{"id":103637,"date":"2024-05-09T15:25:27","date_gmt":"2024-05-09T13:25:27","guid":{"rendered":"https:\/\/blog.artsupp.com\/pirandello-aux-uffizi-et-ce-tableau-de-perugino\/"},"modified":"2024-05-09T15:25:27","modified_gmt":"2024-05-09T13:25:27","slug":"pirandello-aux-uffizi-et-ce-tableau-de-perugino","status":"publish","type":"post","link":"https:\/\/blog.artsupp.com\/fr\/pirandello-aux-uffizi-et-ce-tableau-de-perugino\/","title":{"rendered":"Pirandello aux Uffizi et ce tableau de Perugino"},"content":{"rendered":"\n<p>Dans<strong> Le Fu Mattia Pascal<\/strong>, <strong>Pirandello est aux Uffizi. <\/strong><\/p>\n\n\n\n<p>Le c\u00e9l\u00e8bre roman de <strong>Luigi Pirandello<\/strong>, publi\u00e9 pour la premi\u00e8re fois en 1904, a d&#8217;abord \u00e9t\u00e9 publi\u00e9 en feuilleton dans la revue, encore existante aujourd&#8217;hui, <strong>Nuova Antologia<\/strong>. <\/p>\n\n\n\n<p>Le roman explore tous ces th\u00e8mes qui seront ensuite repris dans <strong>Un, personne et cent mille<\/strong> : l&#8217;identit\u00e9, la r\u00e9alit\u00e9 et l&#8217;illusion.<\/p>\n\n\n\n<div style=\"height:19px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2024\/05\/PicsArt_12-03-12.13.27-1024x683.jpg\" alt=\"\" class=\"wp-image-99152\" style=\"width:700px;height:auto\" srcset=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2024\/05\/PicsArt_12-03-12.13.27-1024x683.jpg 1024w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2024\/05\/PicsArt_12-03-12.13.27-300x200.jpg 300w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2024\/05\/PicsArt_12-03-12.13.27-768x512.jpg 768w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2024\/05\/PicsArt_12-03-12.13.27.jpg 1080w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><strong>Photo Calliope Narrativa<\/strong><\/figcaption><\/figure>\n\n\n\n<div style=\"height:19px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"le-fu-mattia-pascal-aux-uffizi\" class=\"wp-block-heading\"><strong>Le Fu Mattia Pascal aux Uffizi <\/strong><\/h3>\n\n\n\n<p>De m\u00eame, <strong>Pirandello<\/strong> ins\u00e8re un mus\u00e9e au sein de son roman, en se concentrant particuli\u00e8rement sur une peinture qui y est conserv\u00e9e.<\/p>\n\n\n\n<p>De quel mus\u00e9e s&#8217;agit-il ? Pr\u00e9cis\u00e9ment de la <strong>Galleria degli Uffizi \u00e0 <a href=\"https:\/\/artsupp.com\/it\/firenze\">Florence<\/a><\/strong>.<\/p>\n\n\n\n<p>Dans le onzi\u00e8me chapitre du <strong>Fu Mattia Pascal<\/strong>, Adriano Meis (Mattia) est chez la famille Paleari \u00e0 <strong>Rome<\/strong>, via Ripetta. <\/p>\n\n\n\n<p>C&#8217;est ici que Mademoiselle Caporale, ma\u00eetresse de musique de la famille et locataire, attire son attention sur une bague port\u00e9e par le protagoniste, qui lui raconte les circonstances dans lesquelles elle lui a \u00e9t\u00e9 offerte :<\/p>\n\n\n\n<div style=\"height:19px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><em><strong>Comme vous le souhaitez ; mais regardez, je peux m\u00eame vous dire que mon grand-p\u00e8re m\u2019a offert cette petite bague \u00e0 Florence, en sortant de la Galleria degli Uffizi, et savez-vous pourquoi ? Parce que moi, qui avais alors douze ans, j&#8217;avais confondu un Perugino avec un Raffaello.