{"id":104950,"date":"2022-05-06T17:04:07","date_gmt":"2022-05-06T15:04:07","guid":{"rendered":"https:\/\/blog.artsupp.com\/five-exhibitions-not-to-miss-in-may\/"},"modified":"2022-05-06T17:04:07","modified_gmt":"2022-05-06T15:04:07","slug":"five-exhibitions-not-to-miss-in-may","status":"publish","type":"post","link":"https:\/\/blog.artsupp.com\/en\/five-exhibitions-not-to-miss-in-may\/","title":{"rendered":"Five Exhibitions Not to Miss in May"},"content":{"rendered":"\n<p>The most important <strong>photographers<\/strong>, past and present, and the <strong>Macchiaioli:<\/strong> here are <strong>five must-see exhibitions<\/strong> in the month of May.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"oliviero-toscani-80-years-as-a-situazionista-at-palazzo-albergati-until-september-4-2022\"><strong>Oliviero Toscani 80 Years as a Situazionista at Palazzo Albergati until September 4, 2022<\/strong><\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/artsupp.com\/it\/bologna\/musei\/palazzo-albergati?orig=199600\">Palazzo Albergati<\/a>&nbsp;<\/strong>in&nbsp;<strong><a href=\"https:\/\/artsupp.com\/it\/bologna?orig=199605\">Bologna<\/a><\/strong> presents until September 4, 2022&nbsp;the exhibition&nbsp;<strong><a href=\"https:\/\/artsupp.com\/it\/bologna\/mostre\/oliviero-toscani-80-anni-da-situazionista-palazzo-albergati\">Oliviero Toscani. 80 Years as a Situazionista<\/a>&nbsp;curated by&nbsp;Nicolas Ballario organized by Arthemisia <\/strong>in honor of the Italian photographer in the year of his eightieth birthday.<\/p>\n\n\n\n<p>The <strong>exhibition<\/strong> narrates the career of the great photographer with <strong>100 photographs<\/strong>&nbsp;representative of the <strong>creative power<\/strong> and career of&nbsp;<strong>Toscani<\/strong>.<\/p>\n\n\n\n<p>Recurring themes include <strong>racism, the death penalty, AIDS, war, sex, violence, anorexia, and much more<\/strong>. <strong>Oliviero Toscani 80 Years as a Situazionista<\/strong> indeed showcases both the most famous campaigns that have shaken public opinion and the photos of a <strong>less known and more intimate Oliviero Toscani<\/strong>.<\/p>\n\n\n\n<p>We find<strong><a href=\"https:\/\/artsupp.com\/it\/artisti\/oliviero-toscani\/jesus-jeans\"> Jesus Jeans \u2018Follow Me Who Loves Me\u2019<\/a><\/strong>,\u00a0<strong><a href=\"https:\/\/artsupp.com\/it\/artisti\/oliviero-toscani\/united-colors-of-benetton\">Kiss Between Priest and Nun<\/a><\/strong>\u00a0from 1992,\u00a0<strong><a href=\"https:\/\/artsupp.com\/it\/artisti\/oliviero-toscani\/united-colors-of-benetton-3\">the Three Hearts White\/Black\/Yellow<\/a><\/strong>\u00a0from 1996,\u00a0<strong><a href=\"https:\/\/artsupp.com\/it\/artisti\/oliviero-toscani\/no-anorexia\">No-Anorexia<\/a><\/strong> from 2007, the images created for fashion by\u00a0<strong>Donna Jordan\u00a0to\u00a0Claudia Schiffer<\/strong>, up to those of<strong>\u00a0Monica Bellucci<\/strong> and dozens of <strong>iconic portraits<\/strong> such as those of\u00a0<strong><a href=\"https:\/\/artsupp.com\/it\/artisti\/oliviero-toscani\/mick-jagger\">Mick Jagger<\/a>,\u00a0<a href=\"https:\/\/artsupp.com\/it\/artisti\/oliviero-toscani\/lou-reed\">Lou Reed<\/a>,\u00a0Carmelo Bene and Federico Fellini.<\/strong><\/p>\n\n\n\n<p>An entire room is dedicated to<a href=\"https:\/\/artsupp.com\/it\/artisti\/oliviero-toscani\/razza-umana\"> <\/a><strong><a href=\"https:\/\/artsupp.com\/it\/artisti\/oliviero-toscani\/razza-umana\">Razza Umana<\/a><\/strong>, the project conceived by<strong> Toscani<\/strong> through which he photographed 10,000 people in hundreds of squares around the world, creating the <strong>largest photographic archive existing on the morphological and social differences of humanity<\/strong>.