{"id":104623,"date":"2022-06-10T16:47:27","date_gmt":"2022-06-10T14:47:27","guid":{"rendered":"https:\/\/blog.artsupp.com\/milan-is-not-just-the-salone-del-mobile-exhibitions-to-see-in-the-city\/"},"modified":"2022-06-10T16:47:27","modified_gmt":"2022-06-10T14:47:27","slug":"milan-is-not-just-the-salone-del-mobile-exhibitions-to-see-in-the-city","status":"publish","type":"post","link":"https:\/\/blog.artsupp.com\/en\/milan-is-not-just-the-salone-del-mobile-exhibitions-to-see-in-the-city\/","title":{"rendered":"Milan is not just the Salone del Mobile: exhibitions to see in the city"},"content":{"rendered":"\n<p>Until Sunday <strong>June 12, <a href=\"https:\/\/artsupp.com\/it\/milano?orig=223674\">Milan<\/a> <\/strong>is buzzing with the<strong> Salone del Mobile, <\/strong>but the city has much more to offer.<\/p>\n\n\n\n<p><strong>Here are five exhibitions worth visiting<\/strong>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"the-beginning-of-time-the-spatial-researches-of-arnaldo-pomodoro-from-march-6-to-december-18-2022-at-the-arnaldo-pomodoro-foundation\"><strong>The Beginning of Time. The Spatial Researches of Arnaldo Pomodoro from March 6 to December 18, 2022 at the Arnaldo Pomodoro Foundation<\/strong><\/h2>\n\n\n\n<p><strong><a href=\"https:\/\/artsupp.com\/it\/milano\/mostre\/l-inizio-del-tempo-le-ricerche-spazialistiche-di-arnaldo-pomodoro-fondazione-arnaldo-pomodoro\" target=\"_blank\" rel=\"noreferrer noopener\">The Beginning of Time. The Spatial Researches<\/a> by <a href=\"https:\/\/artsupp.com\/it\/artisti\/arnaldo-pomodoro\" target=\"_blank\" rel=\"noreferrer noopener\">Arnaldo Pomodoro<\/a> <\/strong>is currently ongoing at the <strong><a href=\"https:\/\/artsupp.com\/it\/milano\/musei\/fondazione-arnaldo-pomodoro\" target=\"_blank\" rel=\"noreferrer noopener\">Arnaldo Pomodoro Foundation<\/a> until December 18.<\/strong>&nbsp;<\/p>\n\n\n\n<p>The<strong> exhibition <\/strong>launches the series of&nbsp;<strong>Open Studio<\/strong>: <strong>temporary installations<\/strong> in the spaces of&nbsp;<strong>the Studio of <a href=\"https:\/\/artsupp.com\/it\/artisti\/arnaldo-pomodoro\" target=\"_blank\" rel=\"noreferrer noopener\">Arnaldo Pomodoro<\/a><\/strong>&nbsp;that delve into the lesser-known periods&nbsp;of the artist&#8217;s research, showcasing&nbsp;<strong>original works, documents, and archival materials.<\/strong><\/p>\n\n\n\n<p>The<strong> exhibition<\/strong> showcases the work<strong> <a href=\"https:\/\/artsupp.com\/it\/artisti\/anonimo\/l-inizio-del-tempo-n-2\" target=\"_blank\" rel=\"noreferrer noopener\">The Beginning of Time n.&nbsp;2<\/a>,<\/strong> a <strong>large bas-relief in lead, zinc, and tin<\/strong>. Here <strong>Pomodoro<\/strong>, who has already surpassed the phase of <strong>informal<\/strong>, explores the<strong> spatial development<\/strong> of a concrete and substantial surface.<\/p>\n\n\n\n<p><br>Also on display are <strong>sculptures, drawings, and design studies<\/strong> that narrate the period of activity between <strong>1957 and 1964<\/strong>, culminating in the creation of the<strong> Great Tribute<\/strong> to technological civilization for the facade of the<strong> University of Applied Sciences in Cologne<\/strong>.<\/p>\n\n\n\n<p>In the <strong>Great Tribute<\/strong>, <strong>Pomodoro<\/strong> brings to sculpture, on the vast surface of concrete and bronze, a puncturing of <strong>touches, hollows, knots, traces, and imprints<\/strong>: an unreadable language, rich in history, almost symbolic and at the same time prophetic of the circuits of the first <strong>&#8220;electronic brains&#8221;<\/strong>.