{"id":85949,"date":"2022-05-16T17:18:58","date_gmt":"2022-05-16T15:18:58","guid":{"rendered":"https:\/\/blog.artsupp.com\/?p=85949"},"modified":"2022-05-16T17:19:02","modified_gmt":"2022-05-16T15:19:02","slug":"anish-kapoor-grande-retrospettiva-a-venezia","status":"publish","type":"post","link":"https:\/\/blog.artsupp.com\/en\/anish-kapoor-grande-retrospettiva-a-venezia\/","title":{"rendered":"Anish Kapoor : grande retrospettiva a Venezia"},"content":{"rendered":"\n

Anish Kapoor<\/a> <\/strong>\u00e8 alle Gallerie dell\u2019Accademia di Venezia<\/a><\/strong> con la sua mostra personale<\/strong>, Anish Kapoor<\/a><\/strong>, fino al 9 Ottobre 2022. <\/strong><\/p>\n\n\n\n

Il legame tra Kapoor <\/strong>e la citt\u00e0 lagunare \u00e8 sempre stato forte, tanto che l\u2019artista ha deciso di aprirvi la sua Fondazione presso Palazzo Manfrin<\/strong>, nel sestiere di Cannaregio<\/strong>. <\/p>\n\n\n\n

La mostra, <\/strong>divisa tra gli spazi delle Gallerie dell\u2019Accademia di Venezia <\/strong>e lo stesso Palazzo Manfrin<\/strong> \u00e8 curata niente meno che da Taco Dibbits<\/strong>, Direttore del Rijksmuseum di Amsterdam<\/strong>. <\/p>\n\n\n\n

Anish Kapoor : materiali, colori e temi <\/h3>\n\n\n\n

Anish Kapoor <\/strong>\u00e8 un\u2019artista poliedrico, utilizza materiali come marmo, legno, granito, calcare o gesso<\/strong>. Le sue opere sono caratterizzare da oggetti geometrici o bioforme<\/strong> in cui sono presenti colori vivacissimi<\/strong> – omaggio alla cultura indiana – e superfici specchiate che riflettono o, al contrario, assorbono la luce. <\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"
Symphony for a Beloved Sun, Anish Kapoor, 2013, Acciaio inossidabile, cera, nastri trasportatori<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

I colori <\/strong>prediletti dell\u2019artista vanno dal blu<\/strong>, tradizionalmente associato all\u2019esoterismo e alle religioni<\/strong>, passando al rosso<\/strong> che \u00e8 per antonomasia violenza e irruenza<\/strong>, avvicinandosi in termini di forza al nero<\/strong>. <\/p>\n\n\n\n

Nero <\/strong>che per Kapoor<\/strong>, al contrario dell\u2019arte rinascimentale in cui era un mezzo per esaltare la luce, conduce al buio<\/strong>. <\/p>\n\n\n\n

Non a caso all\u2019interno della mostra<\/strong>, allestita come una grande retrospettiva della carriera dell\u2019artista indiano, sono esposte tutte le sue opere<\/strong> pi\u00f9 rappresentative fino ad arrivare a quelle realizzate con il cos\u00ec detto Kapoor Black<\/strong>, materiale creato tramite nanotecnologia in grado di assorbire circa il 99,9% della luce.<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"
Descent into Limbo, Anish Kapoor, 1992 – 2016,  Tecnica mista e pigmenti<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

Un\u2019altro dei temi <\/strong>preponderanti nella ricerca artistica di Kapoor<\/strong> \u00e8 sicuramente quello della pelle<\/strong>, che pu\u00f2 essere rappresentata o dalle superfici specchiate o anche da materiali diversi, inseriti in una tensostruttura e poi lacerati.<\/p>\n\n\n\n

Tra le opere esposte in mostra, Shooting Into the Corner <\/a><\/em><\/strong>e Pregnant White Within Me. <\/em><\/strong><\/p>\n\n\n\n

La prima consiste in un cannone<\/strong>, realizzato da Kapoor<\/strong> in collaborazione con degli ingegneri, che spara veri e propri proiettili<\/strong> con della cera rossa dal peso di 11 chili<\/strong> ognuno. <\/p>\n\n\n\n

Il risultato? Un scenario apocalittico. <\/p>\n\n\n\n

Shooting Into the Corner,<\/em><\/strong> puntato direttamente sull\u2019entrata da cui si accede, \u00e8 <\/em>subito visibile al visitatore. <\/p>\n\n\n\n

L’ opera, considerando il periodo storico attuale e la guerra in Ucraina, pu\u00f2 essere facilmente letta come rimando ad essa nonostante non vi sia alcun legame esplicito. <\/p>\n\n\n\n

\u00c8 un\u2019opera <\/strong>questa che gioca sulla tensione<\/strong>, sulla forte aggressivit\u00e0<\/strong> dei proiettili e sul silenzio<\/strong> che procede lo sparo e l\u2019impatto. <\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"
Shooting Into the Corner, Anish Kapoor , 2008 – 2009, Tecnica mista<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

Pregnant White Within Me<\/em><\/strong> \u00e8 invece di pi\u00f9 recente realizzazione. <\/p>\n\n\n\n

\u00c8 un\u2019opera che per potenza visiva<\/strong> merita di essere ammirata dal vivo: si tratta di un rigonfiamento bianco nella parete che ne dilata le forme e lo spazio. <\/p>\n\n\n\n

Anish Kapoor <\/strong>alle Gallerie dell\u2019Accademia <\/strong>\u00e8 l\u2019insieme perfetto di forme geometriche, colori, superfici e materie<\/strong> innovative e ricercate in una cornice antica, affascinante e ordinata. <\/p>\n","protected":false},"excerpt":{"rendered":"

Anish Kapoor \u00e8 alle Gallerie dell\u2019Accademia di Venezia con la sua mostra personale, Anish Kapoor, fino al 9 Ottobre 2022.  Il legame tra Kapoor e la citt\u00e0 lagunare \u00e8 sempre stato forte, tanto che l\u2019artista ha deciso di aprirvi la sua Fondazione presso Palazzo Manfrin, nel sestiere di Cannaregio.  La mostra, divisa tra gli spazi …<\/p>\n<\/div><\/div>","protected":false},"author":12,"featured_media":85953,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[79],"tags":[609,81,91,608,93],"class_list":["post-85949","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-guida-breve-alla-mostra","tag-anish-kapoor","tag-arte-contemporanea","tag-artsupp","tag-gallerie-dellaccademia-di-venezia","tag-musei"],"acf":[],"yoast_head":"\nAnish Kapoor : grande retrospettiva a Venezia - Blog di arte e musei | Artsupp<\/title>\n<meta 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