<\/strong><\/em><\/p>\n\n\n\n<div style=\"height:19px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:19px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img decoding=\"async\" width=\"671\" height=\"1024\" src=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2024\/05\/ritratto-di-giovane-uffizi--671x1024.jpg\" alt=\"\" class=\"wp-image-99154\" style=\"width:420px;height:auto\" srcset=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2024\/05\/ritratto-di-giovane-uffizi--671x1024.jpg 671w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2024\/05\/ritratto-di-giovane-uffizi--196x300.jpg 196w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2024\/05\/ritratto-di-giovane-uffizi--768x1173.jpg 768w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2024\/05\/ritratto-di-giovane-uffizi--1006x1536.jpg 1006w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2024\/05\/ritratto-di-giovane-uffizi--1341x2048.jpg 1341w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2024\/05\/ritratto-di-giovane-uffizi--scaled.jpg 1676w\" sizes=\"(max-width: 671px) 100vw, 671px\" \/><figcaption class=\"wp-element-caption\"><strong><em>Portrait de jeune<\/em>&nbsp;(1485-90)<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:19px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 id=\"la-culture-des-connaisseurs-pirandello-et-ugo-fleres\" class=\"wp-block-heading\"><strong>La culture des connaisseurs : Pirandello et Ugo Fleres <\/strong><\/h3>\n\n\n\n<p><strong>Pirandello<\/strong>, qui \u00e9tait passionn\u00e9 d&#8217;art et assidu visiteur non seulement de mus\u00e9es mais aussi d&#8217;expositions, de galeries et de cercles artistiques, fait ici r\u00e9f\u00e9rence \u00e0 la peinture <strong><em>Portrait de jeune<\/em>\u00a0(1485-90)<\/strong>, attribu\u00e9e au <a href=\"https:\/\/artsupp.com\/it\/artisti\/perugino\"><strong>Perugino<\/strong>.<\/a><\/p>\n\n\n\n<p>Avec l&#8217;astuce de cette \u0153uvre qui n&#8217;est jamais express\u00e9ment cit\u00e9e par son titre mais seulement par l&#8217;erreur dans l&#8217;attribution de l&#8217;artiste, Pirandello pr\u00e9sente au lecteur ce qui, au d\u00e9but du XXe si\u00e8cle, \u00e9tait appel\u00e9e <strong>&#8220;culture des connaisseurs&#8221;<\/strong>, c&#8217;est-\u00e0-dire la capacit\u00e9 d&#8217;un expert \u00e0 attribuer la paternit\u00e9 \u00e0 une \u0153uvre donn\u00e9e, aujourd&#8217;hui mieux connue sous le nom de <strong>attributionnisme<\/strong>. <\/p>\n\n\n\n<p><strong>Pirandello<\/strong> s&#8217;est en effet int\u00e9ress\u00e9 \u00e0 la <strong>culture des connaisseurs<\/strong> gr\u00e2ce \u00e0 un de ses amis, <strong>Ugo Fleres,<\/strong> historien de l&#8217;art et ensuite directeur de la Galerie d&#8217;art moderne et contemporain de Rome, qui affirmait <em>\u201c<strong>Va, fais un tour dans les mus\u00e9es et ensuite tu pourras me dire quelle est la vraie \u0153uvre et quelle est la fausse, et quelle est la diff\u00e9rence<\/strong>\u201d.<\/em><\/p>\n\n\n\n<div style=\"height:19px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<div class=\"tmnf_excerpt\"><div class=\"tmnf_excerpt\"><p>Dans Le Fu Mattia Pascal, Pirandello est aux Uffizi. Le c\u00e9l\u00e8bre roman de Luigi Pirandello, publi\u00e9 pour la premi\u00e8re fois en 1904, a d&#8217;abord \u00e9t\u00e9 publi\u00e9 en feuilleton dans la revue, encore existante aujourd&#8217;hui, Nuova Antologia. Le roman explore tous ces th\u00e8mes qui seront ensuite repris dans Un, personne et cent mille : l&#8217;identit\u00e9, la &hellip;<\/p>\n<\/div><\/div>","protected":false},"author":12,"featured_media":99168,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1287],"tags":[1450,1449,1512,1669,1402,1716],"class_list":["post-103637","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artsupp-vous-raconte-histoire-de-lart-et-artistes-fr","tag-expositions-a-florence-fr","tag-florence-fr","tag-musees-a-florence-fr","tag-musees-italiens-fr","tag-nos-musees-fr","tag-uffizi-fr"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Pirandello aux Uffizi et ce tableau de Perugino - Artsupp<\/title>\n<meta name=\"description\" content=\"Pirandello aux Uffizi ! 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