{"id":104783,"date":"2021-03-30T10:29:50","date_gmt":"2021-03-30T08:29:50","guid":{"rendered":"https:\/\/blog.artsupp.com\/mose-bianchi-and-the-genius-of-house-of-savoy\/"},"modified":"2021-03-30T10:29:50","modified_gmt":"2021-03-30T08:29:50","slug":"mose-bianchi-and-the-genius-of-house-of-savoy","status":"publish","type":"post","link":"https:\/\/blog.artsupp.com\/en\/mose-bianchi-and-the-genius-of-house-of-savoy\/","title":{"rendered":"Mos\u00e8 Bianchi and the &#8220;Genius of House of Savoy&#8221;"},"content":{"rendered":"\n<p>Moses Bianchi is undoubtedly the most renowned artist born in the city of Monza in 1840. A memorable figure, with his long white beard, he was the absolute protagonist of the city&#8217;s artistic scene in the second half of the nineteenth century, a period of great ferment that saw numerous painters at work in the city, from Eugenio Spreafico to Emilio Borsa, up to the famous Pompeo Mariani. The <a href=\"https:\/\/www.artsupp.com\/it\/MuseiCivici.Monza\/Info\">Civic Museums of Monza<\/a> house several works by Moses Bianchi, including the preparatory cartoon for the &#8220;<strong>Genius of House Savoy<\/strong>&#8220;, a rare and delicate piece both for its materials and for the specifics related to its conservation and public display.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/Pompeo-Mariani-Ritratto-di-Mose-Bianchi-707x1024-1.jpg\" alt=\"\" class=\"wp-image-84836\" width=\"569\" height=\"824\" srcset=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/Pompeo-Mariani-Ritratto-di-Mose-Bianchi-707x1024-1.jpg 707w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/Pompeo-Mariani-Ritratto-di-Mose-Bianchi-707x1024-1-207x300.jpg 207w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/Pompeo-Mariani-Ritratto-di-Mose-Bianchi-707x1024-1-600x869.jpg 600w\" sizes=\"(max-width: 569px) 100vw, 569px\" \/><figcaption>Pompeo Mariani, <em>Portrait of Moses Bianchi<\/em>.<\/figcaption><\/figure><\/div>\n\n\n\n<p>The city experienced a period of radical changes at the end of the nineteenth century, both in its urban fabric and in its social dimension: Monza was on its way to becoming the undisputed capital of the <strong>hat industry<\/strong>, and among the towers of churches and the surviving sections of medieval walls, its <em>skyline<\/em> appeared dotted with chimneys and factories extending into the suburbs, still characterized by a rural dimension that would survive until the early years of the twentieth century.<\/p>\n\n\n\n<p>But another, decisive presence characterized Monza at the end of the nineteenth century: the villa, designed a century earlier by <strong>Giuseppe Piermarini<\/strong> for Maria Theresa of Austria, who wanted it as a country residence for her son, the governor of Lombardy, had become the preferred summer residence of Prince Umberto and Princess Margherita of Savoy, who became King and Queen of Italy in 1878.<\/p>\n\n\n\n<p>The chronicles of the travels of an entire court that moved to Monza for months are memorable, where Umberto pursued his passions and Margherita received guests with the elegance and grace that distinguished her. The sovereigns loved to travel by train, and Monza offered the convenience of a railway line &#8211; the second in Italy after the Naples-Portici line &#8211; that facilitated travel. This is why, in 1883, the old Monza station was replaced by a larger building, within which a waiting room reserved for the royals and their guests, the so-called \u201c<strong>Royal Room<\/strong>\u201d, was created. Moses Bianchi was then commissioned to create a celebratory painting of the Savoy dynasty on the ceiling of the room, characterized by a richly eclectic decoration.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"637\" height=\"314\" src=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/saletta_sito.jpg\" alt=\"\" class=\"wp-image-84837\" srcset=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/saletta_sito.jpg 637w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/saletta_sito-300x148.jpg 300w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/saletta_sito-600x296.jpg 600w\" sizes=\"(max-width: 637px) 100vw, 637px\" \/><figcaption>The interior of the Royal Room of the Monza station<\/figcaption><\/figure><\/div>\n\n\n\n<p>Bianchi dedicated particular care to the development of the subject: numerous drawings and preparatory sketches preserved in various museums bear witness to this, while the <a href=\"https:\/\/www.artsupp.com\/it\/MuseiCivici.Monza\/Info\">Civic Museums of Monza<\/a> exhibit the <strong>preliminary sketch<\/strong>, donated by Moses&#8217;s nephew, Pompeo Mariani. The sketch still tells the troubled gestation of the complex painting, particularly related to the challenging solution of the upward perspective: a winged genius supports, amidst a throng of putti, the shield of the House of Savoy with the symbols of royalty. The Savoy shield, the crown, and the collar of the Annunciation dominate the center against the backdrop of a fluttering red drape, while the blue sky with light white clouds is meant to \u201cbreak through\u201d the ceiling of the Royal Room, utilizing the Tiepolesque suggestions that Bianchi had brought back from his stays in Veneto.