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.23.49-1024x619.jpg\" alt=\"\" class=\"wp-image-86417\" width=\"766\" height=\"462\" srcset=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.23.49-1024x619.jpg 1024w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.23.49-300x181.jpg 300w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.23.49-768x464.jpg 768w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.23.49-1536x928.jpg 1536w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.23.49-600x362.jpg 600w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.23.49.jpg 2036w\" sizes=\"(max-width: 766px) 100vw, 766px\" \/><figcaption><strong>Restoration of the Beginning of Time No. 2, 2021, Photography<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button aligncenter is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link\" href=\"https:\/\/artsupp.com\/it\/milano\/mostre\/l-inizio-del-tempo-le-ricerche-spazialistiche-di-arnaldo-pomodoro-fondazione-arnaldo-pomodoro\" target=\"_blank\" rel=\"noreferrer noopener\">GO TO THE FULL EXHIBITION<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"metaspore-anicka-yi-from-february-24-to-july-24-2022-at-pirelli-hangar-bicocca\"><strong>Metaspore, Anicka Yi from February 24 to July 24, 2022 at Pirelli Hangar Bicocca <\/strong><\/h2>\n\n\n\n<p><strong>\u201c<a href=\"https:\/\/artsupp.com\/it\/milano\/mostre\/anicka-yi-metaspore-pirelli-hangar-bicocca#\">Metaspore<\/a>\u201d<a href=\"https:\/\/artsupp.com\/it\/milano\/mostre\/anicka-yi-metaspore-pirelli-hangar-bicocca#\" target=\"_blank\" rel=\"noreferrer noopener\"> <\/a>is the solo exhibition <\/strong>of&nbsp;<strong>Anicka Yi<\/strong>, currently on at the<strong><a href=\"https:\/\/artsupp.com\/it\/milano\/musei\/pirelli-hangarbicocca\" target=\"_blank\" rel=\"noreferrer noopener\"> Pirelli Hangar Bicocca<\/a><\/strong> until <strong>July 24, 2022<\/strong>. The<strong> exhibition<\/strong> is curated by <strong>Fiammetta Griccioli <\/strong>and <strong>Vicente Todol\u00ed.&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>Anicka Yi <\/strong>is a<strong> contemporary artist<\/strong> of Korean descent, born in <strong>Seoul <\/strong>in 1971 but has been living and working in <strong>New York<\/strong> for years.&nbsp;<\/p>\n\n\n\n<p>She has established herself as<strong> one of the most innovative and interesting figures in the contemporary scene<\/strong>. Yi tackles themes such as<strong> philosophy, biology, politics, and science fiction<\/strong>.<\/p>\n\n\n\n<p>\u201c<strong>Metaspore<\/strong>\u201d&nbsp; showcases over <strong>twenty installations<\/strong> by&nbsp;<strong>Anicka Yi<\/strong>, multifaceted creations that dismantle <strong>the boundaries between science and art<\/strong>, between organic and synthetic, between human and non-human, exploring the concepts of <strong>metamorphosis, interdependence, ecosystem, and symbiosis.<\/strong> <\/p>\n\n\n\n<p>The <strong>exhibition<\/strong> also aims to be&nbsp;a sensory and perceptual experience for visitors through scents, mutating forms, and disorienting biological elements.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.24.24-1-1024x807.jpg\" alt=\"\" class=\"wp-image-86419\" width=\"764\" height=\"602\" srcset=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.24.24-1-1024x807.jpg 1024w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.24.24-1-300x237.jpg 300w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.24.24-1-768x606.jpg 768w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.24.24-1-1536x1211.jpg 1536w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.24.24-1-600x473.jpg 600w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.24.24-1.jpg 1702w\" sizes=\"(max-width: 764px) 100vw, 764px\" \/><figcaption><strong>The Symbiotic Bread<br>Anicka Yi<br>2014&nbsp;|&nbsp;PVC, projector, single-channel video, glycerin, resin, paste, pigmented powder, plastic<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button