{"id":104811,"date":"2021-02-15T14:42:14","date_gmt":"2021-02-15T13:42:14","guid":{"rendered":"https:\/\/blog.artsupp.com\/conversation-piece-parte-vii-hacia-narragonia\/"},"modified":"2021-02-15T14:42:14","modified_gmt":"2021-02-15T13:42:14","slug":"conversation-piece-parte-vii-hacia-narragonia","status":"publish","type":"post","link":"https:\/\/blog.artsupp.com\/es\/conversation-piece-parte-vii-hacia-narragonia\/","title":{"rendered":"CONVERSATION PIECE | PARTE VII – Hacia Narragonia"},"content":{"rendered":"\n

Hacia Narragonia<\/em> es el t\u00edtulo de la s\u00e9ptima edici\u00f3n de la exposici\u00f3n colectiva Conversation Piece<\/em>, que se lleva a cabo en los espacios expositivos de la Fondazione Memmo<\/a> del 8 de febrero al 1 de julio de 2021. El t\u00edtulo alude a un lugar m\u00edtico, Narragonia, descrito por el escritor alsaciano Sebastian Brant en el poema sat\u00edrico La Nave de los locos<\/em> (Das Narrenshift<\/em>), publicado en 1494. El libro narra las peregrinaciones de una embarcaci\u00f3n repleta de personajes considerados locos, no conformes, marginados, no deseados: Narragonia es el infeliz y nunca alcanzado destino de esta nave de exiliados, abandonados a su suerte, sin gu\u00eda y, por lo tanto, destinados al naufragio, real y simb\u00f3lico. En el texto de La Nave de los locos<\/em> se perfila una humanidad variada, en la que cada desviaci\u00f3n de la norma o de la moral, cada forma de alteridad o presunta desviaci\u00f3n es tachada de locura.<\/p>\n\n\n\n

\"\"
Jos de Gruyter&Harald Thys, 23 Cabezas<\/em>, 2018. Vista de la instalaci\u00f3n en la Fondazione Memmo. Cortes\u00eda: Galerie Isabella Bortolozzi, Berl\u00edn; Micheline Szwajcer gallery, Amberes; los artistas. ph. cr\u00e9dito Daniele Molajoli<\/em><\/figcaption><\/figure>\n\n\n\n

Partiendo de la consideraci\u00f3n de la inestabilidad del concepto de \u201clocura\u201d a lo largo de la historia y de la connotaci\u00f3n negativa que se le da en el poema de Brant respecto a la Stultifera Navis<\/em>, Micheal Foucault promueve un cambio de paradigma moralizante: en la Historia de la locura en la \u00e9poca cl\u00e1sica<\/em>, publicada por Foucault en 1961, el alejamiento de lo que es diferente, de los elementos perturbadores para el orden establecido, representa una forma de coerci\u00f3n a disposici\u00f3n del establishment a trav\u00e9s de la cual reprimir las voces disonantes o los comportamientos no ortodoxos. En esta \u00f3ptica, es loco quien se sit\u00faa fuera de un sistema, quien critica dicho sistema, quien sigue un principio de alteridad.<\/p>\n\n\n\n

Es en esta potencialidad subversiva de la \u201clocura\u201d y en la semilla de creatividad que en ella reside donde se encuentra la clave interpretativa de la s\u00e9ptima edici\u00f3n de Conversation Piece<\/a><\/em>, comisariada por Marcello Smarrelli, que re\u00fane a artistas de diversas nacionalidades, pero todos vinculados a Roma, para confrontarse sobre el tema de la eccentricidad, la deformaci\u00f3n de la realidad, lo perturbador, en un momento hist\u00f3rico como el actual, extra\u00f1o y sin precedentes, por lo tanto profundamente \u201cart\u00edstico\u201d.<\/p>\n\n\n\n

\"\"
Apolonia Sokol, La nave de los locos, 2021. \u00d3leo sobre lienzo, marco de madera curvado. 400 x 180 x 85 cm. Cortes\u00eda: The Pill gallery, Estambul; la artista. Ph. Cr\u00e9dito: Daniele Molajoli<\/em><\/figcaption><\/figure>\n\n\n\n

