{"id":103912,"date":"2023-10-12T10:49:53","date_gmt":"2023-10-12T08:49:53","guid":{"rendered":"https:\/\/blog.artsupp.com\/rubens-l-exposition-au-palazzo-te\/"},"modified":"2023-10-12T10:49:53","modified_gmt":"2023-10-12T08:49:53","slug":"rubens-l-exposition-au-palazzo-te","status":"publish","type":"post","link":"https:\/\/blog.artsupp.com\/fr\/rubens-l-exposition-au-palazzo-te\/","title":{"rendered":"Rubens. L’exposition au Palazzo Te"},"content":{"rendered":"\n
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Fondazione Palazzo Te<\/a><\/strong> avec le Palazzo Ducale de Mantoue et la Galerie Borgh\u00e8se<\/strong> exposent en collaboration, jusqu’au 18 f\u00e9vrier 2024<\/strong>, l’exposition “Rubens, la naissance d’une peinture europ\u00e9enne”<\/strong>.<\/a> <\/p>\n\n\n\n

Il s’agit d’un projet d’exposition ambitieux<\/strong> qui c\u00e9l\u00e8bre Rubens<\/strong> comme un peintre profond\u00e9ment inspir\u00e9 par la culture classique<\/strong> et responsable d’un h\u00e9ritage profond et ind\u00e9l\u00e9bile dans<\/strong> l’histoire de l’art. <\/p>\n\n\n\n

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Pieter Paul Rubens : notes biographiques<\/strong><\/h3>\n\n\n\n

Pieter Paul Rubens<\/a> <\/strong>na\u00eet \u00e0 Siegen <\/strong>le 28 juin 1877<\/strong> et passe son enfance \u00e0 Cologne. <\/strong>Il commence son apprentissage \u00e0 seulement 14 ans. <\/strong><\/p>\n\n\n\n

Au printemps de 1600<\/strong>, il se rend en Italie<\/strong> o\u00f9 il reste plusieurs ann\u00e9es, visitant de nombreuses villes, en premier lieu Venise<\/a><\/strong> et ensuite \u00e9galement Rome<\/a> et Mantoue. <\/a><\/strong><\/p>\n\n\n\n

Rubens<\/strong> dans son art m\u00eala \u00e0 la fois des lignes classiques<\/strong> et des baroques<\/strong> d’\u00e9largissement des formes, de rythme infini, de fastuosit\u00e9 et de beaut\u00e9s d\u00e9coratives<\/strong> et un fond de r\u00e9alisme qui sert de toile de fond \u00e0 la transfiguration des sens.<\/p>\n\n\n\n

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La naissance de la peinture europ\u00e9enne <\/strong><\/h3>\n\n\n\n

La naissance de la peinture europ\u00e9enne<\/strong> est l’\u00e9v\u00e9nement qui sert de fil conducteur aux trois \u00e9v\u00e9nements d’exposition <\/strong>organis\u00e9s par les institutions impliqu\u00e9es. <\/p>\n\n\n\n

Les expositions<\/strong>, qui ont toutes pour objectif de c\u00e9l\u00e9brer Rubens<\/strong>, protagoniste et arch\u00e9type absolu du baroque<\/strong>, s’inscrivent dans une plus large op\u00e9ration culturelle<\/strong> d\u00e9di\u00e9e aux relations entre la culture italienne et l\u2019Europe<\/strong> vue \u00e0 travers les yeux de l’artiste. <\/p>\n\n\n\n

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\"Rubens.
La f\u00eate des Dieux, Jan Brueghel l’Ancien, 1638 Huile sur toile<\/strong><\/figcaption><\/figure>\n\n\n\n
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Acc\u00e9der \u00e0 l’exposition compl\u00e8te <\/a><\/div>\n<\/div>\n\n\n\n
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Rubens \u00e0 Mantoue <\/strong><\/h3>\n\n\n\n

L’exposition \u00e0 Palazzo Te<\/strong> de Mantoue <\/strong>r\u00e9fl\u00e9chit sur les concepts de peinture, transformation et libert\u00e9<\/strong>, se concentrant en particulier sur la relation qui s’est cr\u00e9\u00e9e entre Rubens<\/strong> et la culture mythologique<\/strong> qui l’int\u00e9ressa durant son s\u00e9jour en Italie. <\/strong><\/p>\n\n\n\n

L\u2019exposition<\/strong> a donc pour objectif de cr\u00e9er un lien entre les \u0153uvres <\/strong>et les motifs d\u00e9coratifs et iconographiques du Palais<\/strong> : un parcours paradigmatique qui d\u00e9montre combien les suggestions renaissantes \u00e9labor\u00e9es par Rubens<\/strong> durant ses ann\u00e9es mantouanes et italiennes se sont poursuivies, \u00e9voluant, dans la peinture de sa maturit\u00e9, jusqu’\u00e0 se transmettre dans l’h\u00e9ritage intellectuel et artistique laiss\u00e9 \u00e0 ses \u00e9l\u00e8ves. <\/p>\n\n\n\n

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\"Rubens.
Saint Michel chasse Satan et les anges rebelles, Peter Paul Rubens 1622 Huile sur toile<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n
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Les \u0153uvres<\/strong> de l’exposition ont \u00e9t\u00e9 choisies en fonction du dialogue qu’elles r\u00e9tablissent avec les mythes et de l’interpr\u00e9tation qu’en fit Giulio Romano<\/strong> dans les diff\u00e9rentes salles, des facteurs qui contribu\u00e8rent \u00e0 g\u00e9n\u00e9rer chez le peintre d’Anvers une harmonie jamais interrompue avec la Renaissance et le Mythe.<\/p>\n\n\n\n

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Si vous \u00eates \u00e9galement int\u00e9ress\u00e9 par toutes les autres expositions \u00e0 ne pas manquer dans d’autres villes italiennes comme<\/strong> Venise<\/a>, Naples<\/a>, Turin<\/a> et Milan<\/a><\/strong>, nous vous recommandons nos approfondissements :<\/p>\n\n\n\n

Venise : expositions \u00e0 voir en 2023<\/a><\/strong><\/p>\n\n\n\n

Expositions \u00e0 Naples : lesquelles voir en 2023<\/a><\/strong><\/p>\n\n\n\n

Turin : les expositions 2023<\/a><\/strong><\/p>\n\n\n\n

Expositions \u00e0 Milan 2023 : les cinq incontournables<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Fondazione Palazzo Te avec le Palazzo Ducale de Mantoue et la Galerie Borgh\u00e8se exposent en collaboration, jusqu’au 18 f\u00e9vrier 2024, l’exposition “Rubens, la naissance d’une peinture europ\u00e9enne”. Il s’agit d’un projet d’exposition ambitieux qui c\u00e9l\u00e8bre Rubens comme un peintre profond\u00e9ment inspir\u00e9 par la culture classique et responsable d’un h\u00e9ritage profond et ind\u00e9l\u00e9bile dans l’histoire de …<\/p>\n<\/div><\/div>","protected":false},"author":12,"featured_media":95122,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1539],"tags":[1915,1914,1916,1763,1548],"class_list":["post-103912","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-guide-bref-de-lexposition-fr","tag-expositions-a-mantoue-fr","tag-mantoue-fr","tag-musees-a-mantoue-fr","tag-rubens-fr","tag-seicento-fr"],"acf":[],"yoast_head":"\nRubens. 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