aligncenter is-style-outline is-style-outline--2\"><a class=\"wp-block-button__link\" href=\"https:\/\/artsupp.com\/it\/milano\/mostre\/anicka-yi-metaspore-pirelli-hangar-bicocca\" target=\"_blank\" rel=\"noreferrer noopener\">GO TO THE FULL EXHIBITION<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"elisa-sighicelli-as-above-so-below-from-march-29-to-july-3-2022-at-the-galleria-darte-moderna-in-milan\"><strong>Elisa Sighicelli As Above, So Below from March 29 to July 3, 2022 at the Galleria d\u2019Arte Moderna in Milan<\/strong><br><\/h2>\n\n\n\n<p>The<strong> <a href=\"https:\/\/artsupp.com\/it\/milano\/musei\/galleria-d-arte-moderna-di-milano\" target=\"_blank\" rel=\"noreferrer noopener\">Galleria d\u2019Arte Moderna<\/a> <\/strong>in <strong><a href=\"https:\/\/artsupp.com\/it\/milano?orig=223714\" target=\"_blank\" rel=\"noreferrer noopener\">Milan<\/a><\/strong>&nbsp;presents the solo exhibition of Elisa Sighicelli<strong><a href=\"https:\/\/artsupp.com\/it\/milano\/mostre\/elisa-sighicelli-as-above-so-below-galleria-d-arte-moderna-di-milano\" target=\"_blank\" rel=\"noreferrer noopener\">&nbsp;As Above, So Below,<\/a><\/strong> featuring new works on display.<\/p>\n\n\n\n<p>The <strong>exhibition<\/strong> indeed brings together a core of about <strong>25 images<\/strong> including <strong>photographic prints on paper<\/strong>, a <strong>print on plaster<\/strong>, and two <strong>sculptures<\/strong> from the <strong>sculpture deposit<\/strong> of the&nbsp;<strong>GAM in Milan<\/strong>.<\/p>\n\n\n\n<p><br><strong>Elisa Sighicelli<\/strong> recounts the museum&#8217;s storage, home to approximately <strong>800 sculptural objects,<\/strong> including <strong>plasters, bronzes, marbles, waxes, mutilated bodies, languid female figures, inscriptions, condottieri, and funerary relics.<\/strong><\/p>\n\n\n\n<p><strong>As Above, So Below<\/strong> reflects the concept of mirroring between human behavior and that suggested by the sculptures, as well as the recognition of the correspondence between a higher order and a different underground dimension. At the core of this work is the <strong>relationship between photography and object, between image and reality, between sculpture and humanity.<\/strong><\/p>\n\n\n\n<p>The artist indeed chooses to engage with the storage by exploring the expressive potential of individual works or groups, revealing interesting formal relationships and silent dialogues in random juxtapositions.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"861\" src=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.24.54-1-1024x861.jpg\" alt=\"\" class=\"wp-image-86421\" srcset=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.24.54-1-1024x861.jpg 1024w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.24.54-1-300x252.jpg 300w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.24.54-1-768x646.jpg 768w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.24.54-1-1536x1292.jpg 1536w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.24.54-1-600x504.jpg 600w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.24.54-1.jpg 1558w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Elisa Sighicelli, As Above, So Below <\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button aligncenter is-style-outline is-style-outline--3\"><a class=\"wp-block-button__link\" href=\"https:\/\/artsupp.com\/it\/milano\/mostre\/elisa-sighicelli-as-above-so-below-galleria-d-arte-moderna-di-milano\" target=\"_blank\" rel=\"noreferrer noopener\">GO TO THE FULL EXHIBITION<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"henri-cartier-bresson-china-194849-1958-from-february-18-to-july-3-2022-at-mudec-in-milan\"><strong>Henri Cartier &#8211; Bresson China 1948-49 | 1958 from February 18 to July 3, 2022 at Mudec in Milan<\/strong><br><\/h2>\n\n\n\n<p>The <strong><a href=\"https:\/\/artsupp.com\/it\/milano\/musei\/mudec-museo-delle-culture?orig=223729\" target=\"_blank\" rel=\"noreferrer noopener\">Mudec <\/a><\/strong>presents &nbsp;<strong><a href=\"https:\/\/artsupp.com\/it\/milano\/mostre\/henri-cartier-bresson-cina-1948-49-1958-mudec-museo-delle-culture\" target=\"_blank\" rel=\"noreferrer noopener\">Henri Cartier-Bresson. China 1948-49 | 1958<\/a><\/strong>, one of the most&nbsp;important cultural figures of the 20th century, regarded as the pioneer of photojournalism.