait partie de la collection permanente de la Galleria Nazionale delle Marche \u00e0 Urbino<\/a><\/strong> qu’\u00e0 partir de 1927.<\/p>\n\n\n\n

La Muta<\/strong>, au mois de juillet, a \u00e9t\u00e9 expos\u00e9e \u00e0 la National Gallery de Londres<\/strong> \u00e0 l’occasion de l’exposition “Raphael<\/strong>“.<\/p>\n\n\n

\n
\"\"
Galleria Nazionale delle Marche, Urbino.<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n

Qui \u00e9tait la Muta ?<\/strong><\/h2>\n\n\n\n

Le tableau a longtemps \u00e9t\u00e9 l’objet d’\u00e9tudes, \u00e0 commencer par le sujet repr\u00e9sent\u00e9 dans lequel a \u00e9t\u00e9 reconnue la figure de Giovanna da Feltre<\/strong>, fille de Federico da Montefeltro<\/strong> et m\u00e8re de Francesco Maria I della Rovere<\/strong>, qui fut duc d’Urbino<\/strong> de 1508 \u00e0 1538. <\/p>\n\n\n\n

Cependant, plusieurs doutes, d’ordre historique, s’opposent \u00e0 cette hypoth\u00e8se.<\/p>\n\n\n\n

Tout d’abord, \u00e0 l’\u00e9poque du tableau, Giovanna<\/strong> aurait d\u00e9j\u00e0 eu quarante ans et six grossesses derri\u00e8re elle, tandis que la femme repr\u00e9sent\u00e9e par Raffaello<\/strong> semble nettement plus jeune et moins marqu\u00e9e par les \u00e9v\u00e9nements.<\/p>\n\n\n\n

Deuxi\u00e8mement, une figure avec un tel pouvoir politique et d\u00e9cisionnel – Giovanna<\/strong> a en effet dirig\u00e9 le duch\u00e9 d’Urbino<\/strong> pendant six ans apr\u00e8s la mort de son mari – aurait \u00e9t\u00e9 facilement reconnue par la suite, ce qui, malheureusement, n’est pas arriv\u00e9. <\/p>\n\n\n

\n
\"\"
Portrait de gentildonna dit la Muta, Raffaello Sanzio, 1505-1509, huile sur panneau<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n

L’\u0153uvre<\/strong><\/h2>\n\n\n\n

La Muta<\/strong> est repr\u00e9sent\u00e9e de trois quarts sur un fond sombre, tourn\u00e9e vers la gauche.<\/p>\n\n\n\n

Le regard<\/strong>, s\u00e9rieux et absorb\u00e9, a longtemps \u00e9t\u00e9 jug\u00e9 comme ind\u00e9chiffrable et opaque<\/strong> et ses l\u00e8vres closes – scell\u00e9es – lui ont valu le titre de La Muta. <\/strong><\/p>\n\n\n\n

L’intensit\u00e9 du visage, donc, ainsi que l’aust\u00e9rit\u00e9 de la figure et le d\u00e9tail de l’index de la main gauche qui indique quelque chose d’inconnu au spectateur, ont contribu\u00e9 \u00e0 accro\u00eetre l’incontournable charme de l’\u0153uvre. <\/p>\n\n\n\n

La Muta<\/strong> porte la gamurra<\/strong>, v\u00eatement typique du XVIe si\u00e8cle, r\u00e9alis\u00e9 dans un tissu pr\u00e9cieux symbole de rang social \u00e9lev\u00e9, comme l’indiquent \u00e9galement les bijoux qu’elle porte autour du cou et aux mains. <\/p>\n\n\n\n

On suppose donc que Raffaello<\/strong> a re\u00e7u la commande de l’\u0153uvre d’un membre de la bourgeoisie, mais il n’est pas pr\u00e9cis\u00e9 s’il s’agissait de Florence<\/strong> ou directement d’Urbino<\/strong>, peut-\u00eatre de la m\u00eame famille della Rovere.<\/strong><\/p>\n\n\n\n

Il est int\u00e9ressant de noter la pr\u00e9sence de la couleur verte<\/strong> qui \u00e9voque – selon la tradition – le deuil et la veuvage. Pour cette raison, beaucoup estiment, avec une raisonnable certitude, que la femme est effectivement une veuve. <\/p>\n\n\n\n

Leonardo, source d’inspiration<\/strong><\/h2>\n\n\n\n

Raffaello<\/strong>, pour la r\u00e9alisation de la Muta<\/strong> et en particulier pour les \u00e9tudes sur la position de trois quarts, s’est sans aucun doute inspir\u00e9 de la Ginevra de\u2019 Benci<\/strong> et de la Monna Lisa<\/strong> de Leonardo di Vinci<\/a>. <\/strong><\/p>\n\n\n\n

L’effort de l’artiste a \u00e9t\u00e9 confirm\u00e9 par les examens effectu\u00e9s sur la toile, qui ont mis au jour plusieurs esquisses pr\u00e9paratoires, preuve \u00e0 leur tour que Raffaello<\/strong> est revenu sur le dessin, modifiant la hauteur de la femme, l’ouverture des \u00e9paules et m\u00eame la position des mains. <\/p>\n\n\n\n

<\/p>\n\n\n

\n
\"\"
Ginevra de\u2019 Benci<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n

Raffaello<\/strong> s’\u00e9tait d\u00e9j\u00e0 exerc\u00e9 \u00e0 r\u00e9aliser des figures dans la m\u00eame pose.<\/p>\n\n\n\n

Il convient de rappeler La Gravida<\/strong> du Palazzo Pitti<\/strong> dans laquelle il a probablement repr\u00e9sent\u00e9 Emilia Pia da Montefeltro<\/strong> et la Maddalena Strozzi Doni<\/strong>, o\u00f9 la protagoniste est en revanche la fille de Lorenzo de Medici. <\/p>\n\n\n\n

La Muta<\/strong>, au-del\u00e0 de l’incommensurable valeur artistique, est devenue avec le temps un symbole pour toute la ville d’Urbino<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"

La Muta, dont le titre officiel est Portrait de Gentildonna (La Muta), est une \u0153uvre de Raffaello Sanzio r\u00e9alis\u00e9e entre 1505 et 1509, \u00e0 la fin de la p\u00e9riode florentine de l’artiste. Pour en reconstruire l’histoire, l’\u0153uvre est d\u00e9j\u00e0 mentionn\u00e9e dans l’inventaire – r\u00e9alis\u00e9 entre 1702 et 1710 – des biens de Ferdinando de\u2019 Medici, …<\/p>\n<\/div><\/div>","protected":false},"author":12,"featured_media":85814,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1286],"tags":[2056,2271,2270,1761,2269],"class_list":["post-104378","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-oeuvre-speciale-fr","tag-galerie-nationale-des-marches-fr","tag-la-muta-fr","tag-oeuvre-speciale-fr","tag-raphael-fr","tag-urbino-fr"],"acf":[],"yoast_head":"\nLa Muta de Rapha\u00ebl, reine de la Galerie Nationale des Marches - Artsupp<\/title>\n<meta name=\"description\" content=\"La Muta ou Portrait de Gentildonne est une \u0153uvre de Rapha\u00ebl appartenant \u00e0 la collection de la Galerie Nationale des Marches.\" 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