{"id":104725,"date":"2021-10-18T14:54:41","date_gmt":"2021-10-18T12:54:41","guid":{"rendered":"https:\/\/blog.artsupp.com\/the-sonosfera-and-the-climate-clock-of-pesaro\/"},"modified":"2021-10-18T14:54:41","modified_gmt":"2021-10-18T12:54:41","slug":"the-sonosfera-and-the-climate-clock-of-pesaro","status":"publish","type":"post","link":"https:\/\/blog.artsupp.com\/en\/the-sonosfera-and-the-climate-clock-of-pesaro\/","title":{"rendered":"The Sonosfera\u00ae and the Climate Clock of Pesaro"},"content":{"rendered":"\n

In all nations today, there is a discussion about Climate Change, and Pesaro<\/a> is doing its part to raise collective awareness as much as possible.<\/p>\n\n\n\n

\"\"
David Monacchi in Amazon 2016 – Photo Alex D\u2019emilia<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Since January 2020, the Marche city has hosted the Sonosfera<\/a> \u00ae<\/strong> within the Civic Museums, a theater for deep listening of ecosystems and music, unique in the world, created for the project \u2018Fragments of Extinction \u2013 The Sound Heritage of Ecosystems\u2019<\/strong>, which obtained international patent in 2014 by its creator David Monacchi, professor at the Rossini Conservatory.<\/p>\n\n\n\n

\"\"
David Monacchi in Amazon 2016 – Photo Alex D\u2019emilia<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

The project studies and proposes the soundscapes of primary equatorial forests recorded by Monacchi, using innovative three-dimensional technologies during expeditions in the Amazon, Africa, and Borneo. The experience in Sonosfera \u00ae allows one to experience live and in real-time the sound of these unspoiled ecosystems, which have the highest biodiversity and are the oldest on Earth. The audience sits in a cavea with 45 speakers, positioned in the spherical geometry of the acoustically perfect geode, capable of reproducing an enveloping soundscape, accompanied by 360\u00b0 high-resolution images. An extraordinary and emotional sound and visual immersion that has been updated this year with a new series of scientific data on the current state of the living planet and the dangerous changes in the biosphere already underway (sources: UN, IPCC, IPBES, IUCN, Bioscience, WWF-ZSL).<\/p>\n\n\n\n

\"\"
Sonosfera\u00ae<\/strong> Photo Luigi Angelucci<\/em><\/figcaption><\/figure>\n\n\n\n

The documentation of the emergency is linked to the novelty of the Climate Clock<\/a><\/strong>, which, born from a group of activists in New York, is becoming a global movement. In 2020, Monacchi oversaw its reworking and construction, and it is now located outside the Civic Museums, on the facade of Palazzo Mosca. Another important tool that was inaugurated on September 24, during the \u2018Youth4Climate2021: Driving Ambition\u2019 event in Milan and in anticipation of the COP26 of the United Nations Framework Convention on Climate Change (UNFCCC) to be held in November in Glasgow.<\/p>\n\n\n\n

\"\"
Inauguration of the Climate Clock on the facade of Palazzo Mosca<\/figcaption><\/figure>\n\n\n\n

Second in Italy after the one installed on the facade of the Ministry of Ecological Transition and already present in major cities around the world, the clock tells us what to do, and by when, to save the Earth from overheating. The Climate Clock<\/em> is based on recent science and provides the most up-to-date summary numbers on emissions and timelines to understand the urgency of the systemic change that needs to be implemented and the direction to follow. The deadline<\/em> measures the time available for humanity to exhaust CO2 emissions in the atmosphere before exceeding the critical threshold of +1.5\u00b0, meaning reaching, in about 7 years, emissions close to zero; but there is also the lifeline<\/em> that measures the share of energy produced from renewable sources towards the desired ecological transition that is our salvation: currently at 12.4% and increasing, but much more slowly than necessary.<\/p>\n\n\n\n

\"\"
Climate Clock<\/figcaption><\/figure><\/div>\n\n\n\n

Given the drastic changes in climate and natural habitats, it is now of fundamental importance to bring to everyone’s attention what science and climate justice require us to do immediately to avoid the \u2018sixth mass extinction\u2019. The narrative of scientific data, through the mobile theater Sonosfera\u00ae and the Climate Clock, has this purpose; it indeed allows us to touch the emotional chords of the collective environmental consciousness, especially of the youth who will have to manage our legacy.<\/p>\n\n\n\n

