{"id":104366,"date":"2022-12-13T16:10:39","date_gmt":"2022-12-13T15:10:39","guid":{"rendered":"https:\/\/blog.artsupp.com\/letat-de-quatrieme-de-pellizza-da-volpedo-revient-a-la-gam-de-milan\/"},"modified":"2022-12-13T16:10:39","modified_gmt":"2022-12-13T15:10:39","slug":"letat-de-quatrieme-de-pellizza-da-volpedo-revient-a-la-gam-de-milan","status":"publish","type":"post","link":"https:\/\/blog.artsupp.com\/fr\/letat-de-quatrieme-de-pellizza-da-volpedo-revient-a-la-gam-de-milan\/","title":{"rendered":"L’\u00c9tat de Quatri\u00e8me de Pellizza da Volpedo revient \u00e0 la GAM de Milan"},"content":{"rendered":"\n

C’est un retour \u00e0 la maison de Quarto Stato<\/a><\/strong> de Giuseppe Pellizza da Volpedo<\/a><\/strong> \u00e0 la GAM Galleria d’Arte Moderna<\/a> de Milan<\/a>.<\/strong><\/p>\n\n\n\n

L’\u0153uvre<\/strong>, r\u00e9alis\u00e9e en 1901, est consid\u00e9r\u00e9e comme un chef-d’\u0153uvre divisionniste<\/strong>, dont peu d’autres peuvent vraiment rivaliser.<\/p>\n\n\n\n

La sc\u00e8ne <\/strong>repr\u00e9sent\u00e9e – un groupe de travailleurs revendiquant leurs droits \u00e0 la fin du XIXe si\u00e8cle – est devenue si c\u00e9l\u00e8bre qu’elle est consid\u00e9r\u00e9e comme une ic\u00f4ne pop.<\/strong><\/p>\n\n\n\n

Pourquoi Quarto Stato?<\/strong><\/h2>\n\n\n\n

Au XIXe si\u00e8cle<\/strong>, le terme Quarto Stato<\/strong> d\u00e9signait la classe sociale la plus humble<\/strong> du peuple, compos\u00e9e principalement de travailleurs. Les trois personnages qui se d\u00e9tachent devant la foule, deux hommes et une femme tenant un enfant dans ses bras, symbolisent les classes les plus basses.<\/p>\n\n\n\n

Bien qu’ils soient v\u00eatus de v\u00eatements pauvres, ils ont dans les yeux la fiert\u00e9 et la d\u00e9termination de ceux qui revendiquent leurs droits.<\/p>\n\n\n\n

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Quarto Stato, Pellizza da Volpedo<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n
<\/div>\n\n\n\n

Le Quarto Stato : les \u00e9tudes et l’\u0153uvre<\/strong><\/h2>\n\n\n\n

Avant d’arriver au Quarto Stato<\/strong> tel que nous l’admirons aujourd’hui, Pellizza da Volpedo<\/strong> a r\u00e9alis\u00e9 plusieurs \u00e9tudes pr\u00e9liminaires : Ambasciatori della fame (1892),<\/strong> Il cammino dei lavoratori (1899)<\/strong> et La Fiumana<\/strong> (1895), actuellement conserv\u00e9e \u00e0 la Pinacoteca di Brera de Milan<\/strong>.<\/p>\n\n\n\n

Malheureusement, Fiumana<\/strong> est rest\u00e9e inachev\u00e9e en raison du massacre d’\u00c9tat ordonn\u00e9 par le g\u00e9n\u00e9ral Bava Beccaris<\/strong> survenu lors des \u00e9meutes de Milan<\/strong> au d\u00e9but de mai 1898.<\/p>\n\n\n\n

Pellizza<\/strong>, boulevers\u00e9 par les morts caus\u00e9es par les militaires, s’est consacr\u00e9 \u00e0 une version encore plus monumentale de l’\u0153uvre sur laquelle <\/strong>il a travaill\u00e9 de mani\u00e8re presque obsessive.<\/p>\n\n\n\n

C’est ainsi qu’est n\u00e9 le Quarto Stato<\/strong>.<\/p>\n\n\n\n

Le protagoniste est la masse des travailleurs<\/strong> qui marche, poursuivant la gr\u00e8ve et acqu\u00e9rant en m\u00eame temps la force et le pouvoir<\/strong> de n\u00e9gocier leur salaire.<\/p>\n\n\n\n

