{"id":102537,"date":"2026-02-09T09:43:14","date_gmt":"2026-02-09T08:43:14","guid":{"rendered":"https:\/\/blog.artsupp.com\/?p=102537"},"modified":"2026-02-12T15:07:23","modified_gmt":"2026-02-12T14:07:23","slug":"giacomo-balla-in-mostra-a-firenze","status":"publish","type":"post","link":"https:\/\/blog.artsupp.com\/en\/giacomo-balla-in-mostra-a-firenze\/","title":{"rendered":"Giacomo Balla in mostra a Firenze"},"content":{"rendered":"\n
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Fino al 7 Marzo alla Collezione Roberto Casamonti <\/h2>\n\n\n\n

Parola al Direttore Jonathan Paonetti <\/h3>\n\n\n\n

Torna l’appuntamento dedicato al “Ritorno dei grandi maestri del XX secolo” alla Collezione Roberto Casamonti di Firenze<\/a>. L’esposizione permette di rendere accessibili ai visitatori opere che sono conservate nei depositi della Collezione e, quindi, non sempre visibili.<\/p>\n\n\n\n

La prima mostra del 2026 rende omaggio a Giacomo Balla e due delle sue opere qui conservate: “Grande serata nera al Salone Margherita. Serata nera”, un’opera del 1903-1904 circa dal gusto ancora divisionista prima dell’approdo al Futurismo maturo, rappresentato da “Idealfiamma”, un olio su tela del 1929. <\/p>\n\n\n\n

Abbiamo chiesto al Direttore Jonathan Paonetti di potercene parlare brevemente. <\/p>\n\n\n\n

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1) Questa \u00e8 la prima mostra del 2026 dedicata al ritorno dei grandi maestri, si parte conGiacomo Balla. Dopo Boldini, De Pisis, Chagall, De Chirico, Dal\u00ec ecc. la scelta \u00e8 ricaduta sul maestro del Futurismo, c\u2019\u00e8 un motivo specifico?<\/strong><\/h3>\n\n\n\n

Giacomo Balla rappresenta una figura centrale nell\u2019evoluzione dell\u2019arte italiana tra Ottocento e Novecento. La scelta \u00e8 dovuta essenzialmente dalla volont\u00e0 di riportare nel percorso espositivo il suo linguaggio straordinariamente attuale nella mostra dal titolo \u201cDagli anni \u201960 agli inizi del XXI secolo\u201d e, di conseguenza, creare un dialogo con opere degli artisti in esposizione.<\/p>\n\n\n\n

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\"Giacomo
Giacomo Balla, Idealfiamma, olio su tela, 1929<\/figcaption><\/figure>\n\n\n\n
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2) C\u2019\u00e8 un file rouge che lega le diverse esposizioni l\u2019una all\u2019altra, oltre ovviamente alla<\/strong> valorizzazione dei \u201cGrandi Maestri del XX secolo\u201d?<\/strong><\/h3>\n\n\n\n

Si, esiste un file rouge che lega le diverse esposizioni. \u00c8 la volont\u00e0 di riportare al centro dell\u2019attenzione del percorso espositivo alcuni protagonisti dell\u2019arte del Novecento valorizzandone la ricerca artistica, il pensiero e la ricerca. Ogni mostra \u00e8 concepita come un capitolo autonomo che permette di ricostruire, nell\u2019insieme, una narrazione pi\u00f9 ampia.<\/p>\n\n\n\n

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3) In mostra ci sono due capolavori: “Grande serata nera al Salone Margherita. Serata<\/strong> nera\u201d e \u201cIdealfiamma\u201d un confronto tra due periodi artistici di Balla tra il tardo<\/strong> divisionista e il futurismo maturo. Che tipo di consiglio di lettura puoi dare al visitatore<\/strong> che si interfaccia per la prima volta in questo confronto?<\/strong><\/h3>\n\n\n\n

Al visitatore che si approccia per la prima volta a questo confronto, suggerisco di lasciarsi guidare dalla trasformazione del linguaggio visivo dell\u2019artista. Il passaggio dal Divisionismo al Futurismo non avviene per rottura ma per evoluzione e, il confronto delle opere, permette di comprendere la capacit\u00e0 di Giacomo Balla nell\u2019unire sperimentazione e visione.<\/p>\n\n\n\n

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\"Giacomo<\/figure>\n\n\n\n
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4)<\/strong> <\/strong>Hai una curiosit\u00e0 su una o entrambe le opere che vuoi condividere con noi?<\/strong><\/h3>\n\n\n\n

Per scoprire le numerose curiosit\u00e0 sulle opere esposte invito i visitatori a partecipare alle visite guidate organizzate mensilmente ma un piccolo dettaglio posso rivelarlo: osservando \u201cGrande serata nera al Salone Margherita. Serata nera\u201d (1903-1904) suggerisco di soffermare lo sguardo nella composizione geometrica della scena rappresentata. Un serie di assi verticali, orizzontali e moduli speculari determinano l\u2019intera costruzione.<\/p>\n\n\n\n

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Prenota qui la tua visita<\/strong><\/h3>\n\n\n\n
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ARTSUPP.COM<\/a><\/div>\n<\/div>\n\n\n\n
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5) Un invito a visitare la Collezione Roberto Casamonti e la mostra<\/strong><\/h3>\n\n\n\n

L\u2019invito che posso rivolgere a tutti i visitatori \u00e8 quello di venire ad immergersi nell\u2019arte contemporanea alla scoperta di linguaggi innovativi e rivoluzionari con artisti di fama internazionale. Un percorso unico nel cuore di Firenze pensato per condivide bellezza, emozioni e le immense riflessioni che solo l\u2019arte pu\u00f2 creare.<\/p>\n\n\n\n

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Per tutti i musei l’arte a Firenze, clicca qui! <\/strong><\/h3>\n\n\n\n
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ARTSUPP.COM<\/a><\/div>\n<\/div>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Fino al 7 Marzo alla Collezione Roberto Casamonti Parola al Direttore Jonathan Paonetti Torna l’appuntamento dedicato al “Ritorno dei grandi maestri del XX secolo” alla Collezione Roberto Casamonti di Firenze. L’esposizione permette di rendere accessibili ai visitatori opere che sono conservate nei depositi della Collezione e, quindi, non sempre visibili. La prima mostra del 2026 …<\/p>\n<\/div><\/div>","protected":false},"author":12,"featured_media":102540,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1016,1210],"tags":[81,100,622,109,676,93],"class_list":["post-102537","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-i-migliori-opening","category-mostre-da-non-perdere-2026","tag-arte-contemporanea","tag-arte-moderna","tag-firenze","tag-mostre","tag-mostre-a-firenze","tag-musei"],"acf":[],"yoast_head":"\nGiacomo Balla in mostra a Firenze: parola al Direttore Paonetti<\/title>\n<meta name=\"description\" content=\"Giacomo Balla in mostra a Firenze: parola al Direttore Jonathan Paonetti della Collezione Roberto Casamonti\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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