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.37.19-1024x759.jpg\" alt=\"\" class=\"wp-image-85898\" width=\"764\" height=\"566\" srcset=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.37.19-1024x759.jpg 1024w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.37.19-300x222.jpg 300w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.37.19-768x569.jpg 768w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.37.19-1536x1139.jpg 1536w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.37.19-2048x1518.jpg 2048w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.37.19-600x445.jpg 600w\" sizes=\"(max-width: 764px) 100vw, 764px\" \/><figcaption><strong>United Colors of Benetton, Oliviero Toscani, 1992<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<p><\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"the-light-of-truth-the-legacy-of-macchiaiola-painting-from-fattori-to-ghiglia-at-palazzo-delle-paure-until-june-19-2022\"><strong>The Light of Truth. The Legacy of Macchiaiola Painting. From Fattori to Ghiglia at Palazzo delle Paure until June 19, 2022<\/strong><\/h3>\n\n\n\n<p><strong>Until June 19, <a href=\"https:\/\/artsupp.com\/it\/lecco\/musei\/palazzo-delle-paure?orig=199649\">Palazzo delle Paure<\/a><\/strong> in <strong><a href=\"https:\/\/artsupp.com\/it\/lecco?orig=199652\">Lecco<\/a>&nbsp;<\/strong>hosts<strong>&nbsp;<a href=\"https:\/\/artsupp.com\/it\/lecco\/mostre\/la-luce-del-vero-l-eredita-della-pittura-macchiaiola-da-fattori-a-ghiglia-palazzo-delle-paure\">The Light of Truth. The Legacy of Macchiaiola Painting. From Fattori to Ghiglia<\/a><\/strong>, as part of a series of exhibitions, active since 2019, aimed at deepening the <strong>Italian artistic scene of the 19th century.<\/strong><\/p>\n\n\n\n<p>The <strong>exhibition<\/strong>, curated by <strong>Simona Bartolena<\/strong>, produced and realized by ViDi \u2013 Visit Different, in collaboration with the<strong> Municipality of Lecco<\/strong> and the <strong>Urban Museum System of Lecco<\/strong>, tells through <strong>ninety works<\/strong>\u00a0from public and private collections, the <strong>theme of post-Macchiaiola painting.<\/strong><\/p>\n\n\n\n<p><strong>The Light of Truth. The Legacy of Macchiaiola Painting. From Fattori to Ghiglia<\/strong> is a valuable opportunity to discover a heterogeneous and complex group of authors,&nbsp;<strong>from the Gioli brothers to the Tommasi family,<\/strong>&nbsp;<strong>from Llewelyn Lloyd to Ulvi Liegi, from Oscar Ghiglia to Plinio Nomellini, from Mario Puccini to Giovanni Bartolena. <\/strong>The exhibition path starts from the example of the masters &#8211;&nbsp;<strong>from Giovanni Fattori to Silvestro Lega<\/strong>&nbsp;&#8211; up to the more contemporary results achieved by&nbsp;<strong>Oscar Ghiglia and Lorenzo Viani.&nbsp;<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.38.13-1024x696.jpg\" alt=\"\" class=\"wp-image-85899\" width=\"767\" height=\"521\" srcset=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.38.13-1024x696.jpg 1024w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.38.13-300x204.jpg 300w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.38.13-768x522.jpg 768w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.38.13-1536x1045.jpg 1536w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.38.13-2048x1393.jpg 2048w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.38.13-600x408.jpg 600w\" sizes=\"(max-width: 767px) 100vw, 767px\" \/><figcaption><strong>Peasant Women in Tuscany<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"roger-ballen-the-place-of-the-upside-down-at-palazzo-del-duca-and-palazzetto-baviera-until-october-2-2022\"><strong>Roger Ballen. The Place of the Upside Down at Palazzo del Duca and Palazzetto Baviera until October 2, 2022<\/strong><\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/artsupp.com\/it\/senigallia?orig=199660\">Senigallia<\/a><\/strong> <strong>City of Photography<\/strong> hosts until<strong> October 2, 2022<\/strong> <strong><a href=\"https:\/\/artsupp.com\/it\/senigallia\/mostre\/roger-ballen-the-place-of-the-upside-down-palazzo-del-duca\">Roger Ballen. The Place of the Upside Down<\/a> <\/strong>curated by<strong> Massimo Minini<\/strong>. The exhibition <strong><a href=\"https:\/\/artsupp.com\/it\/artisti\/roger-ballen\">Roger Ballen<\/a><\/strong> is part of <strong>\u201cSenigallia City of Photography\u201d<\/strong> and participates in the <strong>LIX Venice Biennale<\/strong> in the South African pavilion, the adopted homeland of the photographer.