{"id":104220,"date":"2023-03-07T16:01:14","date_gmt":"2023-03-07T15:01:14","guid":{"rendered":"https:\/\/blog.artsupp.com\/la-venus-de-turin-botticelli-aux-musees-royaux\/"},"modified":"2023-03-07T16:01:14","modified_gmt":"2023-03-07T15:01:14","slug":"la-venus-de-turin-botticelli-aux-musees-royaux","status":"publish","type":"post","link":"https:\/\/blog.artsupp.com\/fr\/la-venus-de-turin-botticelli-aux-musees-royaux\/","title":{"rendered":"La V\u00e9nus de Turin, Botticelli aux Mus\u00e9es Royaux"},"content":{"rendered":"\n

Les <\/a>Mus\u00e9es Royaux de Turin<\/a><\/strong> abritent, au sein des collections de la Galerie Sabauda<\/strong>, l’une des V\u00e9nus<\/strong> attribuables \u00e0 Sandro Botticelli. <\/strong><\/p>\n\n\n\n

En ne consid\u00e9rant pas la V\u00e9nus<\/strong> la plus c\u00e9l\u00e8bre du Mus\u00e9e des Offices de Florence<\/strong>, on estime en effet que seules trois autres<\/strong> V\u00e9nus<\/strong> soient n\u00e9es de la main de Botticelli <\/strong> ou de son atelier : la V\u00e9nus de Berlin<\/strong>, une dans une collection priv\u00e9e \u00e0 Gen\u00e8ve<\/strong> et, justement, la V\u00e9nus de Turin<\/strong><\/a> . <\/p>\n\n\n\n

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Sandro Botticelli <\/strong><\/h2>\n\n\n\n

Sandro Botticelli <\/strong>na\u00eet \u00e0 Florence<\/strong> en 1445. <\/strong><\/p>\n\n\n\n

Il effectue son apprentissage dans l’atelier de Filippo Lippi<\/strong> de 1464 \u00e0 1467. Il fr\u00e9quente probablement ensuite l’atelier de Andrea del Verrocchio<\/strong>, dont l’influence artistique est ind\u00e9niable dans ses peintures. <\/p>\n\n\n\n

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Sandro Botticelli, peinture d’Alessandro Maria Filipepi<\/strong> <\/figcaption><\/figure>\n<\/div>\n\n\n

La V\u00e9nus de Turin<\/strong><\/h2>\n\n\n\n

Selon les sources historiques qui nous sont parvenues, la V\u00e9nus qui est aujourd’hui \u00e0 Turin <\/b><\/span>a \u00e9t\u00e9 achet\u00e9e par un r\u00e9v\u00e9rend anglais au milieu du XIXe si\u00e8cle et ensuite c\u00e9d\u00e9e \u00e0 un baron. <\/p>\n\n\n\n

Longtemps consid\u00e9r\u00e9e comme perdue, elle a \u00e9t\u00e9 retrouv\u00e9e par les h\u00e9ritiers de ce dernier et est finalement arriv\u00e9e entre les mains du collectionneur biellais Riccardo Gualino<\/strong>; depuis 1930<\/strong>, elle est aux Galeries Sabaudes<\/strong>. Il n’est donc pas surprenant qu’elle soit aujourd’hui connue sous le nom de V\u00e9nus de Turin. <\/a><\/strong><\/p>\n\n\n\n

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Sandro Botticelli, V\u00e9nus de Turin<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n
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Voir l’\u0153uvre<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Le tableau<\/strong> est indissociablement li\u00e9 \u00e0 la m\u00eame “Naissance de V\u00e9nus”<\/strong> qui a imm\u00e9diatement rencontr\u00e9 un succ\u00e8s incroyable : d\u00e9j\u00e0 \u00e0 l’\u00e9poque, la commande a demand\u00e9 la r\u00e9alisation d’autres images repr\u00e9sentant cette figure f\u00e9minine.<\/p>\n\n\n\n

Botticelli<\/strong> dans la V\u00e9nus de Turin<\/a><\/strong>, qui peut \u00eatre consid\u00e9r\u00e9e comme un v\u00e9ritable dessin pr\u00e9paratoire de l’\u0153uvre \u00e0 Florence<\/strong>, choisit de repr\u00e9senter exclusivement la figure de la femme debout sur un fond noir. <\/p>\n\n\n\n

Il s’agit de nus monumentaux, qui peuvent \u00eatre class\u00e9s parmi les premi\u00e8res peintures sans sujets sacr\u00e9s de l’Europe post-classique et qui trouvent leur mod\u00e8le dans des \u0153uvres comme la V\u00e9nus de M\u00e9dicis, ou V\u00e9nus pudique, o\u00f9 la D\u00e9esse se couvre les seins et le pubis avec les mains.<\/strong><\/p>\n\n\n\n

<\/div>\n\n\n\n

Voulez-vous d\u00e9couvrir tous les mus\u00e9es, expositions et \u00e9v\u00e9nements \u00e0 Turin ? Cliquez ici !<\/strong><\/h2>\n\n\n\n
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Aller \u00e0 la ville<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Les Mus\u00e9es Royaux de Turin abritent, au sein des collections de la Galerie Sabauda, l’une des V\u00e9nus attribuables \u00e0 Sandro Botticelli. 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