{"id":540,"date":"2023-03-09T16:58:17","date_gmt":"2023-03-09T15:58:17","guid":{"rendered":"http:\/\/blog-artsupp.com\/?p=540"},"modified":"2023-03-09T17:00:35","modified_gmt":"2023-03-09T16:00:35","slug":"jan-brueghel-ii-la-vanita-della-vita-umana","status":"publish","type":"post","link":"https:\/\/blog.artsupp.com\/en\/jan-brueghel-ii-la-vanita-della-vita-umana\/","title":{"rendered":"Jan Brueghel II: La vanit\u00e0 della vita umana"},"content":{"rendered":"\n

La vanit\u00e0 della vita umana<\/em><\/a> <\/strong>\u00e8 un’opera del pittore fiammingo Jan Brueghel II<\/strong>, nipote del celebre Pieter Bruegel il Vecchio<\/strong>, rappresenta la classica composizione allegorica<\/strong> tesa a rimarcare la brevit\u00e0<\/strong> e la transitoriet\u00e0<\/strong> della vita umana.<\/p>\n\n\n\n

L\u2019opera<\/strong> \u00e8 caratterizzata da una grandissima ricchezza iconografica<\/strong>. <\/p>\n\n\n\n

La scena principale si svolge all\u2019interno di un palazzo che affaccia su una piazza gremita di gente. Sullo sfondo, a destra, tre uomini banchettano allegramente.<\/p>\n\n\n\n

Il concetto di Vanitas nella pittura fiamminga<\/strong><\/em><\/h2>\n\n\n\n

Nella stanza si sommano vari elementi che richiamano il concetto di vanitas<\/em>. <\/strong><\/p>\n\n\n\n

La Vanitas<\/strong> \u00e8 un antico concetto che risale al IV o al III secolo a.C. Si tratta del sentimento di impotenza di fronte allo scorrere del tempo e al destino che tutti, chi prima chi dopo, dovremo affrontare.<\/p>\n\n\n\n

Il nome deriva dalla frase biblica vanitas vanitatum et omnia vanitas<\/strong><\/em> (vanit\u00e0 delle vanit\u00e0, tutto \u00e8 vanit\u00e0) e, come il memento mori<\/em>,<\/strong> \u00e8 un monito all’effimera condizione dell’esistenza.<\/p>\n\n\n\n

Questo concetto, particolarmente in voga nella pittura fiamminga<\/strong>, viene solitamente espresso in composizioni come nature morte <\/strong>accompagnate da elementi allusivi al tema della caducit\u00e0 della vita.<\/p>\n\n\n\n

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Natura morta con teschio<\/strong><\/em><\/figcaption><\/figure>\n<\/div>\n\n\n


<\/p>\n\n\n\n

Ad esempio nell\u2019opera di Philippe de Champaigne, Natura morta con teschio (1671)<\/strong>, la vanitas prende forma tramite tre figure chiave: il tulipano, simbolo della vita che prima o poi appassir\u00e0, il teschio, simbolo di morte per eccellenza, e la clessidra, testimonianza dello scorrere del tempo.<\/p>\n\n\n\n

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Scopri l’opera su Artsupp.com<\/a><\/div>\n<\/div>\n\n\n\n
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L’opera di Brueghel: La vanit\u00e0 della vita umana<\/strong><\/h2>\n\n\n\n

Anche nell\u2019opera di Brueghel II ritroviamo tutti gli elementi caratteristici di questo genere di composizione: i gioielli<\/strong>, beni terreni del tutto transitori; il silenzio degli strumenti<\/strong> musicali<\/strong>, simbolo di morte; e ovviamente il carnevale<\/strong>, festa per eccellenza dedicata ai piaceri<\/strong> terreni<\/strong> e della goliardia<\/strong>.<\/p>\n\n\n\n

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La vanit\u00e0 della vita umana<\/strong>
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Se ci soffermiamo ancora sul dipinto, possiamo notare in primo piano un amorino che sorregge un\u2019immagine di Cristo, quasi a monito rispetto alla futilit\u00e0 delle cose terrene.<\/p>\n\n\n\n

Appena dietro, una figura femminile innalza una torcia accesa mentre un altro putto gioca con le bolle di sapone<\/strong>, simbolo per eccellenza della fragilit\u00e0 e della caducit\u00e0 delle ambizioni umane, innalza una torcia accesa. L\u2019orologio intanto, segna inesorabilmente il tempo che passa.<\/p>\n\n\n\n

L’opera di Brueghel II<\/strong> \u00e8 conservata nella Galleria Sabauda<\/strong> dei Musei Reali di Torino<\/a><\/strong>.<\/a> <\/p>\n\n\n\n

Potete ammirarla anche su Artsupp nella sezione dedicata alla collezione permanente<\/a> dei Musei Reali<\/strong>…cosa state aspettando? <\/p>\n\n\n\n

Come ci ha insegnato Brueghel, il tempo \u00e8 prezioso.<\/p>\n\n\n\n

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Vuoi scoprire tutte i musei, le mostre e gli eventi a Torino? Clicca qui!<\/h2>\n\n\n\n
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Vai alla citt\u00e0<\/a><\/div>\n<\/div>\n\n\n\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

La vanit\u00e0 della vita umana \u00e8 un’opera del pittore fiammingo Jan Brueghel II, nipote del celebre Pieter Bruegel il Vecchio, rappresenta la classica composizione allegorica tesa a rimarcare la brevit\u00e0 e la transitoriet\u00e0 della vita umana. L\u2019opera \u00e8 caratterizzata da una grandissima ricchezza iconografica. La scena principale si svolge all\u2019interno di un palazzo che affaccia …<\/p>\n<\/div><\/div>","protected":false},"author":12,"featured_media":88882,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[70],"tags":[86,87,88,89],"class_list":["post-540","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-speciale-opera","tag-brueghel","tag-musei-reali-di-torino","tag-pittura-fiamminga","tag-vanitas"],"acf":[],"yoast_head":"\nJan Brueghel II: La vanit\u00e0 della vita umana - Blog di arte e musei | Artsupp<\/title>\n<meta name=\"description\" content=\"Quest\u2019opera del pittore fiammingo Jan Brueghel II rappresenta la classica composizione allegorica tesa a rimarcare brevit\u00e0 e la vanit\u00e0 della vita umana.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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