&nbsp;<\/p>\n\n\n\n<p>The <strong>exhibition<\/strong>, a solo show of the photographer, is divided between the venues of<strong> <a href=\"https:\/\/artsupp.com\/it\/senigallia\/musei\/palazzo-del-duca?orig=199675\">Palazzo del Duca<\/a><\/strong> and <strong><a href=\"https:\/\/artsupp.com\/it\/senigallia\/musei\/palazzetto-baviera?orig=199687\">Palazzetto Baviera.\u00a0<\/a><\/strong><\/p>\n\n\n\n<p>At the <strong><a href=\"https:\/\/artsupp.com\/it\/senigallia\/musei\/palazzo-del-duca?orig=204116\">Palazzo del Duca<\/a><\/strong>, a selection of works from the <strong>collection<\/strong> of <strong>Massimo Minini<\/strong>, one of the most important Italian gallerists, is presented: over <strong>sixty black and white photographs<\/strong> from his most famous series such as <strong>Outland (2000)<\/strong>, <strong>Shadow Chamber (2005)<\/strong>, <strong>Boarding House (2009)<\/strong>, and <strong>Asylum of the Birds (2014).<\/strong><\/p>\n\n\n\n<p>At the <strong><a href=\"https:\/\/artsupp.com\/it\/senigallia\/musei\/palazzetto-baviera?orig=204125\">Palazzetto Baviera<\/a><\/strong>, there are <strong>12 unpublished color photographs<\/strong> from the artist&#8217;s personal collection. These photos mark a new phase of technical experimentation in his poetic vision.<\/p>\n\n\n\n<p>The <strong>photographs<\/strong> of <strong>Ballen<\/strong> are characterized by being <strong>disconcerting and extreme<\/strong>, at times <strong>absurd and dreamlike<\/strong>; they depict places and situations that are implausible yet perfectly real, just like in a <strong>dream.<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"971\" src=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.41.52-1024x971.jpg\" alt=\"\" class=\"wp-image-85900\" srcset=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.41.52-1024x971.jpg 1024w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.41.52-300x284.jpg 300w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.41.52-768x728.jpg 768w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.41.52-1536x1456.jpg 1536w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.41.52-600x569.jpg 600w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.41.52.jpg 1962w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Victmis, Roger Ballen, 2002, Photography<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<p><\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"the-gaze-returned-at-the-museo-di-santa-giulia-until-july-24-2022\"><strong>The Gaze Returned at the Museo di Santa Giulia until July 24, 2022<\/strong><\/h3>\n\n\n\n<p>The <strong><a href=\"https:\/\/artsupp.com\/it\/brescia\/musei\/museo-di-santa-giulia?orig=199715\">Museo di Santa Giulia<\/a> in <a href=\"https:\/\/artsupp.com\/it\/brescia?orig=199718\">Brescia<\/a><\/strong> hosts, until July 24, the exhibition <strong><a href=\"https:\/\/artsupp.com\/it\/brescia\/mostre\/lo-sguardo-restituito-museo-di-santa-giulia\">The Gaze Returned<\/a><\/strong>, which is part of the <strong>5th edition of the Brescia Photo Festival.<\/strong><\/p>\n\n\n\n<p><strong>The Gaze Returned<\/strong> offers a long journey through the various declinations of the <strong>portrait genre<\/strong>, from the early years of the twentieth century to selfies. During the visit, one can admire photographs by anonymous authors and <strong>great masters<\/strong> such as <strong>Steve McCurry, <a href=\"https:\/\/artsupp.com\/it\/artisti\/sebastiao-salgado\">Sebasti\u00e3o Salgado<\/a>, Ugo Mulas, Gian Paolo Barbieri, Alberto Korda, Edward S. Curtis<\/strong>, and many others.