{"id":103716,"date":"2024-03-08T12:29:32","date_gmt":"2024-03-08T11:29:32","guid":{"rendered":"https:\/\/blog.artsupp.com\/el-louvre-en-las-paginas-de-emile-zola\/"},"modified":"2024-03-08T12:29:32","modified_gmt":"2024-03-08T11:29:32","slug":"el-louvre-en-las-paginas-de-emile-zola","status":"publish","type":"post","link":"https:\/\/blog.artsupp.com\/es\/el-louvre-en-las-paginas-de-emile-zola\/","title":{"rendered":"El Louvre en las p\u00e1ginas de \u00c9mile Zola"},"content":{"rendered":"\n

El Louvre.<\/strong><\/p>\n\n\n\n

No es necesario extenderse demasiado sobre lo que es, sin duda, el museo m\u00e1s famoso del mundo. <\/p>\n\n\n\n

Descrito y representado de todas las maneras posibles, fondo de much\u00edsimas pel\u00edculas, se cita en la literatura desde que se tiene memoria. Entre todos los libros que celebran sus espacios y sus incre\u00edbles colecciones (\u00bfc\u00f3mo no darle la raz\u00f3n?), hay sin embargo un escritor – adem\u00e1s parisino – que en una de sus obras de 1877, transforma un episodio en el Louvre<\/strong> en un acto de acusaci\u00f3n contra el museo. <\/p>\n\n\n\n

<\/div>\n\n\n\n
\u00bfDe qui\u00e9n estamos hablando?<\/strong><\/h5>\n\n\n\n
<\/div>\n\n\n\n

De \u00c9mile Zola<\/strong>, uno de los novelistas franceses m\u00e1s apreciados, publicados, traducidos y comentados en todo el mundo. El libro en cuesti\u00f3n es L\u2019 Assommoir,<\/strong> <\/em>traducido como “El matadero\u201d o “El matadero<\/strong>” y publicado por primera vez en Italia en 1878, un a\u00f1o despu\u00e9s de su salida en Francia. <\/p>\n\n\n\n

<\/div>\n\n\n
\n
\"\"
\u00c9mile Zola<\/figcaption><\/figure>\n<\/div>\n\n\n
<\/div>\n\n\n\n

Los dos protagonistas, una pareja de novios, Gervaise y Coupeau, por un imprevisto en el d\u00eda de su boda se encuentran con todos sus invitados en el museo. As\u00ed comienza su tour:<\/p>\n\n\n\n

\u201c\u00a1Demonios! \u00a1no les daba calor! esa sala habr\u00eda sido una excelente bodega. Y lentamente las parejas avanzaban con la cabeza en alto, parpadeando entre los colosos de piedra, los dioses de m\u00e1rmol negro (\u2026), las bestias monstruosas medio mujeres con caras de muerte (\u2026) ellos encontraban todo eso horriblemente feo.\u201d <\/strong><\/p>\n\n\n\n

<\/div>\n\n\n\n
\"\"
Louvre<\/strong><\/figcaption><\/figure>\n\n\n\n

Cuando el grupo contin\u00faa en las otras salas, las cosas no mejoran en absoluto. <\/strong>Delante de la Mona Lisa de Leonardo<\/strong>, “Coupeau se detuvo ante la Mona Lisa, en la que encontr\u00f3 un parecido con una de sus t\u00edas”<\/strong><\/em>. <\/p>\n\n\n\n

La comitiva sigue la visita, avanzando de una sala a otra, hasta perder la orientaci\u00f3n y perderse “en siete u ocho salas, desiertas, fr\u00edas, adornadas \u00fanicamente con vitrinas severas, donde estaban en l\u00ednea una cantidad innumerable de ollas rotas y de figuritas horriblemente feas<\/strong>.”<\/em><\/p>\n\n\n\n

Al final logran salir, exhaustos y fatigados, del museo. <\/p>\n\n\n\n

<\/div>\n\n\n\n
Zola contra el museo<\/strong><\/h5>\n\n\n\n
<\/div>\n\n\n\n

\u00c9mile Zola<\/strong>, en su Assomoir<\/strong>, que es en realidad un fragmento muy analizado y comentado, lleva a cabo una verdadera invectiva no solo contra el Louvre, sino en general contra la instituci\u00f3n que representa. <\/p>\n\n\n\n

Zola <\/strong>destaca c\u00f3mo el p\u00fablico, a pesar de reconocer su valor, y por lo tanto visitarlo, se siente luego excluido y discriminado por los mensajes que ese museo transmite.<\/p>\n\n\n\n

En esencia, el Louvre<\/strong>, en las p\u00e1ginas de Zola<\/strong>, es un separador de clases que hace inferiores a aquellos que no son capaces de interpretar sus valores. <\/p>\n\n\n\n

Quedar\u00eda por preguntarse si despu\u00e9s de m\u00e1s de un siglo, la opini\u00f3n de Zola <\/strong>sigue siendo actual. <\/p>\n\n\n\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

El Louvre. No es necesario extenderse demasiado sobre lo que es, sin duda, el museo m\u00e1s famoso del mundo.  Descrito y representado de todas las maneras posibles, fondo de much\u00edsimas pel\u00edculas, se cita en la literatura desde que se tiene memoria. Entre todos los libros que celebran sus espacios y sus incre\u00edbles colecciones (\u00bfc\u00f3mo no …<\/p>\n<\/div><\/div>","protected":false},"author":12,"featured_media":98090,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1272],"tags":[1608,1319,1666,1609,1610],"class_list":["post-103716","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artsupp-te-cuenta-historia-del-arte-y-artistas-es","tag-louvre-es","tag-museos-es","tag-museos-2024-es","tag-museos-en-paris-es","tag-paris-es"],"acf":[],"yoast_head":"\nEl Louvre en las p\u00e1ginas de \u00c9mile Zola - Artsupp<\/title>\n<meta name=\"description\" content=\"El Louvre en las p\u00e1ginas de \u00c9mile Zola, en "l'Assomoir", as\u00ed es como habla el escritor parisino a trav\u00e9s de sus protagonistas.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blog.artsupp.com\/es\/el-louvre-en-las-paginas-de-emile-zola\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El Louvre en las p\u00e1ginas de \u00c9mile Zola - 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