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"855\" height=\"1024\" src=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/Mose-Bianchi-Bozzetto-per-il-Genio-di-Savoia-855x1024.jpg\" alt=\"\" class=\"wp-image-84838\" srcset=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/Mose-Bianchi-Bozzetto-per-il-Genio-di-Savoia-855x1024.jpg 855w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/Mose-Bianchi-Bozzetto-per-il-Genio-di-Savoia-250x300.jpg 250w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/Mose-Bianchi-Bozzetto-per-il-Genio-di-Savoia-768x920.jpg 768w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/Mose-Bianchi-Bozzetto-per-il-Genio-di-Savoia-1283x1536.jpg 1283w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/Mose-Bianchi-Bozzetto-per-il-Genio-di-Savoia-600x719.jpg 600w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/Mose-Bianchi-Bozzetto-per-il-Genio-di-Savoia.jpg 1710w\" sizes=\"(max-width: 855px) 100vw, 855px\" \/><figcaption>Moses Bianchi, <em>Sketch for the &#8220;Genius of House Savoy&#8221;<\/em>.<\/figcaption><\/figure><\/div>\n\n\n\n<p>Precisely because it was an occasion for study, the sketch presents some reconsiderations, particularly evident in the figure of the genius, reshaped by the insertion of a small piece of paper glued over the canvas to allow for a better correction of the anatomy, as can be seen from the part of the leg and foot of the young man that the recent restoration has brought back to light.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"677\" height=\"660\" src=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/136-677x660-1.jpg\" alt=\"\" class=\"wp-image-84839\" srcset=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/136-677x660-1.jpg 677w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/136-677x660-1-300x292.jpg 300w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/136-677x660-1-600x585.jpg 600w\" sizes=\"(max-width: 677px) 100vw, 677px\" \/><figcaption>Moses Bianchi, <em>Sketch for the &#8220;Genius of House Savoy&#8221;, detail.<\/em><\/figcaption><\/figure><\/div>\n\n\n\n<p>Once the overall composition was defined, Moses Bianchi proceeded to create the life-size preparatory cartoon, a delicate and monumental work measuring almost 5 meters by 3.5 meters, which has found its rightful place in the museum spaces since 2014.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/Cartone-per-il-dipinto-Il-Genio-di-Savoia-420x640-1.jpg\" alt=\"\" class=\"wp-image-84840\" width=\"487\" height=\"742\" srcset=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/Cartone-per-il-dipinto-Il-Genio-di-Savoia-420x640-1.jpg 420w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/Cartone-per-il-dipinto-Il-Genio-di-Savoia-420x640-1-197x300.jpg 197w\" sizes=\"(max-width: 487px) 100vw, 487px\" \/><figcaption>Moses Bianchi, <em>Preparatory cartoon for the &#8220;Genius of House Savoy&#8221;.<\/em><\/figcaption><\/figure><\/div>\n\n\n\n<p>Donated by the family of Moses Bianchi&#8217;s other nephew, Emilio Borsa, the cartoon provides us with an additional piece in the painter&#8217;s creative process, in an ideal journey that takes us from the initial idea to the final result, which we can still admire on the ceiling of the Royal Room of the station.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/soffitto-stazione.jpg\" alt=\"\" class=\"wp-image-84845\" width=\"418\" height=\"758\" srcset=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/soffitto-stazione.jpg 569w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/soffitto-stazione-166x300.jpg 166w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/soffitto-stazione-565x1024.jpg 565w\" sizes=\"(max-width: 418px) 100vw, 418px\" \/><figcaption>Moses Bianchi, <em>The Genius of House Savoy.<\/em><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"591\" height=\"873\" src=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/stazione-Ovale-soffitto.jpg\" alt=\"\" class=\"wp-image-84844\" srcset=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/stazione-Ovale-soffitto.jpg 591w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2021\/03\/stazione-Ovale-soffitto-203x300.jpg 203w\" sizes=\"(max-width: 591px) 100vw, 591px\" \/><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<div class=\"tmnf_excerpt\"><div class=\"tmnf_excerpt\"><p>Moses Bianchi is undoubtedly the most renowned artist born in the city of Monza in 1840. A memorable figure, with his long white beard, he was the absolute protagonist of the city&#8217;s artistic scene in the second half of the nineteenth century, a period of great ferment that saw numerous painters at work in the &hellip;<\/p>\n<\/div><\/div>","protected":false},"author":36,"featured_media":84835,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[910],"tags":[2771,791,2772,2773,2774],"class_list":["post-104783","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-speciale-opera-en","tag-civic-museums-of-monza-en","tag-modern-art","tag-monza-en","tag-mose-bianchi-en","tag-sketch-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Mos\u00e8 Bianchi and the &quot;Genius of House of Savoy&quot; at the Civic Museums of Monza<\/title>\n<meta name=\"description\" content=\"Mos\u00e8 Bianchi is the most famous artist born in Monza. 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