<\/p>\n\n\n\n<p>The <strong>exhibition path<\/strong>, divided into <strong>eleven sections<\/strong>, opens with shots where the subject assumes studied positions or attitudes, highlighting certain aspects related to a situation or their personality, followed by a section focused on the ethereal and refined representation of women.<\/p>\n\n\n\n<p>The characters captured range from <strong>Marilyn Monroe, Mao Zedong, Marlene Dietrich, Ernesto Che Guevara, <a href=\"https:\/\/artsupp.com\/it\/artisti\/gian-paolo-barbieri\/audrey-hepburn\">Audrey Hepburn<\/a>, Sofia Loren, and Cary Grant.<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.39.23-1-745x1024.jpg\" alt=\"\" class=\"wp-image-85902\" width=\"674\" height=\"926\" srcset=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.39.23-1-745x1024.jpg 745w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.39.23-1-218x300.jpg 218w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.39.23-1-768x1056.jpg 768w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.39.23-1-1117x1536.jpg 1117w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.39.23-1-1489x2048.jpg 1489w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.39.23-1-300x413.jpg 300w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.39.23-1-600x825.jpg 600w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.39.23-1.jpg 1504w\" sizes=\"(max-width: 674px) 100vw, 674px\" \/><figcaption><strong>Giorgio de Chirico, Vittorio La Verde, Photography<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"european-photography-2022-at-the-chiostri-di-san-pietro-palazzo-da-mosto-and-palazzo-dei-musei-in-reggio-emilia\"><strong>European Photography 2022 at the Chiostri di San Pietro, Palazzo da Mosto, and Palazzo dei Musei in Reggio Emilia<\/strong><\/h3>\n\n\n\n<p><strong>From April 29 to June 12, 2022, in <a href=\"https:\/\/artsupp.com\/it\/reggio-emilia?orig=199740\">Reggio Emilia<\/a>, the <a href=\"https:\/\/artsupp.com\/it\/reggio-emilia\/mostre\/fotografia-europea-chiostri-di-san-pietro\">EUROPEAN PHOTOGRAPHY<\/a> festival returns,<\/strong> promoted and produced by the <strong>Fondazione Palazzo Magnani<\/strong> in collaboration with the <strong>Municipality of Reggio Emilia<\/strong> and with the support of the <strong>Emilia-Romagna Region.<\/strong><\/p>\n\n\n\n<p>The festival involves several venues.<\/p>\n\n\n\n<p>The <strong><a href=\"https:\/\/artsupp.com\/it\/reggio-emilia\/musei\/chiostri-di-san-pietro\">Chiostri di San Pietro<\/a><\/strong> will be the heart of the event, hosting as many as <strong>ten exhibitions<\/strong>. Here, the historical exhibition of this edition, <strong>Mary Ellen Mark: The Lives of Women,<\/strong> dedicated to <strong>Mary Ellen Mark<\/strong>, a documentary photographer famous for creating intensely vivid and revolutionary photo essays that explore the reality of people, especially women, in a variety of complex, often difficult and painful situations, is set up.<\/p>\n\n\n\n<p>Also featured are <strong>Nicola Lo Calzo<\/strong> with the project titled <strong>Binidittu, Hoda Afshar<\/strong> with the shots from <strong>Speak The Wind, Carmen Winant<\/strong> with <strong>Fire on World<\/strong>, the Japanese <strong>Seiichi Furuya<\/strong> with the exhibition <strong>First trip to Bologna 1978 \/ Last trip to Venice 1985<\/strong>, and then <strong>Ken Grant<\/strong> with the exhibition <strong>Benny Profane, Guanyu Xu<\/strong> with photographs from <strong>Temporarily Censored Home, Chlo\u00e9 Jaf\u00e9<\/strong> with <strong>I give you my life, Jonas Bendiksen<\/strong> with <strong>The Book of Veles, and finally Alexis Cordesse<\/strong> with <strong>Talashi.