{"id":104103,"date":"2023-05-02T16:28:38","date_gmt":"2023-05-02T14:28:38","guid":{"rendered":"https:\/\/blog.artsupp.com\/la-resurrection-du-christ-de-titien\/"},"modified":"2023-05-02T16:28:38","modified_gmt":"2023-05-02T14:28:38","slug":"la-resurrection-du-christ-de-titien","status":"publish","type":"post","link":"https:\/\/blog.artsupp.com\/fr\/la-resurrection-du-christ-de-titien\/","title":{"rendered":"La R\u00e9surrection du Christ de Titien"},"content":{"rendered":"\n

La R\u00e9surrection du Christ<\/a> de Titien<\/a><\/strong> est une \u0153uvre r\u00e9alis\u00e9e par le peintre v\u00e9nitien<\/strong> entre 1542 et 1544<\/strong> et conserv\u00e9e \u00e0 la Galerie Nationale des Marches<\/a><\/strong>.<\/p>\n\n\n\n

La R\u00e9surrection du Christ<\/a> de Titien<\/a><\/strong> faisait partie d’un \u00e9tendard processionnel<\/strong> command\u00e9 \u00e0 Titien par la Confr\u00e9rie du Corpus Domini d’Urbino.<\/strong><\/p>\n\n\n\n

Dans le m\u00eame \u00e9tendard se trouvait \u00e9galement sa Derni\u00e8re C\u00e8ne<\/strong>.<\/p>\n\n\n\n

Bien qu’\u00e0 l’origine les deux \u0153uvres<\/strong> aient \u00e9t\u00e9 pr\u00e9sentes sur le m\u00eame \u00e9tendard, en 1545<\/strong>, elles furent s\u00e9par\u00e9es par le peintre Pietro Viti<\/strong> et expos\u00e9es de chaque c\u00f4t\u00e9 de l’autel majeur de l’\u00e9glise de la Confr\u00e9rie.<\/strong><\/p>\n\n\n\n

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La R\u00e9surrection du Christ, Titien<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n
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D\u00e9couvrez l’\u0153uvre<\/a><\/div>\n<\/div>\n\n\n\n
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L’\u0153uvre et les commanditaires<\/strong><\/h2>\n\n\n\n

Comme mentionn\u00e9 pr\u00e9c\u00e9demment,<\/strong> Titien<\/strong><\/a> avait r\u00e9alis\u00e9 un \u00e9tendard constitu\u00e9 de la R\u00e9surrection<\/strong> et de la Derni\u00e8re C\u00e8ne<\/strong>, le tout command\u00e9 par la Confr\u00e9rie du Corpus Domini d’Urbino.<\/strong><\/p>\n\n\n\n

Apr\u00e8s avoir \u00e9t\u00e9 r\u00e9alis\u00e9e \u00e0 Venise<\/strong>, l’\u0153uvre<\/strong> arrive \u00e0 Urbino<\/strong> et entre en possession de la famille Della Rovere<\/strong>, parmi les principales familles de commanditaires de Titien<\/strong>.<\/p>\n\n\n\n

L’\u0153uvre, apr\u00e8s avoir \u00e9t\u00e9 transf\u00e9r\u00e9e dans les Marches, fut d\u00e9tach\u00e9e de l’\u00e9tendard et plac\u00e9e de chaque c\u00f4t\u00e9 de l’autel majeur dans l’\u00e9glise de la confr\u00e9rie.<\/p>\n\n\n\n

Suite au mariage de la derni\u00e8re descendante de la famille, Vittoria<\/strong>, avec Ferdinand II de’ Medici<\/strong>, ces chefs-d’\u0153uvre pass\u00e8rent dans les collections florentines des M\u00e9dicis.<\/strong><\/p>\n\n\n\n

\u00c0 ce jour, la R\u00e9surrection<\/strong> est la seule \u0153uvre rest\u00e9e \u00e0 Urbino command\u00e9e \u00e0 l’origine par la famille Della Rovere.<\/p>\n\n\n\n

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D\u00e9couvrez le Mus\u00e9e<\/a><\/div>\n<\/div>\n\n\n\n
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Le style et les caract\u00e9ristiques<\/strong><\/h2>\n\n\n\n

La R\u00e9surrection<\/a><\/strong> est divis\u00e9e en deux parties.<\/strong><\/p>\n\n\n\n

Dans la zone inf\u00e9rieure, r\u00e9alis\u00e9e avec des lignes obliques et bris\u00e9es<\/strong> qui conf\u00e8rent mouvement et drame \u00e0 l’ensemble, sont repr\u00e9sent\u00e9s les soldats en agitation et le sarcophage<\/strong> vide.<\/p>\n\n\n\n

Au contraire, dans la partie sup\u00e9rieure, s’\u00e9l\u00e8ve le Christ b\u00e9nissant<\/strong> sur un ciel aurore, avec des traits statuaire. Dans la  R\u00e9surrection<\/em><\/strong> , l’effet dramatique est accentu\u00e9 par un intense luminisme.<\/p>\n\n\n\n

La figure du Christ Ressuscit\u00e9<\/strong>, h\u00e9ro\u00efquement repr\u00e9sent\u00e9e en haut, est saisie dans une attitude de sculpture classique, repr\u00e9sent\u00e9e contre le fond du ciel au coucher de soleil.<\/p>\n\n\n\n

L’axe compositionnel<\/strong> est constitu\u00e9 par le coin du sarcophage<\/strong>, qui se prolonge id\u00e9alement dans la figure de J\u00e9sus, dont la s\u00e9r\u00e9nit\u00e9 statuaire s’oppose \u00e0 l’agitation et au mouvement des personnages de la partie inf\u00e9rieure du tableau.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Voulez-vous d\u00e9couvrir tous les autres mus\u00e9es, expositions, \u00e9v\u00e9nements \u00e0 Urbino ?<\/strong><\/h3>\n\n\n\n

Cliquez ici!<\/strong><\/h3>\n\n\n\n
<\/div>\n\n\n\n
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Aller \u00e0 la ville<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

La R\u00e9surrection du Christ de Titien est une \u0153uvre r\u00e9alis\u00e9e par le peintre v\u00e9nitien entre 1542 et 1544 et conserv\u00e9e \u00e0 la Galerie Nationale des Marches. La R\u00e9surrection du Christ de Titien faisait partie d’un \u00e9tendard processionnel command\u00e9 \u00e0 Titien par la Confr\u00e9rie du Corpus Domini d’Urbino. Dans le m\u00eame \u00e9tendard se trouvait \u00e9galement sa …<\/p>\n<\/div><\/div>","protected":false},"author":12,"featured_media":89826,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1286],"tags":[2056,2057,1285,1762],"class_list":["post-104103","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-oeuvre-speciale-fr","tag-galerie-nationale-des-marches-fr","tag-musees-a-urbino-fr","tag-renaissance-fr","tag-titien-fr"],"acf":[],"yoast_head":"\nLa R\u00e9surrection du Christ de Titien - Artsupp<\/title>\n<meta name=\"description\" content=\"La R\u00e9surrection du Christ de Titien est une \u0153uvre r\u00e9alis\u00e9e entre 1542 et 1544 conserv\u00e9e \u00e0 la Galerie Nationale des Marches.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blog.artsupp.com\/fr\/la-resurrection-du-christ-de-titien\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La R\u00e9surrection du Christ de Titien - 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