<\/p>\n\n\n\n<p>The exhibition \u201c<strong>Henri Cartier-Bresson. China 1948-49 | 1958<\/strong>\u201d, open until <strong>July 3, 2022<\/strong>, was made possible through the collaboration of the Henri Cartier-Bresson Foundation and brings together an exceptional corpus of photographs and archival documents from the French photojournalist: <strong>over 100 original prints<\/strong> along with <strong>period magazine publications, documents, and letters from the collection of the HCB Foundation.<\/strong><\/p>\n\n\n\n<p>The <strong>China<\/strong> is narrated, an unprecedented journey through <strong>two key moments in the history of the country<\/strong>: <strong>the fall of the Kuomintang<\/strong> (1948-1949) and the <strong>&#8220;Great Leap Forward&#8221;<\/strong> of <strong>Mao Zedong (1958).<\/strong> An important moment in the history of world photojournalism, experienced through the personal approach of the master <strong><a href=\"https:\/\/artsupp.com\/it\/artisti\/henri-cartier-bresson\" target=\"_blank\" rel=\"noreferrer noopener\">Cartier-Bresson<\/a>,<\/strong> who was the first to highlight \u2013 through the eye of his lens \u2013 significant themes of change in contemporary Chinese history, managing to present to the Western world aspects that were kept hidden by regime propaganda, such as the exploitation of human resources and the omnipresence of militias.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"700\" src=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.25.46-1024x700.jpg\" alt=\"\" class=\"wp-image-86422\" srcset=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.25.46-1024x700.jpg 1024w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.25.46-300x205.jpg 300w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.25.46-768x525.jpg 768w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.25.46-1536x1051.jpg 1536w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.25.46-2048x1401.jpg 2048w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.25.46-600x410.jpg 600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>In Lui Chi Chang, the street of antique shops, the window of a brush seller.<br>Henri Cartier-Bresson<br>1948&nbsp;|&nbsp;Photography<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button aligncenter is-style-outline is-style-outline--4\"><a class=\"wp-block-button__link\" href=\"https:\/\/artsupp.com\/it\/milano\/mostre\/henri-cartier-bresson-cina-1948-49-1958-mudec-museo-delle-culture\" target=\"_blank\" rel=\"noreferrer noopener\">GO TO THE FULL EXHIBITION<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"blank-from-june-9-to-july-22-2022-at-the-ica-foundation\"><strong>Blank from June 9 to July 22, 2022 at the ICA Foundation<\/strong><\/h2>\n\n\n\n<p><strong><a href=\"https:\/\/artsupp.com\/it\/milano\/musei\/fondazione-ica-milano?orig=223743\" target=\"_blank\" rel=\"noreferrer noopener\">ICA Foundation Milan<\/a><\/strong>&nbsp;presents,&nbsp;<strong>from Thursday, June 9 to Friday, July 22, 2022<\/strong>, the exhibition<strong>&nbsp;<a href=\"https:\/\/artsupp.com\/it\/milano\/mostre\/irma-blank-blank-fondazione-ica-milano\" target=\"_blank\" rel=\"noreferrer noopener\">BLANK<\/a><\/strong>,&nbsp;curated by<strong>&nbsp;Johana Carrier&nbsp;and&nbsp;Joana P. R. Neves<\/strong>. The<strong> traveling retrospective<\/strong> is by the namesake artist<strong> Italian-German Irma Blank<\/strong> and is part of a series that includes iterations, each aimed at exploring a facet of the artist&#8217;s production and adapted to the specific venue.