<\/strong><\/p>\n\n\n\n<p>At the <strong><a href=\"https:\/\/artsupp.com\/it\/reggio-emilia\/musei\/palazzo-da-mosto?orig=199752\">Palazzo da Mosto<\/a>,<\/strong> until June 12, 2022, there is <strong><a href=\"https:\/\/artsupp.com\/it\/reggio-emilia\/mostre\/jitka-hanzlova-palazzo-da-mosto\">Jitka Hanzlov\u00e0<\/a>,<\/strong> a photographic exhibition by the Czech photographer that tells what it means to be young for boys aged 11 to 15 in <strong>Reggio Emilia<\/strong>, also analyzing the repercussions caused by Covid.<\/p>\n\n\n\n<p>At the <strong><a href=\"https:\/\/artsupp.com\/it\/reggio-emilia\/musei\/palazzo-dei-musei?orig=199767\">Palazzo dei Musei<\/a>,<\/strong> until January 8, the exhibition <strong>\u201c<a href=\"https:\/\/artsupp.com\/it\/reggio-emilia\/mostre\/in-scala-diversa-luigi-ghirri-italia-in-miniatura-e-nuove-prospettive-palazzo-dei-musei-di-reggio-emilia\">In a Different Scale. Luigi Ghirri, Italy in Miniature and New Perspectives<\/a>\u201d<\/strong> curated by <strong>Joan Fontcuberta, Matteo Guidi, and Ilaria Campioli.<\/strong><\/p>\n\n\n\n<p>The <strong>exhibition<\/strong> is part of the exhibition and theoretical reflection undertaken by the city of <strong>Reggio Emilia, focusing on the theme of the Archive.<\/strong><\/p>\n\n\n\n<p>Here are displayed the photos that <strong><a href=\"https:\/\/artsupp.com\/it\/artisti\/luigi-ghirri\">Luigi Ghirri<\/a><\/strong> took repeatedly at <strong>Italia in Miniatura<\/strong>, an amusement park that fascinated him and where he found numerous creative inspirations: the illusion and trompe-l&#8217;oeil, the distance between reality and its representation, the emergence of an artificial nature, the consumption of touristified reality, the viewer&#8217;s gaze and their scopophilic voracity, and, above all, the <strong>paradoxes arising from the processes of scaling down,<\/strong> according to a mechanism that links the park&#8217;s miniatures to photography itself.&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"769\" src=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.40.05-1024x769.jpg\" alt=\"\" class=\"wp-image-85903\" srcset=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.40.05-1024x769.jpg 1024w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.40.05-300x225.jpg 300w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.40.05-768x577.jpg 768w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.40.05-1536x1154.jpg 1536w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.40.05-600x451.jpg 600w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/04\/Schermata-2022-04-29-alle-15.40.05.jpg 1874w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>I give you my life, Chlo\u00e9 Jaf\u00e9, Photography<\/strong><\/figcaption><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<div class=\"tmnf_excerpt\"><div class=\"tmnf_excerpt\"><p>The most important photographers, past and present, and the Macchiaioli: here are five must-see exhibitions in the month of May. Oliviero Toscani 80 Years as a Situazionista at Palazzo Albergati until September 4, 2022 Palazzo Albergati&nbsp;in&nbsp;Bologna presents until September 4, 2022&nbsp;the exhibition&nbsp;Oliviero Toscani. 80 Years as a Situazionista&nbsp;curated by&nbsp;Nicolas Ballario organized by Arthemisia in honor &hellip;<\/p>\n<\/div><\/div>","protected":false},"author":12,"featured_media":85904,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[902],"tags":[790,1042,3031,3033,3032,931,893,3030],"class_list":["post-104950","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artsupp-tells-you","tag-contemporary-art","tag-exhibitions-in-bologna","tag-exhibitions-in-lecco-en","tag-exhibitions-in-reggio-emilia-en","tag-exhibitions-in-senigallia-en","tag-exhibtions-in-brescia","tag-fotography","tag-macchiaioli-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - 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