Los artistas <\/h3>\n\n\n\n

Los artistas presentes interpretan cada uno seg\u00fan su propia gram\u00e1tica el tema propuesto, creando dentro de la exposici\u00f3n una narrativa coherente a pesar de la diversidad de las obras presentadas. Abre el recorrido expositivo la instalaci\u00f3n 23 Cabezas <\/em>del d\u00fao belga compuesto por Jos de Gruyter & Harald Thys: una galer\u00eda \u201clombrosiana\u201d de cabezas cortadas, una desacralizaci\u00f3n de la locura y lo grotesco a trav\u00e9s de la cual normalizar personajes m\u00e1s o menos inc\u00f3modos, perversos, en algunos casos malvados, pero todos con \u201czonas de sombra\u201d.<\/p>\n\n\n\n

\"\"
Jos de Gruyter&Harald Thys, 23 Cabezas<\/em>, 2018. Vista de la instalaci\u00f3n en la Fondazione Memmo. Cortes\u00eda: Galerie Isabella Bortolozzi, Berl\u00edn; Micheline Szwajcer gallery, Amberes; los artistas. ph. cr\u00e9dito Daniele Molajoli<\/em><\/figcaption><\/figure>\n\n\n\n

Le sigue la obra pict\u00f3rica de Apolonia Sokol, en residencia en la Academia de Francia de Villa Medici.<\/a> La suya es una reelaboraci\u00f3n inmediata y expl\u00edcita del tema de la Nave de los locos<\/em>, seg\u00fan una interpretaci\u00f3n contempor\u00e1nea y personal: sus locos son personas reales, ligadas a la experiencia y a la realidad cotidiana de la artista, pero filtradas a trav\u00e9s de la mirada deformante del observador. El trabajo presentado es sensible a las demandas del feminismo interseccional, mostr\u00e1ndonos una serie heterog\u00e9nea de figuras en las que el concepto de feminidad se ampl\u00eda para abarcar una categor\u00eda amplia, no definida seg\u00fan un criterio exclusivamente biol\u00f3gico.<\/p>\n\n\n\n

\"\"
Apolonia Sokol, La nave de los locos, 2021. \u00d3leo sobre lienzo, marco de madera curvado. 400 x 180 x 85 cm. Cortes\u00eda: The Pill gallery, Estambul; la artista. Ph. Cr\u00e9dito: Daniele Molajoli<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Cierra la exposici\u00f3n la producci\u00f3n de Benedikt Hipp, artista proveniente de la Academia Alemana de Villa Massimo, en la que arquitectura, escultura y pintura se integran h\u00e1bilmente: formas org\u00e1nicas desmembradas, residuales, cercanas a la dimensi\u00f3n de lo \u201cfigurativo\u201d, se componen en un juego complejo de disecciones y ensamblajes, generando un paisaje psicol\u00f3gico inquieto, sombr\u00edo y perturbador.<\/p>\n\n\n\n

  • \"\"
    Sebastian Brant, Stultifera navis mortalium, in qua fatui affectus, mores, conatus atque studia, quibus vita haec nostra, in omni hominum genere, scatet, cunctis sapientiae cultoribus depinguntur, & velut in speculo ob oculos ponuntur<\/em>, Basilea, Sebastian Henricpetri, 1572. Biblioteca Oliveriana, Pesaro. <\/figcaption><\/figure><\/li>
  • \"\"
    Benedikt Hipp, Plastizit\u00e4t als Voraussetzung<\/em>, 2020. \u00d3leo y esmalte sobre madera MDF. 104 x 76 cm. Cortes\u00eda: Monitor, Roma Lisboa Pereto; Kadel Willborn, D\u00fcsseldorf; el artista.
    Ph Cr\u00e9dito: Daniele Molajoli<\/em><\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n

    <\/p>\n","protected":false},"excerpt":{"rendered":"

    Hacia Narragonia es el t\u00edtulo de la s\u00e9ptima edici\u00f3n de la exposici\u00f3n colectiva Conversation Piece, que se lleva a cabo en los espacios expositivos de la Fondazione Memmo del 8 de febrero al 1 de julio de 2021. El t\u00edtulo alude a un lugar m\u00edtico, Narragonia, descrito por el escritor alsaciano Sebastian Brant en el …<\/p>\n<\/div><\/div>","protected":false},"author":32,"featured_media":84669,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1538],"tags":[],"class_list":["post-104811","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-guia-breve-de-la-exposicion-es"],"acf":[],"yoast_head":"\nLa Fundaci\u00f3n Memmo y Conversation Piece pt. VII - Hacia Narragonia<\/title>\n<meta name=\"description\" content=\"La Fundaci\u00f3n Memmo presenta la exposici\u00f3n Conversation Piece pt. VII - Hacia Narragonia. 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