<\/p>\n\n\n\n<p>The&nbsp;<strong>ICA Foundation in Milan<\/strong> is the final stop of the exhibition and it is no coincidence that it is in<strong> Milan<\/strong>, the city where the artist has lived and worked since 1973.&nbsp;<\/p>\n\n\n\n<p>The works focus on<strong> identity and critical self-reflection<\/strong> through the use of drawn and wordless languages, characteristics of the artist&#8217;s entire body of work.<\/p>\n\n\n\n<p><strong>Blank,<\/strong> since her move to<strong> Sicily<\/strong> in 1955, began working on an initial series of<strong> introspective works<\/strong> and embarked on an<strong> artistic research<\/strong> that would accompany her throughout her life, based on calligraphies born from her imagination and stripped of constraints of meaning. The so-called<strong> &#8220;asemic or semantic writing,\u201d<\/strong> <strong>universal expression of writing and drawing.<\/strong><\/p>\n\n\n\n<p>Blank&#8217;s radical creativity drives her to work, in addition to painting and drawing, with<strong> very different media including screen printing, sound, performance, and installation.<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"832\" src=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.26.34-1024x832.jpg\" alt=\"\" class=\"wp-image-86423\" srcset=\"https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.26.34-1024x832.jpg 1024w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.26.34-300x244.jpg 300w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.26.34-768x624.jpg 768w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.26.34-1536x1248.jpg 1536w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.26.34-600x488.jpg 600w, https:\/\/blog.artsupp.com\/wp-content\/uploads\/2022\/06\/Schermata-2022-06-07-alle-10.26.34.jpg 2030w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Gehen, Second life, Ways, Irma Blank, 2020&nbsp;|&nbsp;Marker on paper<\/strong><br><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button aligncenter is-style-outline is-style-outline--5\"><a class=\"wp-block-button__link\" href=\"https:\/\/artsupp.com\/it\/milano\/mostre\/irma-blank-blank-fondazione-ica-milano\" target=\"_blank\" rel=\"noreferrer noopener\">GO TO THE COMPLETE EXHIBITION<\/a><\/div>\n<\/div>\n\n\n\n<p><a href=\"https:\/\/artsupp.com\/it\/milano\/musei\/fondazione-ica-milano\"><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"tmnf_excerpt\"><div class=\"tmnf_excerpt\"><p>Until Sunday June 12, Milan is buzzing with the Salone del Mobile, but the city has much more to offer. Here are five exhibitions worth visiting. The Beginning of Time. The Spatial Researches of Arnaldo Pomodoro from March 6 to December 18, 2022 at the Arnaldo Pomodoro Foundation The Beginning of Time. The Spatial Researches &hellip;<\/p>\n<\/div><\/div>","protected":false},"author":12,"featured_media":86478,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[902],"tags":[790,792,879,892,953],"class_list":["post-104623","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artsupp-tells-you","tag-contemporary-art","tag-exhibtions","tag-milano-en","tag-museums","tag-museums-in-milan"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Milan is not just the Salone del Mobile: exhibitions to see in the city - Artsupp<\/title>\n<meta name=\"description\" content=\"Until June 12, Milan is buzzing with the Salone del Mobile, but the city has more to offer. 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