The new content of the Sonosfera \u00ae renamed \u2018Fragments of Extinction in the Climate Clock\u2019<\/strong> has been selected by the Ministry of Ecological Transition to be included in the \u2018All4Climate-Italy2021\u2019 Program, the official calendar of Italian events aimed at promoting 2021 as the year of climate ambition. A significant recognition for Pesaro, already a UNESCO Creative City of Music and now at the forefront of launching a message of awareness about the planetary biodiversity crisis.<\/p>\n\n\n\n

\"\"
Sonosfera\u00ae Photo Luigi Angelucci<\/em><\/figcaption><\/figure>\n\n\n\n

Lastly, as decided by the Council of Ministers on October 7, in the white zone, cultural venues have returned to host the public at 100% of their capacity, and thus the Sonosfera<\/a> \u00ae has increased its attendance, welcoming groups and classes from schools again. Visits are available for the public on Saturdays, Sundays, and holidays (visiting shifts at 10:30, 11:30, 16:00, 17:00; from June to September, the afternoon times are 16:30, 17:30) for schools and groups on other days and times, always by reservation.<\/p>\n\n\n\n

For information and reservations pesaro@sistemamuseo.it
T 0721387541 Palazzo Mosca – Civic Museums
T 07211922156 Rossini National Museum
www.pesaromusei.it <\/p>\n","protected":false},"excerpt":{"rendered":"

In all nations today, there is a discussion about Climate Change, and Pesaro is doing its part to raise collective awareness as much as possible. Since January 2020, the Marche city has hosted the Sonosfera \u00ae within the Civic Museums, a theater for deep listening of ecosystems and music, unique in the world, created for …<\/p>\n<\/div><\/div>","protected":false},"author":23,"featured_media":85434,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1023],"tags":[2609,2613,2612,2610,2573,2611],"class_list":["post-104725","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-our-museums","tag-civic-museums-of-pesaro-en","tag-climate-changing-en","tag-climate-clock-en","tag-pesaro-en","tag-pesaro-museums-en","tag-sonosfera-en"],"acf":[],"yoast_head":"\nThe Sonosfera and the Climate Clock raise awareness about the climate crisis<\/title>\n<meta name=\"description\" content=\"In Pesaro, a campaign is underway to raise awareness about the climate crisis at the Sonosfera and the Climate 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Nata a Milano, vive e lavora a Pesaro. Laureata in Storia dell'Arte con specializzazione al DAMS di Bologna, inizia la sua attivit\u00e0 professionale a Milano dai primi anni \u201990 con la Fondazione Antonio Mazzotta; dal 1996 al 2005 \u00e8 responsabile della Fondazione Museo Luciano Minguzzi e dal 2003 al 2011 \u00e8 capo Ufficio Stampa di Arthemisia Group (nella sede di Pesaro dal 2007); dal 2011 \u00e8 libera professionista. Da sempre affianca la sua principale attivit\u00e0 di comunicazione con pubblicazioni, curatele per mostre e collaborazioni giornalistiche su testate di settore.","sameAs":["https:\/\/www.presszanchi.com\/","https:\/\/www.facebook.com\/Press.Alessandra.Zanchi"],"url":"https:\/\/blog.artsupp.com\/en\/author\/alessandra-zanchi\/"}]}},"_links":{"self":[{"href":"https:\/\/blog.artsupp.com\/en\/wp-json\/wp\/v2\/posts\/104725","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.artsupp.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.artsupp.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.artsupp.com\/en\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.artsupp.com\/en\/wp-json\/wp\/v2\/comments?post=104725"}],"version-history":[{"count":0,"href":"https:\/\/blog.artsupp.com\/en\/wp-json\/wp\/v2\/posts\/104725\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.artsupp.com\/en\/wp-json\/wp\/v2\/media\/85434"}],"wp:attachment":[{"href":"https:\/\/blog.artsupp.com\/en\/wp-json\/wp\/v2\/media?parent=104725"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.artsupp.com\/en\/wp-json\/wp\/v2\/categories?post=104725"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.artsupp.com\/en\/wp-json\/wp\/v2\/tags?post=104725"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}