La lumi\u00e8re<\/strong> a un r\u00f4le symbolique<\/strong> dans le tableau : elle frappe les hommes mais illumine la femme, dont l’image peut rappeler celle d’une maternit\u00e9 chr\u00e9tienne. La foule est plus floue et assombrie vers l’arri\u00e8re-plan. En revanche, la lumi\u00e8re est plus intense en t\u00eate du cort\u00e8ge.<\/p>\n\n\n\n

<\/div>\n\n\n\n

D\u00e9couvrez les \u0153uvres et les expositions de Pellizza da Volpedo sur<\/strong><\/h2>\n\n\n\n

Artsupp.com <\/strong><\/h2>\n\n\n\n
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ALLER \u00c0 L’ARTISTE<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Le retour \u00e0 la GAM<\/strong><\/h2>\n\n\n\n

Le Quarto Stato<\/strong> a eu une histoire assez tumultueuse.<\/p>\n\n\n\n

Le tableau<\/strong>, une fois termin\u00e9, a \u00e9t\u00e9 propos\u00e9 par l’artiste \u00e0 plusieurs expositions mais a \u00e9t\u00e9 constamment refus\u00e9.<\/p>\n\n\n\n

Pellizza<\/strong> s’est suicid\u00e9 en juin 1907 et ne l’a jamais vu expos\u00e9.<\/p>\n\n\n\n

Apr\u00e8s diverses p\u00e9rip\u00e9ties, le Quarto Stato<\/strong> est arriv\u00e9 gr\u00e2ce \u00e0 une souscription populaire \u00e0 la Galleria d’arte Moderna<\/strong>, mais en 2010, il a \u00e9t\u00e9 transf\u00e9r\u00e9 au Mus\u00e9e du Novecento<\/strong>, alors r\u00e9cemment inaugur\u00e9, o\u00f9 il est rest\u00e9 jusqu’\u00e0 aujourd’hui.<\/p>\n\n\n\n

Depuis d\u00e9but juillet, le tableau est revenu “\u00e0 la maison” \u00e0 la GAM<\/strong>.<\/p>\n\n\n\n

Ici, une zone sp\u00e9ciale a \u00e9t\u00e9 cr\u00e9\u00e9e pour l’accueillir, situ\u00e9e plus pr\u00e9cis\u00e9ment entre la salle 28 qui abrite la Maternit\u00e0<\/strong><\/em> de Gaetano Previati<\/a><\/strong> et la salle 30 d\u00e9di\u00e9e \u00e0 Giovanni Segantini<\/a><\/strong>.<\/p>\n\n\n\n

<\/div>\n\n\n\n

D\u00e9couvrez la GAM, sa collection et ses expositions<\/strong><\/h2>\n\n\n\n

sur Artsupp.com!<\/strong><\/h2>\n\n\n\n
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D\u00c9COUVREZ LA GALERIE D’ART MODERNE DE MILAN<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

C’est un retour \u00e0 la maison de Quarto Stato de Giuseppe Pellizza da Volpedo \u00e0 la GAM Galleria d’Arte Moderna de Milan. L’\u0153uvre, r\u00e9alis\u00e9e en 1901, est consid\u00e9r\u00e9e comme un chef-d’\u0153uvre divisionniste, dont peu d’autres peuvent vraiment rivaliser. La sc\u00e8ne repr\u00e9sent\u00e9e – un groupe de travailleurs revendiquant leurs droits \u00e0 la fin du XIXe si\u00e8cle …<\/p>\n<\/div><\/div>","protected":false},"author":12,"featured_media":86717,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1287],"tags":[2255,1262,1261,2065],"class_list":["post-104366","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artsupp-vous-raconte-histoire-de-lart-et-artistes-fr","tag-etat-de-quatrieme-fr","tag-milan-fr","tag-musees-a-milan-fr","tag-xixe-siecle-fr"],"acf":[],"yoast_head":"\nL'\u00c9tat de Quatri\u00e8me de Pellizza da Volpedo revient \u00e0 la GAM de Milan - Artsupp<\/title>\n<meta name=\"description\" content=\"L'\u00c9tat de Quatri\u00e8me de Pellizza da Volpedo revient \u00e0 la GAM de Milan, apr\u00e8s avoir \u00e9t\u00e9 expos\u00e9 au Mus\u00e9e du Novecento de Milan depuis 2010.\" 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