{"id":103717,"date":"2024-03-08T12:29:32","date_gmt":"2024-03-08T11:29:32","guid":{"rendered":"https:\/\/blog.artsupp.com\/le-louvre-dans-les-pages-d-emile-zola\/"},"modified":"2024-03-08T12:29:32","modified_gmt":"2024-03-08T11:29:32","slug":"le-louvre-dans-les-pages-d-emile-zola","status":"publish","type":"post","link":"https:\/\/blog.artsupp.com\/fr\/le-louvre-dans-les-pages-d-emile-zola\/","title":{"rendered":"Le Louvre dans les pages d’\u00c9mile Zola"},"content":{"rendered":"\n

Le Louvre.<\/strong><\/p>\n\n\n\n

Il n’est pas n\u00e9cessaire de s’\u00e9tendre trop sur ce qui est, sans aucun doute, le mus\u00e9e le plus c\u00e9l\u00e8bre du monde. <\/p>\n\n\n\n

D\u00e9crit et repr\u00e9sent\u00e9 de toutes les mani\u00e8res possibles, toile de fond de nombreux films, il est cit\u00e9 en litt\u00e9rature depuis que l’on en a m\u00e9moire. Parmi tous les livres qui c\u00e9l\u00e8brent ses espaces et ses incroyables collections (comment lui donner tort), il y a cependant un \u00e9crivain – de surcro\u00eet Parisien – qui, dans une de ses \u0153uvres de 1877, transforme un \u00e9pisode au Louvre <\/strong>en un acte d’accusation contre le mus\u00e9e. <\/p>\n\n\n\n

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De qui parlons-nous ?<\/strong><\/h5>\n\n\n\n
<\/div>\n\n\n\n

De \u00c9mile Zola<\/strong>, parmi les romanciers fran\u00e7ais les plus appr\u00e9ci\u00e9s, publi\u00e9s, traduits et comment\u00e9s dans le monde entier. Le livre en question est L\u2019 Assommoir,<\/strong> <\/em>traduit comme “Le scannatoio\u201d ou “L’ammazzatoio<\/strong>” et publi\u00e9 pour la premi\u00e8re fois en Italie en 1878, un an apr\u00e8s sa sortie en France. <\/p>\n\n\n\n

<\/div>\n\n\n
\n
\"\"
\u00c9mile Zola<\/figcaption><\/figure>\n<\/div>\n\n\n
<\/div>\n\n\n\n

Les deux protagonistes, un couple de fianc\u00e9s, Gervaise et Coupeau, se retrouvent avec tous leurs invit\u00e9s au mus\u00e9e \u00e0 cause d’un impr\u00e9vu le jour de leur mariage. Ainsi commence leur visite :<\/p>\n\n\n\n

\u201cDiable ! il ne faisait pas chaud ! cette salle aurait \u00e9t\u00e9 une excellente cave. Et lentement, les couples avan\u00e7aient le menton lev\u00e9, clignant des yeux entre les colosses de pierre, les dieux de marbre noir (\u2026), les b\u00eates monstrueuses \u00e0 moiti\u00e9 femmes avec des visages de mort (\u2026) ils trouvaient tout cela tr\u00e8s laid. \u201c <\/strong><\/p>\n\n\n\n

<\/div>\n\n\n\n
\"\"
Louvre<\/strong><\/figcaption><\/figure>\n\n\n\n

Lorsque le groupe poursuit sa visite dans les autres salles, les choses ne s’am\u00e9liorent pas. <\/strong>Devant la Mona Lisa de L\u00e9onard<\/strong>, “Coupeau s’arr\u00eata devant la Mona Lisa, o\u00f9 il trouva une ressemblance avec une de ses tantes”<\/strong><\/em>. <\/p>\n\n\n\n

La comitiva continue la visite, peinant d’une salle \u00e0 l’autre, jusqu’\u00e0 perdre son orientation et se perdre “loin de sept ou huit salles, d\u00e9sertes, froides, orn\u00e9es uniquement de vitrines s\u00e9v\u00e8res, o\u00f9 se trouvaient en ligne une quantit\u00e9 innombrable de pots cass\u00e9s et de figurines tr\u00e8s laides<\/strong>.”<\/em><\/p>\n\n\n\n

\u00c0 la fin, ils r\u00e9ussissent \u00e0 sortir, \u00e9puis\u00e9s et fatigu\u00e9s, du mus\u00e9e. <\/p>\n\n\n\n

<\/div>\n\n\n\n
Zola contre le mus\u00e9e<\/strong><\/h5>\n\n\n\n
<\/div>\n\n\n\n

\u00c9mile Zola<\/strong>, dans son Assomoir<\/strong>, qui est en r\u00e9alit\u00e9 un extrait tr\u00e8s analys\u00e9 et comment\u00e9, m\u00e8ne une v\u00e9ritable invective non seulement contre le Louvre, mais en g\u00e9n\u00e9ral contre l’institution qu’il repr\u00e9sente. <\/p>\n\n\n\n

Zola <\/strong>met en \u00e9vidence comment le public, bien qu’il reconnaisse sa valeur, en allant donc le visiter, se sente ensuite exclu et discrimin\u00e9 par les messages que ce mus\u00e9e v\u00e9hicule.<\/p>\n\n\n\n

En substance, le Louvre<\/strong>, dans les pages de Zola<\/strong>, est un s\u00e9parateur de classe qui rend inf\u00e9rieurs ceux qui ne sont pas capables d’interpr\u00e9ter ses valeurs. <\/p>\n\n\n\n

Il resterait \u00e0 se demander si, apr\u00e8s plus d’un si\u00e8cle, l’opinion de Zola <\/strong>est encore d’actualit\u00e9. <\/p>\n\n\n\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

Le Louvre. Il n’est pas n\u00e9cessaire de s’\u00e9tendre trop sur ce qui est, sans aucun doute, le mus\u00e9e le plus c\u00e9l\u00e8bre du monde.  D\u00e9crit et repr\u00e9sent\u00e9 de toutes les mani\u00e8res possibles, toile de fond de nombreux films, il est cit\u00e9 en litt\u00e9rature depuis que l’on en a m\u00e9moire. Parmi tous les livres qui c\u00e9l\u00e8brent ses …<\/p>\n<\/div><\/div>","protected":false},"author":12,"featured_media":98090,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1287],"tags":[1612,1324,1670,1613,1614],"class_list":["post-103717","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artsupp-vous-raconte-histoire-de-lart-et-artistes-fr","tag-louvre-fr","tag-musees-fr","tag-musees-2024-fr","tag-musees-a-paris-fr","tag-paris-fr"],"acf":[],"yoast_head":"\nLe Louvre dans les pages d'\u00c9mile Zola - Artsupp<\/title>\n<meta name=\"description\" content=\"Le Louvre dans les pages d'\u00c9mile Zola, dans "l'Assomoir", voici comment l'\u00e9crivain parisien en parle \u00e0 travers ses protagonistes.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blog.artsupp.com\/fr\/le-louvre-dans-les-pages-d-emile-zola\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le Louvre dans les pages d'\u00c9mile Zola - 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